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IV

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Before peace had been made with France, Gottfried lay down to die. He was buried in the little churchyard by the wall, and a cross was set upon his grave.

Jason Philip and Theresa had come to the funeral, and stayed for three days. An examination of her inheritance showed, to Marian’s consternation, that there were not twenty taler in the house, and what she saw ahead of her was a life of wretchedness and want. Jason Philip’s counsel and his plan were a genuine consolation to her, and his declaration that he would stand by her to the best of his ability eased her heart.

It was determined that she was to open a little shop, and Jason advanced her one hundred taler. All the while he had the air of a made man. He held his head high, and his fat little cheeks glowed with health. He was fond of drumming with his fingers on the window pane and of whistling. The tune he whistled was the Marseillaise, but that tune was not known in Eschenbach.

Daniel observed carefully his uncle’s lips, and whistled the tune after him. Jason Philip laughed so that his little belly quivered. Then he remembered that it was a house of mourning, and said: “What a boy!”

But really he did not like the boy. “Our excellent Gottfried does not seem to have trained him carefully,” he remarked once, when Daniel showed some childish recalcitrance. “The boy needs a strong hand.”

Daniel heard these words, and looked scornfully into his uncle’s face.

Sunday afternoon, when the coffee had been served, the Schimmelweis couple was ready to leave. But Daniel was not to be found. The wife of the inn-keeper called out across the road that she had seen him follow the organist to church. Marian ran to the church to fetch him. After a while she returned, and said to Jason Philip, who was waiting: “He’s crouching in the organ loft, and I can’t get him to move.”

“Can’t get him to move?” Jason Philip started up, and his little red cheeks gleamed with rage. “What does that mean? How can you tolerate that?” And he himself proceeded to the church to get the disobedient child.

As he was mounting the organ-loft he met the organist, who laughed and said: “I suppose you’re looking for Daniel? He’s still staring at the organ, as though my bit of playing had bewitched him.”

“I’ll drive the witch-craft out of him,” Jason Philip snarled.

Daniel was crouching on the floor behind the organ, and did not stir at his uncle’s call. He was so absorbed that the expression of his eyes made his uncle wonder whether the boy was really sane. He grasped Daniel’s shoulder, and spoke in a tone of violent command: “Come home with me this minute!”

Daniel looked up, awoke from his dream, and became aware of the indignant hiss of that alien voice. He tore himself away, and declared insolently that he would stay where he was. That enraged Jason Philip utterly, and he tried again to lay hands on the boy in order to drag him down by force. Daniel leapt back, and cried with a quivering voice: “Don’t touch me!”

Perhaps it was the silence of the nave that had an admonishing and terrifying effect on Jason Philip. Perhaps the extraordinary malignity and passion in the little fellow’s face caused him to desist. At all events he turned around and went without another word.

“The stage-coach is waiting. We’ll be late!” his wife called out to him.

He turned a sinister face to Marian. “You’re bringing up a fine product, I must say. You’ll have your own troubles with him.”

Marian’s eyes fell. She was not unprepared for the reproach. She was herself frightened at the boy’s savage obduracy, his self-centred insistence on his imaginings, his hardness and impatience and contempt of all restraint. It seemed to her as though fate had inspired the soul of her child with something of the foolish and torturing hatred which she had nursed during her pregnancy.

The Goose Man

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