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Praise for Janet Todd’s work on Jane Austen

‘Monumental, powerful, learned … sets the standard’ Frank Kermode, London Review of Books

‘Essential for anyone with a serious interest in Austen … rendered with razor-sharp clarity for a modern audience – exceptionally useful’ Duncan Wu, Raymond Wagner Professor in Literary Studies, Georgetown University

‘Intelligent and accessible’ Times Literary Supplement

‘Easy to read and engaging; excellent on Austen’s work’ Choice

‘Janet Todd is one of the foremost feminist literary historians writing now’ Lisa Jardine, Centenary Professor of Renaissance Studies, Director of the Centre for Editing Lives and Letters, University of London, Independent on Sunday

Praise for Janet Todd’s previous work

‘Fascinating, a page-turner and a delight’ Emma Donoghue

‘Janet Todd’s pain-filled interweaving of life and literature is a good book written against the odds – it is frank, wry and unexpectedly heartening’ Hilary Mantel

‘A stunningly good, tight, intelligent truthful book and one of the most touching love letters to literature I have ever read. Ah, so that’s why we write, I thought’ Maggie Gee

‘I read it avidly, unable to stop. I love the voice, especially the tension between restraint and candour in its brevities – and yet endearingly warm and honest. It’s an original voice and utterly convincing in its blend of confession, quirkiness, humour, intimacy. It’s nothing short of a literary masterpiece, inventing a genre. A delight too is the embeddedness of books in the character of a lifelong reader; it is fascinating to learn of Todd’s fascinating variegated past. How gallant (like the verbal gallop against mortality at the close of The Waves)’ Lyndall Gordon

‘Beautifully written, viscerally honest, horribly funny’ Miriam Margolyes

‘A quirky, darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice’s watery, decadent glory’ Sarah Dunant

‘Strange and haunting, a gothic novel with a modern consciousness’ Philippa Gregory

‘A mesmerizing story of love and obsession in nineteenth-century Venice: dark and utterly compelling’ Natasha Solomons

‘Intriguing, pacy and above all entertaining; clever, beguiling’ Salley Vickers

‘Genuinely original’ Antonia Fraser

‘A rip-roaring read’ Michèle Roberts, Sunday Times

‘Terrific insight. Todd’s sound and generous reimagining of women’s lives is a splendid work’ Publishers Weekly (Starred)

‘Mesmerizing and haunting pages from a Gothic-driven imagination’ Times Literary Supplement

‘Gripping, original, with abundant thrills, spills and revelations’ The Lady

Recent works by Janet Todd

The Cambridge Companion to ‘Pride and Prejudice’ (editor) (Cambridge: Cambridge University Press, 2013)

Jane Austen: Her Life, Her Times, Her Novels (London: André Deutsch, 2014)

Lady Susan Plays the Game (London: Bloomsbury, eBook, 2013; paperback, 2016)

A Man of Genius (London: Bitter Lemon Press, 2016)

Aphra Behn: A Secret Life (London: Fentum Press, 2017)

Radiation Diaries: Cancer, Memory and Fragments of a Life in Words (London: Fentum Press, 2018)

Jane Austen's Sanditon

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