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Оглавление

contents

Foreword ∙ ix

Preface ∙ xiii

Paradise Declassified ∙ 1

THE HUTS

HUT #1

The Border, Brooklyn, New York ∙ 27

HUT #2

The Border, Brooklyn, New York ∙ 33

HUT #3

The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute, Troy, New York ∙ 41

HUT #4

The Border, Brooklyn, New York ∙ 49

HUT #5

The Border, Brooklyn, New York ∙ 61

HUT #6

The Norwegian Opera, Oslo, Norway ∙ 71

HUT #7

Arts@Renaissance, Brooklyn, New York ∙ 87

HUT #8

The Sheila C. Johnson Design Center, Parsons The New School for Design, Manhattan, New York ∙ 103

HUT #9

Godsbanen, Aarhus, Denmark ∙ 113

HUT #10

The John and Mable Ringling Museum of Art, Sarasota, Florida ∙ 127

A POSTSCRIPT

Kjerringøy Land Art Biennale 2015, Kjerringøy, Norway ∙ 149

THE ESSAYS

dwelling object hut thing ∙ 165

ANDRÉ LEPECKI

The Century of Compost: Some Thoughts about Waste, Huts, and Pippi Longstocking ∙ 173

THOMAS HYLLAND ERIKSEN

Being Moved, Moving Ourselves ∙ 179

ELISE SPRINGER

Planting Dance at the Crossroads ∙ 187

EVA YAA ASANTEWAA

The Queer Frontier of Jill Sigman’s Hut Project ∙ 191

MATTHEW MCLENDON

Acknowledgments ∙ 199

Selected Bibliography ∙ 201

About the Contributors ∙ 203

Index ∙ 205


Ten Huts

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