Читать книгу The Knot - Jane Borodale - Страница 19

Chapter XII.

Of SOPHIA or Flixweede. Groweth alongst bywaies in untilled places, and specially whereas there hath bene in times past any buildings. The séede drunken with wine or water of the Smiths forge, stoppeth the laske.

HENRY LYTE WAKES IN A SWEAT, and lies there on the bed with his heart racing. Joan Young was in his dream again like a long red tendril coiling up and up towards his neck. He looks toward the thin strip of light from the window.

The moon always makes him dream badly. Weeds in the Knot garden make him dream badly; running grasses, bittercress, nettles, sinister little towers of horsetail. It is the time of year for such things. Early summer with its abundant froth of blossom and greening fields looks idyllic to the untrained city eye, delighting in the sight of cows dotted in the meadow and nice asparagus to eat at lunch – but to be inside the working countryside is a different matter. He rubs his neck to be rid of the tight sensation he still feels there. Arcadia it is not, and no-one feels this more strongly than his wife. Frances knows that a walk in the fresh air is good for her but refuses to go out on more occasions than not. There are several types of weather that she does not tolerate – fine rain because it presents a dilemma about whether to go out, heavy rain because obviously one will get soaked, thunder because one may be struck by lightening, icy because one may slip and break a bone, damp and warm because one may catch an ague, windy because one may catch a chill, too late in the afternoon because one may get lost and not have enough time to discuss supper with Old Hannah. It is beginning to be clear that Frances is not wholly suited to the countryside. Which is why she asks again this morning if they can go to London this month.

‘London?’ Henry looks up from the book in which he jots down market matters. He thinks of the annual tasks for the land and almost laughs.

‘Impossible.’

He makes a note about the price of raw wool in his meticulous hand, and flips the pages to examine the same for the previous year. He calculates what kind of profit might be expected from his flock, how many hoggets should be sold off, how many kept. His shepherd William Warfyld has a plan to use the unclaimed field known as No Man’s Plot, which means he could afford to raise the numbers unless someone places an objection. He wonders though whether that field is just too wet. When he looks up, she is still in front of him, waiting for an answer.

‘Besides, what would you do there?’

Now it is Frances’s turn to be amused. ‘Do? Master Lyte, what do you suppose I spend my time at here that I should miss? I must run the household but it can manage without me if we are not here. After all – if we are not here, there is much less to do. We can stay with my cousin, now that mother has remarried and gone to Devon.’

‘Surely there is plenty to do wherever we are; it should make no difference?’

‘I do not mind hard work, but in London there would be less weather and more people,’ she replies. ‘And we can bring Lisbet.’ Frances, when she chooses, can set quite a stubborn line to her jaw. ‘I lack for just one thing, Henry. Fun.’

‘You’ll have plenty on your hands soon enough,’ he says, indicating her belly.

‘There are months left to go,’ she protests.

This really is very tiresome. He has several sorts of account to pay today; tailors’, mercers’, smiths’ and chopmen’s bills. He waves his hand vaguely at the door. ‘Go for a walk. Learn an instrument.’

‘An instrument?’

‘Yes, a lute. No! Perhaps the virginals.’ Reverend Tope says that a lady should only ever learn an instrument that does not cause her to spread her legs. He agrees with very little that Reverend Tope opines on, but today he is in a hurry, and other people’s thoughts can provide an occasional shortcut to thinking for oneself, can’t they? And in her condition … He is sure that one could sit at the virginals with one’s anklebones neatly together, though at this very moment he does not much care.

‘I don’t know, Frances, you are a grown woman with an entire household to run, and in the unlikely event that you have an ounce of spare time you can occupy it for yourself. Learn ballads. Anything! But London this month is out of the question.’

This afternoon Henry receives another letter from his father. There have been many sent between them now, their dealings with each other becoming at best unkind, at worst hostile, a volley of fire. But this letter, it becomes clear as he breaks the seal, is the most poisonous of them all, one that at all costs Frances must never see. This letter summons every evil that his father has been alluding to over this horrible month, but never yet dared to mention outrightly. And here it is, set down as if it were a truth, a twisted fact. If it were so, why does he not make his accusations in public? Why does he hide his venom in a letter, yet leaking breath and whispers of his intent all through the borough so that it comes to his ears slowly from all directions. His claim is that Henry himself was to blame for the sickness and death of his first wife Anys. Death. The man claims he is a murderer. Murderer. Odious, odious lies.

‘I am a good man, am I not?’ he says to himself, his carefully nurtured world falling apart inside him. ‘How can I clear my name, when there has been no fair trial?’