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Your Philosophy of Singing

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The student of singing should be an inveterate reader of "worthwhile" comments upon his art. In this way, if he has a discriminating mind, he will be able to form a "philosophy of singing" of his own. Richard Wagner prefaced his music dramas with lengthy essays giving his reasons for pursuing a certain course. Whatever their value may be to the musical public at this time, it could not have been less than that to the great master when he was fighting to straighten out for his own satisfaction in his own mind just what he should do and how he should do it. Therefore, read interminably; but believe nothing that you read until you have weighed it carefully in your own mind and determined its usefulness in its application to your own particular case.

The student will find the following books of real value in his quest for vocal truth: The Philosophy of Singing, Clara Kathleen Rogers; The Vocal Instructor, E. J. Myer; The Psychology of Singing, David C. Taylor; How to Sing, Lilli Lehmann; Reminiscences of a Quaker Singer, David Bispham; The Art of the Singer, W. J. Henderson.

The student should also read the biographies of famous singers and keep in touch with the progress of the art, through reading the best magazines.

Great Singers on the Art of Singing

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