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AN INTRODUCTORY WORD ABOUT THE BOOK.
ОглавлениеBY W.T. STEAD.
James Runciman was a remarkably gifted man who died just about the time when he ought to have been getting into harness for his life's work. He had in him, more than most men, the materials out of which an English Zola might have been made. And as we badly need an English Zola, and have very few men out of whom such a genius could be fashioned, I have not ceased to regret the death of the author of this volume. For Zola is the supreme type in our day of the novelist-journalist, the man who begins by getting up his facts at first-hand with the care and the exhaustiveness of a first-rate journalist, and who then works them up with the dramatic and literary skill of a great novelist. Charles Reade was something of the kind in his day; but he has left no successor.
James Runciman might have been such an one, if he had lived. He had the tireless industry, the iron constitution, the journalist's keen eye for facts, the novelist's inexhaustible fund of human sympathy. He was a literary artist who could use his pen as a brush with brilliant effect, and he had an amazing facility in turning out "copy." He had lived to suffer, and felt all that he wrote. There was a marvellous range in his interests. He had read much, he improvised magnificently, and there was hardly anything that he could not have done if only—but, alas! it is idle mooning in the land of Might-Have-Beens!
The collected essays included in this volume were contributed by Mr. Runciman to the pages of The Family Herald. In the superfine circles of the Sniffy, this fact is sufficient to condemn them unread. For of all fools the most incorrigible is surely the conventional critic who judges literary wares not by their intrinsic merit or demerit, but by the periodical in which they first saw the light. The same author may write in the same day two articles, putting his best work and thought into each, but if he sends one to The Saturday Review and the other to The Family Herald, those who relish and admire his writing in-the former would regard it as little less than a betise to suggest that the companion article in The Family Herald could be anything but miserable commonplace, which no one with any reputation to lose in "literary circles" would venture to read. The same arrogance of ignorance is observable in the supercilious way in which many men speak of the articles appearing in other penny miscellanies of popular literature. They richly deserve the punishment which Mr. Runciman reminds us Sir Walter Scott inflicted upon some blatant snobs who were praising Coleridge's poetry in Coleridge's presence. "One gentleman had been extravagantly extolling Coleridge, until many present felt a little uncomfortable. Scott said, 'Well, I have lately read in a provincial paper some verses which I think better than most of their sort.' He then recited the lines 'Fire, Famine, and Slaughter' which are now so famous. The eulogist of Coleridge refused to allow the verses any merit. To Scott he addressed a series of questions—'Surely you must own that this is bad?' 'Surely you cannot call this anything but poor?' At length Coleridge quietly broke in, 'For Heaven's sake, leave Mr. Scott alone! I wrote the poem'" (p. 39).
Such lessons are more needed now than ever. Only by stripes can the vulgar pseudo-cultured be taught their folly.
The post of father-confessor and general director to the readers of The Family Herald which Mr. Runciman filled in succession to Mr. Grant Allen is one which any student of human nature might envy. There is no dissecting-room of the soul like the Confessional, where the priest is quite impalpable and impersonal and the penitent secure in the privacy of an anonymous communication. The ordinary man and woman have just as much of the stuff of tragedy and comedy in their lives as the Lord Tomnoddy or Lady Fitzboodle, and as there are many more of them—thank Heaven!—than the lords and ladies, the masses afford a far more fertile field for the psychological student of life and character than the classes. They are, besides, much less artificial. There are fewer apes and more men and women among people who don't pay income tax than among those who do. As Director-General of the Answers to Correspondents column of The Family Herald Mr. Runciman was brought into more vitalising touch with the broad and solid realities of the average life of the average human being, with all its wretched pettiness and its pathetic anxieties, its carking cares and its wild, irrational aspirations, than he would have been if he had spent his nights in dining out in Mayfair and lounged all day in the clubs of Pall Mall.
The essays which he contributed to The Family Herald were therefore adjusted to the note which every week was sounded by his innumerable correspondents. He was in touch with his public. He did not write above their heads. His contributions were eminently readable, bright, sensible, and interesting. He always had something to say, and he said it, as was his wont, crisply, deftly, and well. And through the chinks and crevices of the smoothly written essay you catch every now and then glimpses of the Northumbrian genius whose life burnt itself out at the early age of thirty-nine.
For James Runciman was anything but a smug, smooth, sermonical essayist. He was a Berserker of the true Northern breed, whose fiery soul glowed none the less fiercely because he wore a large soft hat instead of the Viking's helmet and wielded a pen rather than sword or spear. Like the war-horse in Job, he smelled the battle afar off, the thunder of the captains and the shouting. His soul rejoiced in conflict, in the storm and the stress of the struggle both of nature and of man. It was born in his blood, and what was lacking at birth came to him in the north-easter which hurled the waves of the Northern Sea in unavailing fury against the Northumbrian coast. He lived at a tension too great to be maintained without incessant stimulus. It was an existence like that of the heroes of Valhalla, who recruited at night the energies dissipated in the battles of the day by quaffing bumpers of inexhaustible mead. In these essays we have the Berserker in his milder moods, his savagery all laid aside, with but here and there a glint, as of sun-ray on harness, to remind us of the sinking in the glory and pride of his strength.
The essays abound with traces of that consummate mastery of English which distinguished all his writings. He, better than any man of our time, could use such subtle magic of woven words as to make the green water of the ocean surge and boil into white foam on the printed page. As befitted a dweller on the north-east coast, he passionately loved the sea. The sea and the sky are the two exits by which dwellers in the slums of Deptford and in North Shields can escape from the inferno of life. He was a close observer of nature and of men. In his pictures of life in the depths he was a grim and uncompromising realist, who, however, was kept from pessimism by his faith in good women and his knowledge of worse men in the past than even "the Squire" and the valet-keeping prize-fighters of our time.
There was a sensible optimism about James Runciman, Conservative though he styled himself—although there are probably few who would suspect that from such an essay as the bitter description of English life in "Quiet Old Towns" or his lamentation over the unequal distribution of wealth. His sympathy with the suffering of the poor—of the real poor—was a constant passion, and he showed it quite as much by his somewhat Carlylean denunciation of the reprobate as by his larger advocacy of measures that seemed to him best calculated to prevent the waste of child-life.
More than anything else there is in these essays the oozing through of the bitter but kindly cynicism of a disillusionised man of the world. His essay, for instance, entitled "Vanity of Vanities," is full of the sense of vanity of human effort. And yet against the whole current of this tendency to despondency and despair, we have such an essay as "Are we Wealthy?" in which he declared the day of declamation has passed, but that all things are possible to organisation. "In many respects it is a good world, but it might be made better, nobler, finer in every quarter, if the poor would only recognise wise and silent leaders, and use the laws which men have made in order to repair the havoc which other men have also made." But he reverts to the note of sad and kindly cynicism as he contemplates this supreme ironic procession of life with the laughter of gods in the background, even although he hastens to remind us that much may be made of it if we are wise.
These prose sermons by a tamed Berserker remind us somewhat of a leopard in harness. But they are good sermons for all that, veritable tours de force considering who is their author and how alien to him was the practice of preaching. His essay entitled "A Little Sermon on Failures" might be read with profit in many a pulpit, and "Vanity of Vanities" would serve as an admirable discourse on Ecclesiastes. They illustrate the manysidedness of their gifted author not less than his sympathetic treatment of distress and want in "Men who are Down."
These fragments snatched from the mass of his literary output need no introduction from me. Mr. Grant Allen has written with friendly appreciation of the man. I gladly join him in paying a tribute of posthumous respect and admiration to James Runciman and his work.
W.T.S.
SIDE LIGHTS.