Читать книгу Selected Poems - James Tate - Страница 8
ОглавлениеII
from The Oblivion Ha-Ha
(1970)
Poem
High in Hollywood Hills a door opens:
a man disguised as a man appears,
sunglasses on his nose, a beard.
He can smell the flowers—camellia,
bougainvillea—the word,
itself a dream; the reality of the scene
was in the Chinese girl
who swam in the pool beneath
the rail he leaned on:
she was something else indeed.
She was the dream within
the dream within. He shouted: hallo,
halloo.
He did the handkerchief dance all alone.
O Desire! it is the beautiful dress
for which the proper occasion
never arises.
O the wedding cake and the good cigar!
O the souvenir ashtray!
Rape in the Engineering Building
What I saw on his face scared me—ants
on jelly; two cars ducked as he zigzagged
past the library up to the tracks
where the other students were just falling
from classes. One big man yelled,
stop him stop that man, but I thought
it was personal and got out of their
way. Finally the aproned man told us
in a high stuck voice it was rape
in the engineering building, and
the rapist was chugging farther up
the inclined edge of town into
the shadowy upright garden.
Full of thanks, we took after him.
The Blue Booby
The blue booby lives
on the bare rocks
of Galápagos
and fears nothing.
It is a simple life:
they live on fish,
and there are few predators.
Also, the males do not
make fools of themselves
chasing after the young
ladies. Rather,
they gather the blue
objects of the world
and construct from them
a nest—an occasional
Gaulois package,
a string of beads,
a piece of cloth from
a sailor’s suit. This
replaces the need for
dazzling plumage;
in fact, in the past
fifty million years
the male has grown
considerably duller,
nor can he sing well.
The female, though,
asks little of him—
the blue satisfies her
completely, has
a magical effect
on her. When she returns
from her day of
gossip and shopping,
she sees he has found her
a new shred of blue foil:
for this she rewards him
with her dark body,
the stars turn slowly
in the blue foil beside them
like the eyes of a mild savior.
The Pet Deer
The Indian Princess
in her apricot tea gown
moves through the courtyard
teasing the pet deer
as if it were her lover.
The deer, so small and
confused, slides on the marble
as it rises on its hind legs
towards her, slowly, and with
a sad, new understanding.
She does not know what
the deer dreams or desires.
Up Here
The motel was made for love
as you were. I undressed you
with grace and tenderness,
kissing each newly bared part.
There you lay, your small, white
body throbbing in my hand
like a bird. We were silent.
The right word was not needed.
Supple. What was I doing
suddenly pacing around
the bed, scratching my head,
staring down at your gaze up
at me? Recognition.
I would not call you svelte.
Your breasts were barely a hand-
ful; I like small breasts, which fit
a hand. Your thighs were a feast,
though, and, walking, now and then
I would dip down to nibble
them. They were good: wholesome.
They were the bread of life.
Now your lips are moving, now
your hands reach up at me.
I feel as if I might be one
or two thousand feet above you.
Your lips form something, a bubble,
which rises and rises into
my hand: inside it is a word:
Help. I would like to help,
believe me, but up here nothing
is possible, nothing is clear:
Help. Help me.
Prose Poem
I am surrounded by the pieces of this huge
puzzle: here’s a piece I call my wife, and
here’s an odd one I call convictions, here’s
conventions, here’s collisions, conflagrations,
congratulations. Such a puzzle this is! I
like to grease up all the pieces and pile
them in the center of the basement after
everyone else is asleep. Then I leap head-
first like a diver into the wretched confusion.
I kick like hell and strangle a few pieces,
bite them, spitting and snarling like a mongoose.
When I wake up in the morning, it’s all fixed!
My wife says she would not be caught dead at
that savage resurrection. I say she would.
Coda
Love is not worth so much;
I regret everything.
Now on our backs
in Fayetteville, Arkansas,
the stars are falling
into our cracked eyes.
With my good arm
I reach for the sky,
and let the air out of the moon.
It goes whizzing off
to shrivel and sink
in the ocean.
You cannot weep;
I cannot do anything
that once held an ounce
of meaning for us.
I cover you
with pine needles.
When morning comes,
I will build a cathedral
around our bodies.
And the crickets,
who sing with their knees,
will come there
in the night to be sad,
when they can sing no more.
The Tryst
In the early evening rain
I leave the vault
and walk into the city
of lamentations, and stand.
I think it is September, September.
Where are you, Josephine?
It is one minute until you must appear,
draped in a grass-green serape,
shorter than most people,
more beautiful, baleful …
pressing a hand to my forehead,
slipping into my famished pocket
the elixir, the silver needle.
Pity Ascending with the Fog
He had no past and he certainly
had no future. All the important
events were ending shortly before
they began. He says he told mama
earth what he would not accept: and I
keep thinking it had something to do
with her world. Nights expanding into
enormous parachutes of fire, his
eyes were little more than mercury.
Or sky-diving in the rain when there
was obviously no land beneath,
half-dead fish surfacing all over
his body. He knew all this too well.
And she who might at any time be
saying the word that would embrace all
he had let go, he let go of course.
I think the pain for him will end in
May or January, though the weather
is far too clear for me to think of
anything but august comedy.
Pride’s Crossing
Where the railroad meets the sea,
I recognize her hand.
Where the railroad meets the sea,
her hair is as intricate as a thumbprint.
Where the railroad meets the sea,
her name is the threshold of sleep.
Where the railroad meets the sea,
it takes all night to get there.
Where the railroad meets the sea,
you have stepped over the barrier.
Where the railroad meets the sea,
you will understand afterwards.
Where the railroad meets the sea,
where the railroad meets the sea—
I know only that our paths lie together,
and you cannot endure if you remain alone.
The Indian Undertaker
There is a man carrying an armload of lilacs
across the field: he may be a lost Indian
as he is whistling, very beautifully, a tune
to the birds I have never heard. I am in back
of him, following at a distance. Three small quail,
perhaps hypnotized, rise and circle his head.
I want to stop the man and ask him what he said
to make them feel so safe, but I feel
weak and dizzy. His whistling begins to chill
my neck, as if the wind from his lips were
rushing round me. If only I were agile
like this family of field mice heading for
the river; still, I am not sorry I came here.
A lilac is falling like a piece of sky
from his arms; it seems to take ten minutes or more.
Finally it kisses the wet earth. I
start running—the lilac is waiting for me.
Here you are! I feel the first emotions of love.
And, look, a snail is holding on to your leaf
for all he’s worth. So slowly he moves,
humming a psalm to the god of snails.
The lilac swoons. The ground is sapphire
and the trees are topaz. I feel as if I were
attending my own funeral, the air a jail
of music and cool yellow fire.
The Initiation
The long wake continues,
quiet and moronic expressions.
The jowl of the dead
is agape with infinite abandon
as if he were about to sing:
if we concentrate
he may remember the words.
In comes a man with a dog
on a chain; then several others.
The room is bathed
in plaster of paris.
In the background
a deep, abundant fugue has begun.
The piece is dedicated
to me. How strange,
I thought I was new here.
They stop playing,
file quickly into another room.
As I begin to leave
shafts of darkness reach out
and close the little door.
Consumed
Why should you believe in magic,
pretend an interest in astrology
or the tarot? Truth is, you are
free, and what might happen to you
today, nobody knows. And your
personality may undergo a radical
transformation in the next half
hour. So it goes. You are consumed
by your faith in justice, your
hope for a better day, the rightness
of fate, the dreams, the lies
the taunts—Nobody gets what he
wants. A dark star passes through
you on your way home from
the grocery: never again are you
the same—an experience which is
impossible to forget, impossible
to share. The longing to be pure
is over. You are the stranger
who gets stranger by the hour.
Shadowboxing
Sometimes you almost get a punch in.
Then you may go for days without even seeing him,
or his presence may become a comfort
for a while.
He says: I saw you scrambling last night
on your knees and hands.
He says: How come you always want to be
something else, how come you never take your life
seriously?
And you say: Shut up! Isn’t it enough
I say I love you, I give you everything!
He moves across the room with his hand
on his chin, and says: How great you are!
Come here, let me touch you, you say.
He comes closer. Come close, you say.
He comes closer. Then. Whack! And
you start again, moving around and around
the room, the room which grows larger
and larger, darker and darker. The black moon.
Images of Little Compton, Rhode Island
Here the tendons in the swans’ wings stretch,
feel the tautness of their futuristic necks,
imagine their brains’ keyhole accuracy,
envy their infinitely precise desires.
A red-nosed Goodyear zeppelin emerges from the mist
like an ethereal albino whale on drugs.
One wanders around a credible hushed town.
Mosquito hammering through the air
with a horse’s power: there will be no cameramen.
We will swap bodies maybe
giving the old one a shove.
That’s an awful lot of work for you I said
and besides look at your hands,
there are small fires in the palms,
there is smoke squirting from every pore.
O when all is lost,
when we have thrown our shoes in the sea,
when our watches have crawled off into weeds,
our typewriters have finally spelled perhaps
accidentally the unthinkable word,
when the rocks loosen and the sea anemones
welcome us home with their gossamer arms
dropping like a ship from the stars,
what on earth shall we speak or think of,
and who do you think you are?
From the Hole
A horse-drawn rocket
climbs the wooden hill:
behind it two or three friends
are sharing their tobacco: their hats
are beautiful like small pieces of
coal on their heads
fostering goodwill.
I’m standing in this hole, see,
and I’m going to holler out:
“Good riddance to bad rubbish!”
and “I’m sorry if I was a menace!”
“Howdy doody, milkman travail!”
“So long buoys and grills.”
Like a harp
burning on an island
nobody knows about.
The Trap
Inside the old chair
I found another chair;
though smaller, I liked
sitting in it better.
Inside that chair
I found another chair;
though smaller, in
many ways I felt
good sitting in it.
Inside that chair
I found another chair;
it was smaller and
seemed to be made
just for me.
Inside that chair,
still another;
it was very small,
so small I could
hardly get out of it.
Inside that chair
I found yet another;
and in that, another,
and another, until
I was sitting in
a chair so small
it would be difficult
to say I was sitting
in a chair at all.
I could not rise
or fall, and no one
could catch me.
Twilight Sustenance Hiatus
The relentless confetti of dollars!
I’d prefer to kiss that silent chipmunk
on the roadside while a tiny ocean
of dandelion seeds arranges a gray
throne on his ear! I have no “final”
vows to take tonight, though your hair
might be floating down the Ohio.
Chameleons can march around a small room
if they want. I could sell gasoline
on the desert, though I would miss
the grass. Or I could even get your name
tattooed gingerly across my wrist at dawn.
There is so little news fit to print:
yesterday a moth caught fire.
Today a lost school of astronomers
came back. We only think tomorrow
is called “The Finished Gem.”
Tomorrow is called … come on.
The Wheelchair Butterfly
O sleepy city of reeling wheelchairs
where a mouse can commit suicide if he can
concentrate long enough
on the history book of rodents
in this underground town
of electrical wheelchairs!
The girl who is always pregnant and bruised
like a pear
rides her many-stickered bicycle
backward up the staircase
of the abandoned trolleybarn.
Yesterday was warm. Today a butterfly froze
in midair; and was plucked like a grape
by a child who swore he could take care
of it. O confident city where