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INDEX OF ILLUSTRATIONS

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Table of Contents

A, B, C, D, E, F, I, J, K, L, M, N, O, P, R, S, T, V, W.

Figs.
Acanthus leaf (Greek), from a capital of the Tower of the Winds 151
Acanthus leaf (Greek), with flowers from a capital of the Choragic Monument of Lysikrates 152
Acanthus (Mollis), from nature 149
Acanthus (Spinosus), from nature 150
Acanthus, soft-leaved, from the soffit of the architrave at the Temple of Jupiter Stator 155
Acanthus used on candelabra and small pillars 156, 158
Acanthus, modern varieties of sea-weed and poppy-leaved Acanthus 159
Acanthus, olive-leaf variety, from a Roman capital 153
Acanthus, olive-leaf variety, from a capital of Mars Ultor 154, 187
Arrangement of a wall-paper pattern 84
Arrangements for wall-paper or room decoration, improper 80-83
Astragal or bead moulding, with its ornament 77
Bead and reel 78
Book-cover (German), sixteenth century 124
Border, upright lily, Greco-Roman 120
Borders, Greek 113-117
Borders of Medallions in enamelled earthenware by Luca Della Robbia 144
Borders, Persian 118, 119
Borders derived from the laurel 140, 141
Bracts used for “clothing” stems in Scrolls, &c. 137, 157
Capital, Greek Doric 175
Capital, Greek Ionic 176-179
Capital, Greek Corinthian 180, 181
Capital, Roman Tuscan 182
Capital, Roman Doric 183
Capital, Roman Ionic 184
Capital, Roman Corinthian 185, 187
Capital, Roman Composite 188, 189
Capitals (Byzantine), from Sta. Sophia at Constantinople, showing bossing out of ornament A and BB
Catenary, explained at page 31
Cavetto and its ornament 56, 68
Ceiling from Serlio’s architecture 89
Ceiling, portion from the vestibule of St. Spirito (Florence), by Sansovino 88
Ceilings, fillings of 85-87
Ceilings, panelling of, showing at A an improper and at B a proper arrangement 92
Checkers, carved 98, 99
Cinque-Cento floral ornament composed of the acanthus, oak-leaf, convolvulus and wild rose 130
Circle, ornament derived from 24-40
Contrasting decoration on rectangular and circular borders 95
Counter-change 171
Counter-change pattern, Saracenic 172
Cyma recta and its ornament 58, 64, 69
Cyma reversa and its ornaments. See Ogee.
Diaper, Saracen 101
Diaper, Italian, sixteenth century 106, 107, 110
Diaper, Persian influence, sixteenth century 100
Diaper, Italian, German origin, sixteenth century 107
Door case at the Erechtheum, showing a portion of the Architrave, with the pateræ on the fascia 96
Door panels illustrating improper division at A, proper division at B 93
Entablature of the Erechtheum C
Entablature of the Caryatid portico attached to the Erechtheum D
Entablature of the Parthenon 175
Entablature of the Greek Ionic Temple on the Ilissus 176
Entablature of the monument of Lysikrates 180
Entablature of the Theatre of Marcellus 183
Entablature of the Temple of Fortuna Virilis 184
Entablature of the Pantheon, Rome 185
Entablature of Jupiter Tonans 186
Entablature of the Arch of Titus 189
Festoon, or swag 27
Finger-plates of different outlines 94
Fluted ornaments for flat bands 75, 76
Frets, Greek 12-15
Frets, Egyptian 16
Inscription from an Egyptian tablet 162
Inscription (Japanese), “Jiu” or long life 163
Interchange 173, 174
Japanese decoration 1
Japanese decoration, altered 2
Kiku-Mon, badge of the Empire of Japan 169
Lamp bottoms 134, 135
Laurel from nature 139
Lemon from nature 145
Lily border, Greco-Roman 120
Meander 44-47
Monograms in Christian art 170
Mouldings, profiles of Greek 61-66
Mouldings, profiles of Roman 55-60
Network, Japanese 102
Ogee, Roman 57, 71
Ogee, Greek 63, 70
Ogee with water-leaf ornament from the Erechtheum 70, 73
Ogee, Roman variety, with its ornaments 71
Opus Alexandrinum, from a pavement in the Church of San Marco, Rome 79
Ovolo, from the Erechtheum, enriched 67
Panel ornament, Renaissance 128
Panel (Venetian), illustrating balance without symmetry 126
Panel, Cinque-Cento 127
Panel with trophy of arms and armour 133
Panel, design for a carved wood panel from the lemon plant 146
Panel arrangement from the tiger-lily 148
Paperhanging, design from the wild rose 143
Patera Frontispiece
Pear-tree, winter aspect, illustrating “balance” in nature 160
Pilaster, designed by Donatello 121
Pilaster panel, Cinque-Cento 122
Pilaster decoration, Italian 123
Placque, in silver repoussé work, German seventeenth century 125
Powdering, Japanese 103, 105
Reduction of similar ornament in different spaces E, 105
Reeded ornaments for flat bands, &c. 76A, 76B
Root forms, Mediæval and Oriental 138
Rosettes (Roman), composed of leaf and floral forms 136
Scarab, Egyptian symbolic form 161
Scroll ornament on the roof of the Monument of Lysikrates 53
Shield (Savage) made of cane and ornamented with cut shells and zig-zags 97
Spandrel (Gothic), from Stone Church, Kent 131
Spandrel, by Alfred Stevens 132
Spiral 24
Spiral curves, examples of ornament chiefly based on spiral curves 41, 43, 45, 47–51
Spotting 84, 103, 105
Straight-lined ornament 3-23
Superimposed Japanese powdering 104
Symbolic ornament, the Egyptian lotus and water 165
Tail-pieces, or “lamp bottoms” 134, 135
Tchakra, sacred wheel of Brahma and Vishnu, also the “wheel of fire” 168
Thyrsus, staff of the god Bacchus 167
Tiger-lily from nature 147
Tree of life from an Assyrian bas-relief with worshippers 166
Tripod stand on the top of the roof of the Monument of Lysikrates 54
Vase, from the Hildesheim treasures 129
Vases (Modern and Greek), showing unequal divisions of the height and strengthening horizontal bands 90, 91
Wild rose from nature 142
Wine-crater. See Vase.
Winged globe and asps, Egyptian symbolic ornament 164
The Principles of Ornament

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