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II

from The Oblivion Ha-Ha

(1970)

Poem

High in Hollywood Hills a door opens:

a man disguised as a man appears,

sunglasses on his nose, a beard.

He can smell the flowers—camellia,

bougainvillea—the word,

itself a dream; the reality of the scene

was in the Chinese girl

who swam in the pool beneath

the rail he leaned on:

she was something else indeed.

She was the dream within

the dream within. He shouted: hallo,

halloo.

He did the handkerchief dance all alone.

O Desire! it is the beautiful dress

for which the proper occasion

never arises.

O the wedding cake and the good cigar!

O the souvenir ashtray!

Rape in the Engineering Building

What I saw on his face scared me—ants

on jelly; two cars ducked as he zigzagged

past the library up to the tracks

where the other students were just falling

from classes. One big man yelled,

stop him stop that man, but I thought

it was personal and got out of their

way. Finally the aproned man told us

in a high stuck voice it was rape

in the engineering building, and

the rapist was chugging farther up

the inclined edge of town into

the shadowy upright garden.

Full of thanks, we took after him.

The Blue Booby

The blue booby lives

on the bare rocks

of Galápagos

and fears nothing.

It is a simple life:

they live on fish,

and there are few predators.

Also, the males do not

make fools of themselves

chasing after the young

ladies. Rather,

they gather the blue

objects of the world

and construct from them

a nest—an occasional

Gaulois package,

a string of beads,

a piece of cloth from

a sailor’s suit. This

replaces the need for

dazzling plumage;

in fact, in the past

fifty million years

the male has grown

considerably duller,

nor can he sing well.

The female, though,

asks little of him—

the blue satisfies her

completely, has

a magical effect

on her. When she returns

from her day of

gossip and shopping,

she sees he has found her

a new shred of blue foil:

for this she rewards him

with her dark body,

the stars turn slowly

in the blue foil beside them

like the eyes of a mild savior.

The Pet Deer

The Indian Princess

in her apricot tea gown

moves through the courtyard

teasing the pet deer

as if it were her lover.

The deer, so small and

confused, slides on the marble

as it rises on its hind legs

towards her, slowly, and with

a sad, new understanding.

She does not know what

the deer dreams or desires.

Up Here

The motel was made for love

as you were. I undressed you

with grace and tenderness,

kissing each newly bared part.

There you lay, your small, white

body throbbing in my hand

like a bird. We were silent.

The right word was not needed.

Supple. What was I doing

suddenly pacing around

the bed, scratching my head,

staring down at your gaze up

at me? Recognition.

I would not call you svelte.

Your breasts were barely a hand-

ful; I like small breasts, which fit

a hand. Your thighs were a feast,

though, and, walking, now and then

I would dip down to nibble

them. They were good: wholesome.

They were the bread of life.

Now your lips are moving, now

your hands reach up at me.

I feel as if I might be one

or two thousand feet above you.

Your lips form something, a bubble,

which rises and rises into

my hand: inside it is a word:

Help. I would like to help,

believe me, but up here nothing

is possible, nothing is clear:

Help. Help me.

Prose Poem

I am surrounded by the pieces of this huge

puzzle: here’s a piece I call my wife, and

here’s an odd one I call convictions, here’s

conventions, here’s collisions, conflagrations,

congratulations. Such a puzzle this is! I

like to grease up all the pieces and pile

them in the center of the basement after

everyone else is asleep. Then I leap head-

first like a diver into the wretched confusion.

I kick like hell and strangle a few pieces,

bite them, spitting and snarling like a mongoose.

When I wake up in the morning, it’s all fixed!

My wife says she would not be caught dead at

that savage resurrection. I say she would.

Coda

Love is not worth so much;

I regret everything.

Now on our backs

in Fayetteville, Arkansas,

the stars are falling

into our cracked eyes.

With my good arm

I reach for the sky,

and let the air out of the moon.

It goes whizzing off

to shrivel and sink

in the ocean.

You cannot weep;

I cannot do anything

that once held an ounce

of meaning for us.

I cover you

with pine needles.

When morning comes,

I will build a cathedral

around our bodies.

And the crickets,

who sing with their knees,

will come there

in the night to be sad,

when they can sing no more.

The Tryst

In the early evening rain

I leave the vault

and walk into the city

of lamentations, and stand.

I think it is September, September.

Where are you, Josephine?

It is one minute until you must appear,

draped in a grass-green serape,

shorter than most people,

more beautiful, baleful …

pressing a hand to my forehead,

slipping into my famished pocket

the elixir, the silver needle.

Pity Ascending with the Fog

He had no past and he certainly

had no future. All the important

events were ending shortly before

they began. He says he told mama

earth what he would not accept: and I

keep thinking it had something to do

with her world. Nights expanding into

enormous parachutes of fire, his

eyes were little more than mercury.

Or sky-diving in the rain when there

was obviously no land beneath,

half-dead fish surfacing all over

his body. He knew all this too well.

And she who might at any time be

saying the word that would embrace all

he had let go, he let go of course.

I think the pain for him will end in

May or January, though the weather

is far too clear for me to think of

anything but august comedy.

Pride’s Crossing

Where the railroad meets the sea,

I recognize her hand.

Where the railroad meets the sea,

her hair is as intricate as a thumbprint.

Where the railroad meets the sea,

her name is the threshold of sleep.

Where the railroad meets the sea,

it takes all night to get there.

Where the railroad meets the sea,

you have stepped over the barrier.

Where the railroad meets the sea,

you will understand afterwards.

Where the railroad meets the sea,

where the railroad meets the sea—

I know only that our paths lie together,

and you cannot endure if you remain alone.

The Indian Undertaker

There is a man carrying an armload of lilacs

across the field: he may be a lost Indian

as he is whistling, very beautifully, a tune

to the birds I have never heard. I am in back

of him, following at a distance. Three small quail,

perhaps hypnotized, rise and circle his head.

I want to stop the man and ask him what he said

to make them feel so safe, but I feel

weak and dizzy. His whistling begins to chill

my neck, as if the wind from his lips were

rushing round me. If only I were agile

like this family of field mice heading for

the river; still, I am not sorry I came here.

A lilac is falling like a piece of sky

from his arms; it seems to take ten minutes or more.

Finally it kisses the wet earth. I

start running—the lilac is waiting for me.

Here you are! I feel the first emotions of love.

And, look, a snail is holding on to your leaf

for all he’s worth. So slowly he moves,

humming a psalm to the god of snails.

The lilac swoons. The ground is sapphire

and the trees are topaz. I feel as if I were

attending my own funeral, the air a jail

of music and cool yellow fire.

The Initiation

The long wake continues,

quiet and moronic expressions.

The jowl of the dead

is agape with infinite abandon

as if he were about to sing:

if we concentrate

he may remember the words.

In comes a man with a dog

on a chain; then several others.

The room is bathed

in plaster of paris.

In the background

a deep, abundant fugue has begun.

The piece is dedicated

to me. How strange,

I thought I was new here.

They stop playing,

file quickly into another room.

As I begin to leave

shafts of darkness reach out

and close the little door.

Consumed

Why should you believe in magic,

pretend an interest in astrology

or the tarot? Truth is, you are

free, and what might happen to you

today, nobody knows. And your

personality may undergo a radical

transformation in the next half

hour. So it goes. You are consumed

by your faith in justice, your

hope for a better day, the rightness

of fate, the dreams, the lies

the taunts—Nobody gets what he

wants. A dark star passes through

you on your way home from

the grocery: never again are you

the same—an experience which is

impossible to forget, impossible

to share. The longing to be pure

is over. You are the stranger

who gets stranger by the hour.

Shadowboxing

Sometimes you almost get a punch in.

Then you may go for days without even seeing him,

or his presence may become a comfort

for a while.

He says: I saw you scrambling last night

on your knees and hands.

He says: How come you always want to be

something else, how come you never take your life

seriously?

And you say: Shut up! Isn’t it enough

I say I love you, I give you everything!

He moves across the room with his hand

on his chin, and says: How great you are!

Come here, let me touch you, you say.

He comes closer. Come close, you say.

He comes closer. Then. Whack! And

you start again, moving around and around

the room, the room which grows larger

and larger, darker and darker. The black moon.

Images of Little Compton, Rhode Island

Here the tendons in the swans’ wings stretch,

feel the tautness of their futuristic necks,

imagine their brains’ keyhole accuracy,

envy their infinitely precise desires.

A red-nosed Goodyear zeppelin emerges from the mist

like an ethereal albino whale on drugs.

One wanders around a credible hushed town.

Mosquito hammering through the air

with a horse’s power: there will be no cameramen.

We will swap bodies maybe

giving the old one a shove.

That’s an awful lot of work for you I said

and besides look at your hands,

there are small fires in the palms,

there is smoke squirting from every pore.

O when all is lost,

when we have thrown our shoes in the sea,

when our watches have crawled off into weeds,

our typewriters have finally spelled perhaps

accidentally the unthinkable word,

when the rocks loosen and the sea anemones

welcome us home with their gossamer arms

dropping like a ship from the stars,

what on earth shall we speak or think of,

and who do you think you are?

From the Hole

A horse-drawn rocket

climbs the wooden hill:

behind it two or three friends

are sharing their tobacco: their hats

are beautiful like small pieces of

coal on their heads

fostering goodwill.

I’m standing in this hole, see,

and I’m going to holler out:

“Good riddance to bad rubbish!”

and “I’m sorry if I was a menace!”

“Howdy doody, milkman travail!”

“So long buoys and grills.”

Like a harp

burning on an island

nobody knows about.

The Trap

Inside the old chair

I found another chair;

though smaller, I liked

sitting in it better.

Inside that chair

I found another chair;

though smaller, in

many ways I felt

good sitting in it.

Inside that chair

I found another chair;

it was smaller and

seemed to be made

just for me.

Inside that chair,

still another;

it was very small,

so small I could

hardly get out of it.

Inside that chair

I found yet another;

and in that, another,

and another, until

I was sitting in

a chair so small

it would be difficult

to say I was sitting

in a chair at all.

I could not rise

or fall, and no one

could catch me.

Twilight Sustenance Hiatus

The relentless confetti of dollars!

I’d prefer to kiss that silent chipmunk

on the roadside while a tiny ocean

of dandelion seeds arranges a gray

throne on his ear! I have no “final”

vows to take tonight, though your hair

might be floating down the Ohio.

Chameleons can march around a small room

if they want. I could sell gasoline

on the desert, though I would miss

the grass. Or I could even get your name

tattooed gingerly across my wrist at dawn.

There is so little news fit to print:

yesterday a moth caught fire.

Today a lost school of astronomers

came back. We only think tomorrow

is called “The Finished Gem.”

Tomorrow is called … come on.

The Wheelchair Butterfly

O sleepy city of reeling wheelchairs

where a mouse can commit suicide if he can

concentrate long enough

on the history book of rodents

in this underground town

of electrical wheelchairs!

The girl who is always pregnant and bruised

like a pear

rides her many-stickered bicycle

backward up the staircase

of the abandoned trolleybarn.

Yesterday was warm. Today a butterfly froze

in midair; and was plucked like a grape

by a child who swore he could take care

of it. O confident city where

Selected Poems

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