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ACKNOWLEDGEMENTS

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Special thanks to Georgia Chapman of Vixen for her help in researching the textile design aspect of this story. She let me wander around her workshop and answered all my inane questions with infinite patience. Thanks also to Dur-é Dara, Melbourne restaurateur and icon, for all things Malaysian, via 'the Ipoh connection'; Christos Vafeas for all things Greek; John Spooner for trying to crack the Age archives for me; Colin Talbot for all his elder statesmanlike advice and Barney McAll for Juilliard. I am grateful to my lifelong friend Jenny Keath for helping me tidy up the Sydney end of things and for just being there. And the Moonee Ponds Library for providing a peaceful workspace, away from the laundry!

Half Past Dead

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