Читать книгу New Beginnings - Jill Barnett, Jill Barnett - Страница 11

A year after champion board racer Hank Knowles appeared in a national beer commercial on a Cantrell board, and twenty-eight months after Sports Illustrated, Good Morning America, and Entertainment and Sports Program Network covered the first National Snowsurfing Championship, March and Mike moved from the first house they owned in the Marina District to a large place on Russian Hill with a hundred and eighty degree view of San Francisco and the bay. Both homes were a huge change from the crumbling, drafty, three-room Eleventh Street apartment over a warehouse, that first place in the city they’d moved back to after Mike had quit his job at Spreckles.

In that old building, near a knot of San Francisco’s freeway interchanges, was where March chased two small and energetic little boys while her husband worked long hours producing the skiboards he sold in the local mountains on winter weekends.

One tired and impossible-to-keep-clean-apartment was where both she and Mike took turns cooking dinners in an oven that burned the edges of every casserole they struggled to make, and where they had scraped by on graphics work she did on mornings so early it was still dark out, and during the kids’ nap times.

As bad as that apartment had been, in retrospect, it was where the Cantrell family really began and being there brought them all into a time when the boys didn’t need naps, a place where the oven worked perfectly and a job where March oversaw the graphics end of Cantrell Sports, Inc.

Skiboarding had morphed into snowsurfing, and into snowboarding, a new sport that was bred almost simultaneously on both sides of the country—on the West Coast by Mike, and the East Coast by Jake Burton. Both were called visionaries, kindred in their love and creation of snowboards, who along with some other enthusiasts from surfing and skateboarding promoted and pushed the sport, met then raced each other at events in Colorado, Vermont, Lake Tahoe and Mt. Baker. The Entertainment and Sports Program Network desperately needed to fill twenty-four hours a day of air time and began to televise the meets and races on cable TV.

By the time the Cantrell boys were nine and ten, snowboarding parks were successful at some of the major ski areas and the family move to the Russian Hill came about because of an absurd need for a much larger tax write-off.

But the truth was: March loved the house from the first moment they walked inside. They were lucky to live in such a romantic, red-blooded city, and certain landmark homes were natural to that terrain. The classic old glorious houses she had driven past so many times began to sneak into her wildest dreams.

Like some foreshadowing of what was to come, over the years March had felt some odd sense of joy just sitting at the red light and merely looking at that same house. Living there would make life perfect.

It was a big beauty of a home on a famous corner near the crookedest street in the world, with views that went from foggy bridges and city lights, to glimmering water and all those blue skies. Wrapped in California stucco the color of butter, with a terracotta tiled roof and dark-timbered doors and window frames, it spoke of the homes on coastal hillsides along the Mediterranean and had once belonged to an infamous Spanish opera singer.

Shortly after they moved in, March redid the second floor master bedroom in Chinese red, because she’d read enough history of the place to believe the room needed color—passionate color. The night after painting the room red, she and Mike drank a rich bottle of Sonoma County cabernet, listened to Carmen, fed each other fruit and imported cheese and made love three times on a three-hundred-year-old antique silk rug.

Not long afterward March was sick every morning and sound asleep by seven o’clock every night, signs she knew all too well from her previous two pregnancies. Nine months and three days later, Molly was born, to the instant delight and future dismay of her two older brothers, Scott and Phillip.

One look at her and Mike had laughed—their own intimate joke—because their daughter had bright red hair. From that day on they always associated her with red, a color of high emotion. More often than not, Molly lived up to that association.

She came into the family like an earthquake, and shook it up, so different was she from Scott and Phillip. March could gauge her boys and understand when something was wrong, see trouble coming with a mother’s sharp and innately-tuned instinct.

But unlike the boys, Molly didn’t cling to March even as a toddler. The outside fascinated her. From the sight of her first butterfly to the crowds in Union Square during Christmas, Molly believed the whole wide world was all hers.

March had come from a family of three women and one lone male, her father, while Molly was born in a family of men, with March the only other woman. Instead of combining feminine forces, they were always at opposite sides, like knights on a jousting field and ready to knock the other one off the horse.

While March’s strength and control was the fulcrum on which the family pivoted, Molly was the family princess, with an amazing ability to get her way and make everyone circle around her like footmen.

March and women like her were products of a generation that straddled two feminine cultures, raised to be good girls, like their mothers, yet they ended up rallying for their independence and their individual rights in a society that, for all its touting of freedoms and liberties, was dismally patriarchal.

Most women back in the Sixties and Seventies had to have male co-signers for anything financial. Early in their marriage, when March called the credit card company, they wouldn’t talk to her, even though she made most of the income and paid the bills. They had to speak to Mister Cantrell.

But her daughter, Molly, was born into a world of men changed by women like March. Almost as if with that first breath of post-feminist air, Molly innately understood how to work inside her world, and it was very different from how March’s world worked.

Mother and daughter could look out the same window at completely different scenes. Mothering Molly was like some kind of grand game of Where’s Waldo. There was an undeniable sense of irony in that March had wanted a daughter so badly, only to give birth to a diva instead.

Beatrice’s only answer was, “You were a difficult child. She takes after you, dear. Your father and I always felt your name was perfect. March, in like a lion.”

“Daddy said that all the time. Funny I don’t feel like a lion.” March was exhausted. “Molly and I are polar opposites. My daughter is nothing like me.”

“She will be,” was all her mother had said.

Mike set her straight in terms more clear, the way men could see the world in black and white while women saw nothing but a confusing mass of passionate colors. “You are and always have been an independent woman and never afraid to tell the world what you think. Look, you’re a strong woman with strong emotions. Why on earth would you want a daughter who is any less?”

March was quiet for a long time, knowing he was right. “Because my life would be easier if she were a little more malleable.”

“And our marriage might have been calmer if you had been that way.”

She punched him in the arm. “You know you love to argue with me. Makes your life colorful and interesting.”

“So look at it this way, sunshine. Our little red Molly is the color in your day. She will never bore you. I was reading on the plane, a book about how we parents make the mistake of looking for pieces of ourselves in our kids. The psychologist said it’s natural, narcissistic and necessary, that we think if we can catch a glimpse of ourselves in our kids then perhaps we will understand how their minds work. But it’s a scientific fact that traits skip generations. So in the same way our own parents didn’t have a clue about us, neither do we about our own kids.”

“God cannot possibly be so cruel.” March sank down into a club chair, hugging its pillow to her chest. “And Mother Nature wouldn’t do that to another woman.”

“Women are toughest on other women. You’ve said that yourself. Motherhood is an emotional extreme for a woman…”

At that moment she wanted to zip his mouth shut. There was a man who couldn’t pick up his shoes, shirt, or tie, who regularly lost the remote control but like magic could always find her car keys, and he was suddenly quoting some new self-help book about the differences between women and men and telling her about motherhood? If only one of their babies had been born through his penis…

“…Manhood and womanhood are forced on us by chromosomal serendipity, but we actually choose to be parents. Fascinating stuff. Our choices become some of our biggest mistakes and the hardest to live down. Basically, the point this doctor made was: we can never live down our kids.” Mike took off his tie and hung it on the closet’s doorknob—the tie rack was a foot from his nose—then he kicked his shoes off near the bed and walked away from them.

If she didn’t pick them up, she would trip on them in the middle of the night on her way to the bathroom.

He pitched his shirt across the dressing room and missed the laundry basket, then faced her with his hands on his belt.

“Mike?”

“What?” His belt buckle banged the door as he hung it from the bathroom doorknob.

“You really have to start reading fiction.” And she threw the pillow at him.

The month Mike appeared on the cover of Business Week with the caption “It Only Looks Easy,” (“it” referring to the rise of the sport of snowboarding), Mickey, their fourth child, tried to ride his Transformer car down the stairs and had to have seventeen stitches in his forehead. Behind the accident were Scott and Phillip, caught standing in the corner of the upstairs landing and whispering sworn vows to not tell Dad what they did.

Mike had grown up with an older brother and clearly understood sibling dynamics. Brad duped him enough times to make him remember all the bruises and challenges and dirty tricks. The antics between his older brother and him were a rite in natural family order.

But it was his father’s reaction that changed the dynamic from brotherly prank to damage. Every time Brad got the better of him, Mike could see he became more and more of a fool in his dad’s eyes. Sometimes the darkest legacy between brothers was more about emotional scars than the physical ones.

Through the coming years his own kids made his life fuller, even though they fought over Monopoly money, the biggest slice of cake, who would sit in the middle, which bedroom was better, often with Scott and Phillip so involved in arguing with each other they never realized Molly just waltzed in and took what she wanted when they weren’t looking.

Occasionally they managed to get even with her, like when they taught her to snap her fingers backwards or filled her bed with ants. But for Mike she was a butterfly who seemed to light upon the ordinary things in his world, making them seem rare and special. Her Mollyisms could paint the unexpected into a regular day.

“Dad? Do you know where rainbows come from?”

“Ireland?” he’d asked.

“No, silly.”

“Leprechans?”

She had giggled in that way little girls did, a simple sound that gave him a great sense of joy.

“Light refracts through the water droplets,” she’d said. “And because water droplets are round, they cause the light to bend. A rainbow is really a full circle of colored light but the ground stops you from seeing the other half of the circle.”

“Where are the pots of gold?” he asked to tease her. But he knew the real pot of gold was walking along side him, her red hair in long braids, the little girl who snapped her fingers backwards, explained scientific facts, got even with her brothers by rolling their boxer shorts in itching powder—payback for the ants—and constantly reminded him what a wonderful thing the imagination was.

They were walking toward Alioto’s for oysters that day she told him about the rainbows and he stopped for a second. “Look at that, shortcake.” He pointed to a white seagull feather on the ground. “Do you know what that is?”

She reached down and picked up it up. “This is a feather.”

“It’s also a message. A white feather is a gift from someone who loves you. Someone in heaven. When I was about your age, not too long after Poppy, my grandfather, your great-grandfather, died, I began to find white feathers in my shoes, my school notebook, stuck to my bicycle handle. One day my grandmother saw me pick up one and she was the one who told me they were from him. Signs that he missed me, she’d said.”

He didn’t tell his daughter, looking up at him with her wide-eyed expression and wonder at a perfect white feather, that his father had told him to forget all that rubbish. Poppy was dead and the feather was only some seagull molting.

For Mike, his children—watching them grow up, the boys who pulled funny but awful pranks on each other, his imaginative daughter and her stories, and Mickey the fearless, who would try anything because his brothers did it—made Mike understand what his own father has missed.

Early on, Mike made his decision about what kind of father he wanted to be: a father who kept the peace and used bargaining chips, who went out of his way to make everything even for his children as much as possible.

He gave the older ones both the same bike on the same Christmas. Each child always had the same number of gifts, even the same dollar amount spent; it was a pattern that lasted until the two oldest boys were teenagers, when his work ethic came into play and he made Scott and Phillip earn the right to use the car or boat keys.

But for most of their lives, he had chosen to be a father who measured the cake into even sections before anyone ever cut it. Unlike March, who from the time when the kids were young, would let them battle it out or choose to make her life easier by picking the winner with some trumped-up reason the boys always bought into without a lick of resentment.

But then along came Mickey, the youngest and his namesake, who grew up trying to find a place amid all the strong Cantrell personalities. He was close to his mother in a way lost to Mike. To his sister Molly, he was half pet and half annoying little brother, the one who chanted stupid kissing rhymes out the window during her teenaged years whenever a boy came to pick her up for a date. He was challenged by a pair of brothers who were more than a decade older, and who he worshipped at the same time he constantly tried to keep up with them.

To level the playing field full of powerful 9.75 siblings, Mickey had to be a 10.0. He learned to throw caution and thought and fear out the window and “just do it.” Following his brothers boarding down the toughest mountain faces made him fearless before he ever started school, and eventually turned him into a hotshot, the Cantrell who sought the limelight. In almost every moment of family video, Mickey’s antics dominated most of the camera time.

Being the youngest he had to work hard to fight for a place in his family. It wasn’t easy to come after a sister like Molly and his older, dynamic brothers, who taught him he could only earn their attention by breaking all the rules.

Suddenly there was no way Mike could even the playing field for his youngest son. Mickey spent more moments in the emergency room than all the other kids combined, was suspended from kindergarten, held back a year, but then went on to skip the third grade. In junior high, he was the only honor roll student suspended, after he managed to sneak into the administration building and change the school bell system so the bells rang every two minutes. The limelight was important to Mickey, whether the light was positive or negative.

Mike had never been or wanted to be the kind of father who inspired fear in his kids, but Mickey tested his well-thought-out father plan to the limits. There wasn’t a book on parenting or child psychology in existence to help him prepare for raising his youngest son, or to make him understand Mickey’s surprises that were always waiting around the corner for him.