Читать книгу The Gun-Brand (Western Classic) - James B. Hendryx - Страница 4

Chapter II.
Vermilion Shows His Hand

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Down, down through the Chute raced the heavily loaded scow, seeming fairly to leap from wave to wave in a series of tremendous shocks, as the flat bottom rose high in the fore and crashed onto the crest of the next wave, sending a spume of stinging spray high into the air. White-water curled over the gunwale and sloshed about in the bottom. The air was chill, and wet—like the dead air of a rock-cavern.

Chloe Elliston knew one moment of swift fear. And then, the mighty roar of the waters; the mad plunging of the scow between the towering walls of rock; the set, tense face of Vermilion as he stared into the gloom; the laboured breathing of the scowmen as they strained at the sweeps, veering the scow to the right, or to the left, as the rod of the pilot indicated; the splendid battle of it; the wild exhilaration of fighting death on death's own stamping ground flung all thought of fear aside, and in the girl's heart surged the wild, fierce joy of living, with life itself at stake.

For just an instant Chloe's glance rested upon her companions; Big Lena sat scowling murderously at Vermilion's broad back. Harriet Penny had fainted and lay with the back of her head awash in the shallow bilge water. A strange alter ego—elemental—primordial—had taken possession of Chloe. Her eyes glowed, and her heart thrilled at the sight of the tense, vigilant figure of Vermilion, and the sweating, straining scowmen. For the helpless form of Harriet Penny she felt only contempt—the savage, intolerant contempt of the strong for the weak among firstlings.

The intoxication of a new existence was upon her, or, better, a world-old existence—an existence that was new when the world was new. In that moment, she was a throw-back of a million years, and through her veins fumed the ferine blood of her paleolithic forebears. What is life but proof of the fitness to live? Death, but defeat.

On rushed the scow, leaping, crashing from wave to wave, into the Northern night. And, as it rushed and leaped and crashed, it bore two women, their garments touching, but between whom interposed a whole world of creeds and fabrics.

Suddenly, Chloe sensed a change. The scow no longer leaped and crashed, and the roar of the rapids grew faint. No longer the form of Vermilion appeared couchant, tense; and, among the scowmen, one laughed. Chloe drew a deep breath, and a slight shudder shook her frame. She glanced about her in bewilderment, and, reaching swiftly down, raised the inert form of Harriet Penny and rested it gently against her knees.

The darkness of night had settled upon the river. Stars twinkled overhead. The high, scrub-timbered shore loomed formless and black, and the flat bottom of the scow rasped harshly on gravel. Vermilion leaped ashore, followed by the scowmen, and Chloe assisted Big Lena with the still unconscious form of Harriet Penny. As if by magic, fires flared out upon the shingle, and in an incredibly short time the girl found herself seated upon her bed-roll inside her mosquito-barred tent of balloon silk. The older woman had revived and lay, a dejected heap, upon her blankets, and out in front Big Lena was stooping over a fire. Beyond, upon the gravel, the fires of the scowmen flamed red, and threw wavering reflections upon the black water of the river.

Chloe was seized with a strange unrest. The sight of Harriet Penny irritated her. She stepped from the tent and filled her lungs with great drafts of the spruce-laden night-breeze that wafted gently out of the mysterious dark, and rippled the surface of the river until little waves slapped softly against the shore in tiny whisperings of the unknown—whisperings that called, and were understood by the new awakened self within her.

She glanced toward the fires of the rivermen where the dark-skinned, long-haired sons of the wild squatted close about the flames over which pots boiled, grease fried, and chunks of red meat browned upon the ends of long toasting-sticks. The girl's heart leaped with the wild freedom of it. A sense of might and of power surged through her veins. These men were her men—hers to command. Savages and half-savages whose work it was to do her bidding—and who performed their work well. The night was calling her—the vague, portentous night of the land beyond outposts. Slowly she passed the fires, and on along the margin of the river whose waters, black and forbidding, reached into the North.

"The unconquered North," she breathed, as she stood upon a water-lapped boulder and gazed into the impenetrable dark. And, as she gazed, before her mind's eye rose a vision. The scattered teepees of the Northland, smoke-blackened, filthy, stinking with the reek of ill-tanned skins, resolved themselves into a village beside a broad, smooth-flowing river.

The teepees faded, and in their place appeared rows of substantial log cabins, each with its door-yard of neatly trimmed grass, and its beds of gay flowers. Broad streets separated the rows. The white spire of a church loomed proudly at the end of a street. From the doorways dark, full-bodied women smiled happily—their faces clean, and their long, black hair caught back with artistic bands of quill embroidery, as they called to the clean brown children who played light-heartedly in the grassed dooryards. Tall, lean-shouldered men, whose swarthy faces glowed with the love of their labour, toiled gladly in fields of yellow grain, or sang and called to one another in the forest where the ring of their axes was drowned in the crash of falling trees.

Her vision of the North—the conquered North—her North!

As Sir James Brooke and Tiger Elliston overthrew barbarism and established in its place an island empire of civilization, so would she supersede savagery with culture. But, her empire of the North should be an empire founded not upon blood, but upon humanity and brotherly love.

The girl started nervously. Her brain-picture resolved into the formless dark. From the black waters, almost at her feet, sounded, raucous and loud, the voice of the great loon. Frenzied, maniacal, hideous, rang the night-shattering laughter. The uncouth mockery of the raw—the defiance of the unconquerable North!

With a shudder, Chloe turned and fled toward the red-flaring fires. In that moment a feeling of defeat surged over her—of heart-sickening hopelessness. The figures at the fires were unkempt, dirty, revolting, as they gouged and tore at the half-cooked meat into which their yellow fangs drove deep, as the red blood squirted and trickled from the corners of their mouths to drip unheeded upon the sweat-stiffened cotton of their shirts. Savages! And she, Chloe Elliston, at the very gateway of her empire, fled incontinently to the protection of their fires!

Wide awake upon her blankets, in the smudge-pungent tent where her two companions slept heavily, Chloe sat late into the night staring through the mosquito-barred entrance toward the narrow strip of beach where the dying fires of the scowmen glowed sullenly in the darkness, pierced now and again by the fitful flare of a wind-whipped brand. Two still forms wrapped in ragged blankets, lay like logs where sleep had overcome them.

A short distance removed from the others, the fire of Vermilion burned brightly. Between this fire and a heavily smoking smudge, four men played cards upon a blanket spread upon the ground. Silently, save for an occasional grunt or mumbled word, they played—dealing, tossing into the centre the amount of their bets, leaning forward to rake in a pot, or throwing down their cards in disgust, to await the next deal.

The scene was intrinsically savage. At the end of the day's work, primitive man followed primitive instinct. Gorged to repletion, they slept, or wasted their substance with the improvidence of jungle-beasts. And these were the men Chloe Elliston had pictured labouring joyously in the upbuilding of homes! Once more the feeling of hopelessness came over her—seemed smothering, stifling her. And a great wave of longing carried her back to the land of her own people—the land of convention and sophistry.

Could it be that they were right? They who had scoffed, and ridiculed, and forbade her? What could she do in the refashioning of a world-old wild—one woman against the established creeds of an iron wilderness? Where, now, were her dreams of empire, her ideals, and her castles in Spain? Was she to return, broken on the wheel? Crushed between the adamantine millstones of things as they ought not to be?

The resolute lips drooped, a hot salt tear blurred Vermilion's camp-fire and distorted the figures of the gambling scowmen. She closed her eyes tightly. The writhing green shadow-shapes lost form, dimmed, and resolved themselves into an image—a lean, lined face with rapier-blade eyes gazed upon her from the blackness—the face of Tiger Elliston!

Instantly, the full force and determination of her surged through the girl's veins anew. The drooping lips stiffened. Her heart sang with the joy of conquest. The tight-pressed lids flew open, and for a long time she watched the shadow-dance of the flames on her tent wall. Dim, and elusive, and far away faded the dancing shadow-shapes—and she slept.

Not so Vermilion, who, when his companions tired of their game and sought their blankets, sat and stared into the embers of his dying fire. The half-breed was troubled. As boss of Pierre Lapierre's scowmen, a tool of a master mind, a unit of a system, he had prospered. But, no longer was he a unit of a system. From the moment Chloe Elliston had bargained with him for the transportation of her outfit into the wilderness, the man's brain had been active in formulating a plan.

This woman was rich. One who is not rich cannot afford to transport thirty-odd tons of outfit into the heart of the wilderness, at the tariff of fifteen cents the pound. So, throughout the days of the journey, the man gazed with avarice upon the piles of burlapped pieces, while his brain devised the scheme. Thereafter, in the dead of night occurred many whispered consultations, as Vermilion won over his men. He chose shrewdly, for these men knew Pierre Lapierre, and well they knew what portion would be theirs should the scheme of Vermilion miscarry.

At last, the selection had been made, and five of the most desperate and daring of all the rivermen had, by the lure of much gold, consented to cast loose from the system and "go it alone." The first daring move in the undertaking had succeeded—a move that, in itself, bespoke the desperate character of its perpetrators, for it was no accident that sent the head scow plunging down through the Chute in the darkness.

But, in the breast of Vermilion, as he sat alone beside his camp-fire, was no sense of elation—and in the heart of him was a great fear. For, despite the utmost secrecy among the conspirators, the half-breed knew that even at that moment, somewhere to the northward, Pierre Lapierre had learned of his plot.

Eight days had elapsed since the mysterious disappearance of Chenoine—and Chenoine, it was whispered, was half-brother to Pierre Lapierre. Therefore, Vermilion crouched beside his camp-fire and cursed the slowness of the coming of the day. For well he knew that when a man double-crossed Pierre Lapierre, he must get away with it—or die. Many had died. The black eyes flashed dangerously. He—Vermilion—would get away with it! He glanced toward the sleeping forms of the five scowmen and shuddered. He, Vermilion, knew that he was afraid to sleep!

For an instant he thought of abandoning the plan. It was not too late. The other scows could be run through in the morning, and, if Pierre Lapierre came, would it not be plain that Chenoine had lied? But, even with the thought, the avaricious gleam leaped into the man's eyes, and with a muttered imprecation, he greeted the first faint light of dawn.

Chloe Elliston opened her eyes sleepily in answer to a gruff call from without her tent. A few minutes later she stepped out into the grey of the morning, followed by her two companions. Vermilion was waiting for her as he watched the scowmen breaking open the freight pieces and making up hurried trail-packs of provisions.

"Tam to mush!" sad the man tersely.

"But where are the other scows?" asked Chloe, glancing toward the bank where the scow was being rapidly unloaded. "And what is the meaning of this? Here, you!" she cried, as a half-breed ripped the burlap from a bale. "Stop that! That's mine!" By her side, Vermilion laughed, a short, harsh laugh, and the girl turned.

"De scow, she not com'. We leave de rivaire. We tak' 'long de grub, eh?" The man's tone was truculent—insulting.

Chloe flushed with anger. "I am not going to leave the river! Why should I leave the river?"

Again the man laughed; there was no need for concealment now. "Me, Vermilion, I'm know de good plac' back in de hills. We go for stay dere till you pay de money."

"Money? What money?"

"Un hondre t'ousan' dollaire—cash! You pay, Vermilion—he tak' you back. You no pay—" The man shrugged significantly.

The girl stared, dumbfounded. "What do you mean? One hundred thousand dollars! Are you crazy?"

The man stepped close, his eyes gleaming wickedly. "You reech. You pay un hondre t'ousan' dollaire, or, ba gar, you nevaire com' out de bush!"

Chloe laughed in derision. "Oh! I am kidnapped! Is that it? How romantic!" The man scowled. "Don't be a fool, Vermilion! Do you suppose I came into this country with a hundred thousand dollars in cash—or even a tenth of that amount?"

The man shrugged indifferently. "Non, but you mak' de write on de papaire, an' Menard, he tak' heem to de bank—Edmonton—Preence Albert. He git de money. By-m-by, two mont', me'be, he com' back. Den, Vermilion, he tak' you close to de H.B. post—bien! You kin go hom', an' Vermilion, he go ver' far away."

Chloe suddenly realized that the man was in earnest. Her eyes flashed over the swarthy, villainous faces of the scowmen, and the seriousness of the situation dawned upon her. She knew, now, that the separating of the scows was the first move in a deep-laid scheme. Her brain worked rapidly. It was evident that the men on the other scows were not party to the plot, or Vermilion would not have risked running the Chute in the darkness. She glanced up the river. Would the other scows come on? It was her one hope. She must play for time. Harriet Penny sobbed aloud, and Big Lena glowered. Again Chloe laughed into the scowling face of the half-breed. "What about the Mounted? When they find I am missing there will be an investigation."

For answer, Vermilion pointed toward the river-bank, where the men were working with long poles in the overturning of the scow. "We shove heem out in de rivaire. Wen dey fin', dey t'ink she mak' for teep ovaire in de Chute. Voilà! Dey say: 'Een de dark she run on de rock'—pouf!" he signified eloquently the instantaneous snuffing out of lives. Even as he spoke the scow overturned with a splash, and the scowmen pushed it out into the river, where it floated bottom upward, turning lazily in the grip of an eddy. The girl's heart sank as her eyes rested upon the overturned scow. Vermilion had plotted cunningly. He drew closer now—leering horribly.

"You mak' write on de papaire—non?"

A swift anger surged in the girl's heart. "No!" she cried. "I will not write! I have no such amount in any bank this side of San Francisco! But if I had a million dollars, you would not get a cent! You can't bluff me!"

Vermilion sprang toward her with a snarl; but before he could lay hands upon her Big Lena, with a roar of rage, leaped past the girl and drove a heavy stick of firewood straight at the half-breed's head. The man ducked swiftly, and the billet thudded against his shoulder, staggering him. Instantly two of the scowmen threw themselves upon the woman and bore her to the ground, where she fought, tooth and nail, while they pinioned her arms. Vermilion, his face livid, seized Chloe roughly. The girl shrank in terror from the grip of the thick, grimy fingers and the glare of the envenomed eyes that blazed from the distorted, brutish features.

"Stand back!"

The command came sharp and quick in a low, hard voice—the voice of authority. Vermilion whirled with a snarl. Uttering a loud cry of fear, one of the scowmen dashed into the bush, closely followed by two of his companions. Two men advanced swiftly and noiselessly from the cover of the scrub. Like a flash, the half-breed jerked a revolver from his belt and fired. Chenoine fell dead. Before Vermilion could fire again the other man, with the slightest perceptible movement of his right hand, fired from the hip. The revolver dropped from the half-breed's hand. He swayed unsteadily for a few seconds, his eyes widening into a foolish, surprised stare. He half-turned and opened his lips to speak. Pink foam reddened the corners of his mouth and spattered in tiny drops upon his chin. He gasped for breath with a spasmodic heave of the shoulders. A wheezing, gurgling sound issued from his throat, and a torrent of blood burst from his lips and splashed upon the ground. With eyes wildly rolling, he clutched frantically at the breast of his cotton shirt and pitched heavily into the smouldering ashes of the fire at the feet of the stranger.

But few seconds had elapsed since Chloe felt the hand of Vermilion close about her wrist—tense, frenzied seconds, to the mind of the girl, who gazed in bewilderment upon the bodies of the two dead men which lay almost touching each other.

The man who had ordered Vermilion to release her, and who had fired the shot that had killed him, stood calmly watching four lithe-bodied canoemen securely bind the arms of the two scowmen who had attacked Big Lena.

So sudden had been the transition from terror to relief in her heart that the scene held nothing of repugnance to the girl, who was conscious only of a feeling of peace and security. She even smiled into the eyes of her deliverer, who had turned his attention from his canoemen and stood before her, his soft-brimmed Stetson in his hand.

"Oh! I—I thank you!" exclaimed the girl, at a loss for words.

The man bowed low. "It is nothing. I am glad to have been of some slight service." Something in the tone of the well-modulated voice, the correct speech, the courtly manner, thrilled the girl strangely. It was all so unexpected—so out of place, here in the wild. She felt the warm colour mount to her face.

"Who are you?" she asked abruptly.

"I am Pierre Lapierre," answered the man in the same low voice.

In spite of herself, Chloe started slightly, and instantly she knew that the man had noticed. He smiled, with just an appreciable tightening at the corners of the mouth, and his eyes narrowed almost imperceptibly. He continued:

"And now, Miss Elliston, if you will retire to your tent for a few moments, I will have these removed." He indicated the bodies. "You see, I know your name. The good Chenoine told me. He it was who warned me of Vermilion's plot in time for me to frustrate it. Of course, I should have rescued you later. I hold myself responsible for the safe conduct of all who travel in my scows. But it would have been at the expense of much time and labour, and, very possibly, of human life as well—an incident regrettable always, but not always avoidable."

Chloe nodded, and, with her thoughts in a whirl of confusion, turned and entered her tent, where Harriet Penny lay sobbing hysterically, with her blankets drawn over her head.

The Gun-Brand (Western Classic)

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