Читать книгу The Deep Sea's Toll - James B. Connolly - Страница 4

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IT was a howling gale outside, but howling gales were common things to Peter, and he did not see why this one need hinder his taking a little stroll along the docks. Something in the appearance of the vessel just rounding the Point helped to give new life to the idea he had been entertaining for some minutes now—that a little trip along the harbor front wouldn’t be a half bad notion.

Exactly what that something was Peter could not say. Queer inner workings were not to be argued as if they were Trust or Tariff questions; but this vessel—and she certainly was an able vessel—and the vessel just before her was an able vessel too—both these vessels, he might say, tearing around the Point, rails buried and booms dragging, did suggest in some way Peter couldn’t quite reason out, that his intended little voyage was a good idea.

It had been ever so with Peter. Never one of his favorites came swinging in before a breeze that he did not begin to get nervous. So, having made a note of the Colleen Bawn, Tom O’Donnell master, under a note of the Nannie O, Tommie Ohlsen master, and seeing nothing further to hinder he just the same as conferred a decoration on the most meritorious of his volunteer staff by giving him full charge of the tower while he should be gone. Then, with conscience clear, he climbed down the winding back stairs and out onto the street.

In and about among the wharves did Peter jog under easy sail until he felt somewhat more rested. He was, indeed, about to return to Crow’s Nest, but happening to glance down Duncan’s Dock, he made out Dexter Warren painting dories under the lee of the long shed. “Miracles!” murmured Peter, “Dexter’s workin’.” Picking his course over the planks of the dock, tacking in and out among the fish flakes, empty hogsheads and old broken spars, Peter noticed Dexter step away from his dories, raise his hands to his eyes, take a squint across the harbor, shake his head sadly, come back and resume his dory-painting.

But resumed it leisurely, for Dexter, as everybody in Gloucester that knew him knew, was not the man to do things in a bull-headed way. That some men painted portraits with less care than Dexter painted bankers’ dories was readily believed by anyone who had ever seen Dexter painting dories. Dexter would have told you that the dories were the more useful. He was now putting in the discriminating touches that distinguish the type of man who works for something other than the money there is in it. It was the precise little dab of the brush here and a deft little flirt of the wrist there, and the holding of the head first to one side and then the other, that caught the eye of Peter when he rounded to under Dexter’s quarter and hailed.

“Hulloh, Dexter-boy, and what’s it you’re paintin’?”

“Miniachoors—miniachoors on iv’ry,” responded Dexter, with brush suspended at arm’s length, and himself swinging slowly around. He had some more little repartee on the tip of his tongue, but seeing who it was he forgot it, and “Hulloh, Peter,” he said instead, “and what ever druv you out this mornin’?”

“I dunno. The confinement, maybe.”

“Ah, that’s bad—too much confinement.”

“That’s what I was thinkin’ myself. For who are the dories?”

“Captain O’Donnell.”

“For the Colleen Bawn? A man’d think’d be a new vessel and not new dories he’d be gettin’—the old one’s that wracked apart. Red bottoms, yeller sides, and green gunnels—m’m—but they’ll be swell-lookin’ dories when you get ’em done, won’t they?”

“They’ll be the prettiest dories that was ever put aboard a trawler out of Gloucester,” said Dexter, appreciatively.

“I’ll bet. And he’ll be pleased with ’em, I know—‘specially the green gunnels—and he ought t’ be along soon.”

“Who along soon?—not the Colleen Bawn?”

“Sure. She was comin’ around the Point just as I left Crow’s Nest.”

“No! Well, I’m glad,” breathed Dexter. “I’m glad he’s home again. And so’ll his wife be, too. There was that gale just after she left. His wife, I’ll bet, ain’t slept a wink since.”

Peter straddled the sheer of a broken topmast. “Whose wife, Dexter?—not meanin’ to be inquisitive.”

“Why, Jimmie Johnson’s. He’s on the Colleen this trip.”

“Him? The little fellow lumps around here sometimes? Why, we used to scare him ’most to death up in Crow’s Nest tellin’—How came it he got it into his head to go fishin’?”

“Oh, it was what the papers’d call a little matrimonial difference. I expect that him and his wife ain’t got real well acquainted with each other yet. He’s pretty young yet, and she don’t know too much about the world. I know, because she’s my first cousin. Young married couples, I s’pose, got to have ’bout so many arguments before they find each other out. I ain’t married myself, but ain’t it about that way, Peter?”

“Well, gen’rally, Dexter, though not always.” Peter jabbed the point of his knife-blade into his spar. “You see, Dexter, it’s a good deal like vessels. You don’t always know how to take them at first. There’s some sails best down by the head, and some by the stern. There’s some’ll come about in the wildest gale under headsail alone, and others you have to drive around with the trys’l or a bit of the mains’l and that, too, when a minute too late means the vessel gone up on the rocks. Some you c’n find all about how they trim the first trip, and some you c’n never find out about; and some fine day they rolls over or goes under, and the whole gang’s lost. But about Jimmie, Dexter—how’d Tom O’Donnell ever come to ship him?”

“Lord, I dunno. I only know I came down on the dock that mornin’, and he was standin’ right where I am now, just goin’ to begin on a new set of dories for the Scarrabee that was fittin’ out to go halibutin’. When I came along I was wonderin’ where I could get about a week’s work. I didn’t want more’n a week, because I’d been promised a job in the glue factory the first of the month, and I never did see the use of wearin’ yourself out beforehand when you’re goin’ to start in soon on a steady job, would you, Peter?”

“Well,”—Peter made a few more thoughtful jabs into the topmast—“well, no, maybe not—more especially if ’t was a glue factory job.”

“That’s what I say. Well, I notices something was wrong, and I asks what the matter was. ‘Tired of work?’ I says, thinkin’ to cheer him up.”

“‘Tired of everything,’ says Jimmie, and I see he was ’most ready to cry. Well, you know the kind he is, Peter. He ain’t one of them fellows that’ll go out and have a few drinks for himself and forget it. No; he thinks over things that don’t amount to nothin’ till he’s near crazy—you’ve met them kind? Yes? Well, Jimmie was that way this mornin’. I drew it out of him that he’d had a scrap up home. He told me, knowin’ I wouldn’t tell it all over the place, and——”

“And he wound up by shippin’ with Tom O’Donnell? How’d Jimmie ever get a chance with that gang? They’re an able crew.”

“Lord, I dunno. I went away, and warn’t gone more than an hour when the boy from the office came huntin’ for me and says that Jimmie Johnson’d gone a haddockin’ trip in the Colleen Bawn and did I want his job? And I came back and went to work thinkin’ I had a week ahead of me or so, and here it’s the fourteenth day—not countin’ Sundays—and I’m glad he’s back, and I hope he hurries ashore as soon’s they come to anchor. Fourteen days now paintin’ dories and lumpin’ around this dock, and——”

“And that poor boy out in the Colleen Bawn in that last blow! Well, maybe it’ll do him good. Your cousin, you say, Dexter? I think I’ve seen her—and a nice little woman, too—though I expect there was a little to blame on both sides. There gen’rally is. But I must be gettin’ back. I left a lad in charge of Crow’s Nest that I’m afeard ain’t able to pick out a Georgesman from an Eyetalian barque loaded with salt till they’re under his nose, and maybe he won’t be reportin’ one or two to the office till after they know it themselves, and then somebody’ll ketch the devil—me, most likely. So, so long, Dexter.”

Regretfully relinquishing his old topmast, and leaving Dexter and his dories in his wake, Peter gradually gathered steerage-way, and headed up the dock, from where, in time, he managed to work into the street, and then, with Duncan’s office to port and a good beam wind, he bore away for Crow’s Nest. He had it in mind to go by way of the Anchorage, and laying his course therefor—no’west by nothe—he hauled up for the Anchorage corner.

Luffing the least bit to clear the brass railings outside the Anchorage windows, and having in mind all the while how fine it would be once he was around with a fair wind at his back, and bending his head at the same time to the breeze, Peter ran plump into somebody coming the other way.

“I say, matey, but could you swing her off a half-point or so?” sung out the other cheerfully.

“Swing off? Why, of course, but gen’rally a vessel close-hauled is s’posed to have right of way where I come from.”

“Close-hauled are you? Well, so’m I—or I thought I was.”

“And so maybe y’are, if you’re so round-bowed and flat-bottomed a craft you can’t sail closer than seven or eight points. Anyway, I’m starb’d tack.”

“Well, who in—” The other peered up. “Why, hello-o, Peter!”

“What! Well, well, Tommie Clancy! the Colleen Bawn in already?”

“To anchor in the stream not two minutes ago. I hurried ashore on an errand for her.”

“And what kind of a trip did y’ have?”

“Oh, nothing extra so far as the fish went, but good and lively every other way. Stayed out in that breeze week before last and left Georges last night with that latest spoon-bow model and I guess she’s still a-comin’. Some wind last night comin’ home, Peter.”

“M-m—I’ll bet she came a-howlin’.”

“Oh, maybe she didn’t. Peter boy, but if you only could’ve seen her hoppin’ over the shoals last night and comin’ up to Cape Ann this mornin’! But let’s step inside, and have a little touch.”

“Well, I don’t mind, seein’ the kind of a day it is, Tommie. And I want to ask you about that little fellow you shipped—Jimmie Johnson.”

“Ho, ho—‘Your oilskins are too loose,’ says the Skipper to him. Ho, ho—wait and I’ll tell you about him, Peter—‘Your oilskins too loose—’ ho, ho.”

“What did he mean by that?”

“Wait, till I tell you, Peter-boy. But let’s sit down and drink in comfort. There y’are. Here’s a shoot. G-g-g-h-! m-m-! but ain’t it fine to feel that soaking into your inside planking after you’ve been carryin’ a dry hold for sixteen days? Ain’t it? What? You bet! And about the little lumper-man—it was funny from the start. I was down the end of the dock the mornin’ we left, with the dory, waiting for the Skipper, when along comes this little fellow lookin’ like something sad’d happened. I kind of half knew him from seein’ him around the dock now and again. He seemed to be lookin’ for some good sympathetic party to tell his troubles to and I let him pour them into me. He talks away and I listens and before he’s through I begin to see what the trouble was. ‘What you need is a couple of drinks,’ I says—‘What d’y’ say if we step up the dock and have a litle touch?’

“‘No, no,’ says he, ‘I ain’t drunk a drop since I got married—and I never will whilst I am married.’

“‘Then if you don’t hurry up and get a divorce, I can see that you are goin’ to carry around an awful thirst,’ I says, but the way he took it I see he didn’t want any foolin’. And then, to soothe him, I asked why he didn’t go a haddockin’ trip, and forget it.”

“‘Do you think I’d forget it?’ he asks, eager-like.

“‘Well,’ I said, ‘I can’t say. Some people remember things a long time, but you go a trip with Tom O’Donnell, and you’ll stand a pretty good chance ’specially ’bout this time o’ year,’ I says. ‘And maybe it’ll teach people a lesson,’ I insinuates. And just then down the dock comes the Skipper, with big Jerry Sullivan. Ain’t he a whale though—big Jerry?”

“Yes, and gettin’ bigger every day.”

“Yes. Well, the Skipper was layin’ down the law to big Jerry, and you could hear him the length of the dock. He was sayin’, ‘I told him we’d leave at nine o’clock, and it’s quarter-past now, and I told him above all the others, knowin’ his failin’. He knows me, and he oughter know that when I say nine o’clock that ’tis nine o’clock I mean, and not ten, or eleven, or two in the afternoon; and we’ve been in two nights now, and he’s had plenty o’ time to loosen up since.”

“‘That’s right enough, Skipper,’ says Jerry. ‘I heard you myself, and I said myself, “Now, mind, Bartley, what the Skipper’s tellin’ you.” But you see, Skipper, it was a weddin’ last night, and a wake the night before——’

“‘A wake and a weddin’! And whose weddin’—his?’ roars the Skipper.

“‘Why, no,’ says Jerry.

“‘Was it his wake, then?’

“‘Why, Skipper, don’t you know it couldn’t been his wake?’

“‘Not his wake and not his weddin’? Then what the divil reason has he?’

“‘Why,’ said Jerry, ‘I ain’t sayin’ he’s got any good reason. But you know what he thinks of you and of the vessel. He’s been in the Colleen ever since she was built, and he’s a fisherman—a fisherman, Skipper, stem to stern a fisherman—and he knows your ways and the vessel’s ways,’ says Jerry.

“‘Indeed, and I’m not sure he knows my ways too well,’ says the Skipper. ‘It’s so proud he should be to sail in the Colleen Bawn, the fastest, ablest vessel out of Gloucester, if I do say it myself, that—But no more talk. To the divil with him. There’s the dory—jump in and go aboard.’

“‘But what’ll I do for a dory-mate?’ says Jerry.

“‘Oh, I’ll get you a dory-mate. When we put into Boston for bait there’ll be plenty to pick up on T wharf.’

“Well, just there I nudges the little lumper, and he sets his jaws and steps up: ‘Captain, could you give me a chance? I’d like to ship with you for a trip.’

“The Skipper looks down at him. ‘And who are you?’

“And right away he begins to tell his troubles to the Skipper, and the Skipper—you know the Skipper—listens like a father. But he near spoiled it all by windin’ up, ‘Oh, I’ve been workin’ around the dock lately, but I used to be quartermaster on a harbor steamer in Boston one time,’ to let the Skipper know he wouldn’t have a passenger on his hands.

“The Skipper looks him up and looks him down. ‘Quartermaster on a harbor steamer once, was you? Think of that, now. It’s the proud man you oughter be! And about as big as a pair of good woolen mitts! But’—and he looks over at Jerry sideways—‘you’ll have a mate that’s big enough. Jerry,’ and he begins to smile sly-like, ‘Jerry, here’s the dory-mate you’ve been screechin’ for.’

“‘What!’ howls Jerry, ‘him—him! Why, I could slip him into one of my red-jacks. That little shrimp! A shrimp? No—a minim!’

“It was scandalous, of course, to speak out like that to the little man to his face, but Jerry and Bartley were great friends, you see; and Jerry’d kept on, but the Skipper puts an end to it quick, and we went aboard.

“Well, we puts into Boston for the bait, gets it up to T wharf and puts out. Coming down the harbor it was Jerry and the little man’s watch on deck. Jerry put him to the wheel. ‘Bein’ quartermaster of a harbor steamer here once, of course you know the channel,’ says Jerry, and leaves him and goes for’ard. Well, we went along till we were pretty near the little light-house on the thin iron legs that sets up like it was on stilts. Well, you know how the channel is there, Peter, and this time it was blowin’ some—wind abeam. I mind the little man askin’ Jerry afore this if it warn’t pretty bad weather to be puttin’ to sea and Jerry sayin’ maybe it would be for harbor steamers. We were crowdin’ along at this time, Jerry for’ard by the windlass, me in the waist, and the little man to the wheel. We gets near to the little light-house—like a spider on long legs it was—Bug Light is the name of it, and a good name for it, too. We were crowdin’ through, and I was thinkin’ of askin’ Jerry if he hadn’t better take the wheel himself, and then I thought I wouldn’t. It warn’t my watch, and you don’t like to be hintin’ to a man that he don’t know his business, you know, not even to a man that was green as this one might be in handlin’ a fisherman. Well, we gets nearer and I noticed the little man beginnin’ to fidget like he was nervous or something. At last he hollers out to Jerry, ‘I say, matey, what’ll I do? I don’t know’s I c’n keep her away from the light, and there’s rocks on the other side. What’ll I do, matey?’

“Jerry turns around. ‘Whatever you do, don’t call me matey. And whatever you do again, don’t put this vessel up on the rocks or the Skipper’ll swing you from the fore-gaff peak and let this fine no’therly blow through you.’

“‘But we won’t go by,’ hollers the little man; ‘we’re goin’ to hit it.’

“‘Well, hit it if you want to,’ says Jerry—‘it’s your wheel. You shipped in Bartley Campbell’s place, now do Bartley Campbell’s work. Anyway,’ goes on Jerry, ‘you won’t do any great harm if you do. It’s bent to one side anyway here where some old coaster or other hit it a clip last fall. Maybe you c’n straighten it out.’

“Jerry no more than got that out than the vessel got way from the little man and ran into the light. She hit it fair as could be, with her bowsprit against one of the long, thin iron legs, and she did give it a wallop. There was a man climbin’ up the ladder the other side of the light—to fill his lamps, I s’pose—and when we hit the light he shook off like an apple from a tree, and drops into the water. The vessel bounces off where we hit, and the Skipper and the rest of the gang comes rushin’ up on deck. ‘What the divil’s that?’ says the Skipper; and seein’ the man in the water, he rushes to the side and gaffs him in nice and handy.

“‘What the devil do you mean?’ says the man the Skipper’d gaffed, soon’s he’d got his mouth clear of salt water.

“‘What the divil do you mean?’ says our Skipper, ‘by comin’ aboard this vessel?’ He’s about as quick a man to see a thing—that Tom O’Donnell—as ever I saw in my life.

“‘What do I mean?’ says the man. ‘What do you mean by running that gaff into me the way you did?’

“‘Holy Mother!’ says the Skipper, ‘but will you listen to him? It’s gold medals we should be gettin’ from the Humane Societies for savin’ the life of him, and now it’s nothin’ but growling because we did save it.’

“‘Saved my life!’ sputters the light-house lad. ‘My boat was right there when I fell. Why, it ain’t your vessel’s length away now under the light’—the Colleen was beginnin’ to slide away again—‘and I want you to know I c’n swim like a fish.’

“‘Then swim, ye divil ye, swim!’ says the Skipper quick’s a wink, and picks him up and heaves him over the rail. ‘Yes,’ says big Jerry, ‘swim, you lobster, swim!’ and he pushes him along with an oar he’d grabbed out the top dory. And he did swim, too.

“And then the Skipper comes aft. ‘Who the divil,’ says he, ‘was to the wheel?’ and spots the little man, who was lookin’ more surprised than the light-keeper in the water. ‘And where’d you ever steer a vessel before?’ says the Skipper.

“‘I dunno’s I did so very bad,’ answers the little man. ‘I used to be quartermaster on a harbor steamer once, and I kept her off the rocks.’

“The Skipper looked at him like he was a new kind of fish. ‘Indeed, was you now? And you kept her off the rocks? And did you ship for a fisherman or what?’ And the Skipper looks at him a little more, then laughs and takes the wheel himself. ‘Maybe,’ says he, ‘the insurance company would like it better if I took her the rest of the way out of the harbor myself. And I don’t want to lose her myself. She’s too good a vessel—the fastest and the ablest out o’ Gloucester. But go below now, boy, and have your supper.’

“Well, that passed by all right, but outside the harbor, off Minot’s, we ran foul of the Superba—that’s the new one, the latest spoon-bow model. He sees her comin’ and sways up, but she comes on and goes on by—goes on by nice and easy. ‘And she used to be a good vessel once,’ says Dick Mason, her skipper, to some of his gang standing aft. We could hear him—he meant us to hear him—‘of course, a good vessel once, the Colleen Bawn, but she’s been wracked so she can’t carry sail no longer.’

“Imagine Tom O’Donnell, Peter, havin’ to stand on the quarter of his own vessel and take that from Dick Mason—imagine it, Peter, and from Dick Mason that, standing on deck and wide-awake, couldn’t sail a vessel like Tom O’Donnell could from his bunk below and half asleep. The Skipper looked after her, then he turns us to, and it was sway up and no end to the trimmin’ of sheets. But no use. The Superba kept goin’ on away, and the Skipper couldn’t make it out. He stood with one foot on the house, his chin in his hand, and his elbow on his knee, and tried to figure it out as he looked after her. It was by the wind, and plenty of it—the rail nice and wet—couldn’t been better for our vessel. ‘There’s something wrong,’ says he. And there was something wrong. We found it after awhile. It was one of the iron bands that was holdin’ her together—the one for’ard was loose and draggin’ under her bottom. The Skipper was tickled to death when he found what it was. ‘Troth, and I knew there was something wrong with her,’ he says; and puts into Provincetown and has it bolted on again. ‘Now,’ he says, ‘she’ll be nice and tight again when we wants to drive her. And if we runs foul of that spoon-bow again, we’ll see.’ We warn’t out the harbor hardly before the wind gettin’ at her, she begins to leak for’ard, but the Skipper pretended he didn’t see it, puts around the Cape and off for Georges, where we got to just about in time to ketch that no’west gale that was riotin’ out there the week before last. We were blowed off, but banged her back, blowed off and banged her back again, tryin’ to hang on to shoal water so’s to be handy to good fishin’ when it moderated. But it was a week before it did moderate, and by that time the Colleen was pretty well shook up, with the water sizzlin’ through her like she was a lobster-pot for’ard, and the gang makin’ guesses on how long before she’d come apart altogether. The Skipper, he didn’t seem to mind. ‘She’s a little loose,’ says he, ‘but don’t let it worry ye. Keep your rubber boots on, and don’t mind. So long as the iron bands hangs to her planks, she’s all right.’

“Well, as I said, it moderated, and we got a chance to fish a little on and off for another week, and the troubles of Jerry with his dory-mate would fill a book that week. ‘It’s two men’s work you have now, Jerry,’ I says to him. ‘’Tisn’t two but three,’ says Jerry. ‘It’s my own work and his work and another man’s work to see he don’t get tangled up in the trawls or capsize the dory or fall over himself and get lost.’ However, fishin’ on and off brought us to yesterday, when, with the wind makin’ all the time, it got too rough toward the evenin’ to put the dories out, and we used the time up till along toward dark in dressin’ what fish we had on deck and cuttin’ fresh bait for next day—to-day that’d be. We’d done all that, and was gettin’ ready to make ourselves comfortable for the night with the Skipper sayin’: ‘Ten thousand more, and I’d swing her off for Gloucester, I would. But another set, and, with any kind of luck, we’ll get that, and then we’ll swing her off.’ He’d only just said that—he was havin’ a mug-up for’ard at the time—when whoever was on watch sticks his head down the gangway, and calls out: ‘Captain, here’s the Superba, and she’s goin’ home, I think.’

“‘What!’ says he, and gulps his coffee and leaps for the gangway, and we knew that our notions about a comfortable night might’s well be forgotten. He takes a look at the vessel comin’. ‘That’s Dickie Mason, sure enough. Shake the reef out the mains’l, and we’ll put after her.’

“‘Mason’s under a trys’l, Skipper,’ says big Jerry.

“‘And so would I be in that cigar-box,’ says the Skipper.

“We drives up and shoots under her stern. ‘Hi-i, Captain Mason!’ sings out our Skipper.

“‘Hi-i, Captain O’Donnell,’ hollers Mason.

“‘Know me?’

“‘I sure do.’

“‘And this vessel?’

“‘That old wrack?—I’d know her in a million.’

“‘Would you now? Then swing on your heel and follow her home.’ And then he turns to us, ‘Boom her out now, boys—boom her out—no’west by west and never a slack.’ And off he goes straight for the shoals, with a livin’ south-easterly gale and the black night on us.

“‘Twarn’t more than an hour, or maybe two, runnin’ like that, when we couldn’t make out the Superba’s lights any more. The Skipper himself went to the masthead and looked. ‘She’s put to the nothe’ard, I think,’ he said, comin’ down. ‘But then again maybe he isn’t. Maybe he’s put them out. Anyway, we’ll keep on and make a holy show of her—the fine Superba, indeed! that don’t dare to follow the Colleen Bawn, all wracked as they say she is! Maybe he’ll get his courage up and come after us later, but whatever she does we’ll keep this one as she is.’

“We were fair into the shoal water then with the Skipper keepin’ the lead goin’ himself. ‘Billie Simms in the Henry Parker showed me in the Lucy Foster the short course over these shoals,’ he says—‘and it cost me twelve hundred and odd dollars, and I haven’t forgotten the road.’ He warn’t tellin’ anybody what water he was gettin’. It was pretty shoal though, man, it was. Once or twice, I swear, we were real worried. But he’s the lucky man, is Tom O’Donnell. The wind hauled and he swung her fore-boom over and tried to spread a balloon. It carried away her foretopm’st, which maybe was just as well. And all night long he kept her goin’——”

“Lord, but you must’ve had it, Tommie. And Jimmie Johnson—how was he makin’ out?”

“Jimmie Johnson? Ho, ho! the little lumper. Let me tell you. In the middle of the night, thinkin’ the worst of it was over, with the shoals behind us, the gang went below and turned in, all but me. I gets my pipe from my bunk and was havin’ a smoke, and thinkin’ of turnin’ in too, when this Jimmie Johnson came down, lookin’ pretty well worried.

“‘Ain’t it awful?’ he says.

“‘Ain’t what awful?’ I asks.

“‘Why, the night—the vessel—the way she’s sailin’—and everything else.’

“‘Why don’t you turn in?’ I asked.

“‘It’s no use turnin’ in now,’ he answers; ‘my watch comes in half an hour or so.’

“‘Turn in,’ says I; ‘I’ll stand your watch.’

“‘Will you?’ he says, and looks like a load’d come off his chest.

“He was goin’ to turn in then, when he happened to think he’d like to have a mug-up. So he gets a mug of coffee and a slice of pie, and takes a seat on the wind’ard locker. There was plenty wind stirrin’ then, mind you, but there he was havin’ a nice little mug-up for himself, sittin’ on the weather-locker and all oiled-up, leanin’ over the table, his mug o’ coffee to one hand and a wide wedge o’ pie to the other. Man, I have to laugh every time I think of him. ‘The cook of this vessel does make the finest apple pie, don’t he?’ he says, and you could see his spirits was beginnin’ to rise, with the hot coffee gettin’ inside of him. The Colleen was bumpin’ herself all this time, rollin’ over like she was goin’ to lie down, and then gettin’ up again, rearin’ her head and fannin’ herself with her forefeet, standin’ on her hind legs and then comin’ down again, doin’ all those kind of things you gets used to on her when the Skipper’s tryin’ to sail her in a blow. Well, I watches this little Jimmie for awhile, till I happens to think that so long’s I had another watch to stand I might’s well have another pipeful while I was waitin’. I was thinkin’ of steppin’ over for a bit of tobacco out of big Jerry’s bunk, which was right over where this Jimmie Johnson was sittin’, when the Colleen gave an extra good lurch, and with it all at once this lad sank down about a foot or so, and Jerry at the same time most comes through the bottom of his bunk. The lad, he gets pale, and makes as if he was tryin’ to stand up but couldn’t. ‘What is it?’ I said, and wonders what was wrong with him. ‘My oil-skins,’ said he. ‘All the looseness in my oil-pants is ketched tight.’ And then Jerry woke up, with the noise he made in fallin’, I s’pose, and the most surprised man you ever saw. ‘Mother o’ mine!’ says Jerry, ‘what’s that?’ and just for’ard of him Aleck McKenzie leaps a full three feet into the air, hittin’ the deck beam so hard he must’ve left pieces of himself stickin’ to it. ‘What in the—!’ says Aleck, and when he got that far he sees this Jimmie Johnson. ‘Did you do that?’ he says.

“‘No,’ says he, and tryin’ himself to get off the locker Aleck notices him.

“‘What you doin’ there anyway?’ says Aleck.

“‘I dunno,’ says Jimmie, and just then the Colleen falls the other way and lets him loose again, and he leaps for the gangway and up on deck. Man, he fair flew, and I went up after him, not knowin’ what might happen to him, and Jerry and Aleck below swearin’ like crazy men.

“Up on the deck there was the Skipper just able to keep his feet and talkin’ to Dal Skinner,