Читать книгу One Night Scandal - Joanne Rock - Страница 11

Three

Hannah knew she couldn’t hide from Brock McNeill, but she was tempted to try the next day when he hadn’t made an appearance on the set by midmorning. How could the hottest night of her life have gone so terribly wrong?

The sexy rancher who’d turned her inside out was a McNeill.

Seated in a makeup chair under a canvas tent erected near the barn where she’d been shooting earlier, Hannah tried unsuccessfully to read through a script to take her mind off of Brock. She tried to get comfortable. There was a full-length mirror in front of her, and a cup of coffee stuffed in the mesh drink holder of her chair. Dressed in her period costume—a calico dress complete with petticoats and chemise—Hannah scrolled through the script for a space Western on her phone. It didn’t take a genius to know she was starting to get typecast as a ditz—a role she’d done well once and should have distanced herself from afterward. She played something similar in Winning the West, but she would have taken a role as an extra if it meant getting to work on an Antonio Ventura set. Shoving aside her phone, she wished she could feel outrage about her career. Instead, all she felt was anger at herself for making a selfish decision last night.

How could she have indulged herself that way, putting her own needs before her mission? It had never occurred to her that the casually dressed rancher who personally oversaw his horses could be a member of one of the nation’s wealthiest families. Hannah knew all about the connection between Cheyenne’s ranching McNeills and the Manhattan branch of the family and their lucrative resort chain. She’d also read up on the ties between the Silicon Valley start-up, Transparent, principally owned by Damon McNeill and his brothers.

Hannah had researched all of them carefully before she accepted the film role on McNeill land because of the secret connection between the Ventura family and the McNeills. A connection they’d all hidden so thoroughly, she wasn’t sure how many people even knew about it besides her. Not that Hannah cared about the secrets and scandals of the rich. She’d simply done her homework to find out if the McNeills were potential allies or enemies in her quest for justice for her sister.

And despite all the research she’d completed—even briefly working for the Ventura family’s cleaning service—she still couldn’t be certain. It could go either way. Certainly, Brock McNeill had shown no liking for Antonio. They’d behaved as though they were strangers when they spoke on the set yesterday—one more reason why Hannah would have never taken Brock for one of the McNeill family.

Restless and uneasy, Hannah shot from the chair to pace the temporary makeup and dressing area. She hadn’t gone three steps when Callie raced into the tent, her work apron covered with pins and her usually sleek ponytail twisted into a haphazard knot.

“There you are!” The wardrobe assistant skidded to a stop, one sandal catching on the tassels of a floor mat. Her cheeks were pink with hectic color. “Hannah, you have a visitor on set.” She lifted her dark eyebrows and lowered her voice. “The hot cowboy from yesterday.”

Tension squeezed Hannah’s shoulders even as warmth stirred in her belly. How could she pretend the same ease with him that she had yesterday, knowing his identity? Knowing the McNeills hid a connection to Antonio Ventura, the man she hated beyond reason? Not even Meryl Streep could pull off that kind of acting job.

“He’s here?” Hannah asked finally. Stalling.

She peered into the full-length mirror, wondering if her expression revealed her distress.

Callie stepped closer, looking at Hannah’s face in the mirror. “He said you were expecting him. What’s wrong?”

“Nothing. Just a little nervous, I guess.” She forced a smile, needing to get it together before she saw Brock. If only she understood his family’s link to the Venturas.

Was there a chance her relationship with Brock could help her learn something useful about Antonio? Something that would aid her efforts to unmask him for the monster he was?

Steeling herself for the performance she needed to give for the sake of her sister, Hannah hoped she could extricate herself from an intimate relationship without alienating Brock altogether. Because while she was willing to leverage a friendship to learn anything she could about Antonio, she drew the line at allowing Brock back into her bed ever again now that she knew he was a McNeill.

The rest of the world might not know the truth about the Ventura and McNeill connection, but Hannah had unearthed the secret from a coworker at the Venturas’ cleaning service.

Paige McNeill, Brock’s stepmother, had married Brock’s father under an assumed name. She was actually the missing Hollywood heiress Eden Harris. Daughter of the actress Barbara Harris and director Emilio Ventura. Stepsister to Antonio Ventura himself.

So until Hannah knew where the McNeills stood on the issue of the family they had never publicly acknowledged, maybe it was best to treat all of them—Brock included—like they were her potential enemies.

* * *

Brock knew he should stay away from Hannah Ryder.

Publicly, it made sense to keep the relationship quiet since he didn’t need to draw more attention to his family in the days—hours, perhaps—before a scandal broke. And privately, Brock had yet to figure out the expression on Hannah’s face when she’d learned of his identity last night, so it wasn’t a good idea to get too involved with a woman so clearly rattled by the McNeill name.

Yet here he was on the set of her film before noon the day after they’d met. After they’d parted awkwardly and she’d dominated his thoughts all night.

He paced behind the camera while the set crew worked to change some components in front of the lens. Lights were rolled out of the open barn doors and new lights were rolled in on handcarts and dollies. Props were switched. Hay was raked and “fluffed” using methods that rendered it unusable for horses—glue, silicon spray and filler were mixed in to make the piles look bigger against the walls. The whole place bustled with activity while the actors and director were on break.

Brock had missed seeing Hannah’s scene earlier in the day, but he’d been busy with his family. His brother Carson’s new girlfriend—Emma Layton, a stunt woman for Winning the West—had shared what might be an important clue about a connection between the McNeills and the Venturas, one the blackmailer could be exploiting. Emma’s mother, Jane, had been hinting at the connection in recent phone conversations. Jane Layton had worked as a maid for the Ventura families for years and had been privy to many of the family’s private affairs, but Emma also confided that her mother was emotionally unstable.

So could they trust any information gleaned from Jane Layton?

The McNeill family’s private investigator couldn’t follow up all the blackmail leads fast enough now that the time had almost expired on the threat to expose Paige McNeill’s past. Brock’s father was scared his wife was going to have a nervous breakdown, since she hadn’t yet fully recovered from her time spent in a coma. And Scarlett, Paige’s youngest daughter, refused to speak to any of them while she nursed her anger that they’d somehow forsaken Paige by not trying to work something out with the blackmailer.

Now this.

The woman who’d so thoroughly captivated Brock last night was hiding something, and he was determined to find out what. The family suspected the blackmailer might be working on the film or have a close connection to someone who did. Could Hannah Ryder be capable of blackmail? Anger flared at the thought she might have used sex to get closer to him. He was certain the attraction was real, but the possibility of deception rankled.

He was so caught up in those dark thoughts he didn’t hear anyone approach him as he held the side door open for a woman pushing a catering cart of fruit, breakfast pastries and coffee.

“Brock.”

The sound of Hannah’s voice behind him sent a spike of unwanted heat up his spine. He really needed to get his attraction to her under control until he figured out where she stood in this mess with his family.

Pivoting on his boot heel, he faced her.

She was even lovelier than he remembered. Her hair was pinned up on either side, the back falling in curls that struck him as a vaguely historical style—maybe because the curls were so carefully molded. She wore a frontier-woman kind of gown, too. It was cream-colored and dotted with tiny flowers. The bodice shaped her torso in an exaggerated manner that looked sort of painful—cinching her waist and lifting her breasts in a way guaranteed to draw the eye. The full skirt of her dress would have reached the floor if she didn’t have the fabric tucked into the waist, probably to keep it clean when she wasn’t filming.

Even her black lace-up boots with tiny heels were from another era.

He battled the urge to touch her. To greet her with a kiss, or a whispered word about how beautiful she looked. Instead, he needed to come straight to the point. He was running out of time to help his family. He needed to know why his name had upset this West Coast actress who shouldn’t care about his identity one way or the other.

“Hello, Hannah.” His nod was as terse as his tone, but it couldn’t be helped. “We said we’d talk more today. Can we go somewhere to speak privately?”

“My next scene is supposed to start filming soon.” She seemed different. More guarded.

Which was to be expected, he supposed, even if she didn’t have anything to do with the blackmail scheme. He ground his teeth against the frustration of the past few weeks. He was a horse breeder and trainer, damn it. Not a sleuth.

“I need to ask you about last night,” he pressed, unwilling to let it go. He simply lowered his voice more and drew her into a dark corner of the barn, between the side door and the open front doors. “About the way you reacted when I told you my name.”

There it was.

A tiny flinch. A slight flare of her nostrils.

He’d been with a woman who kept secrets before. He recognized the signs, and it was an experience he refused to repeat.

“I don’t know what you mean,” she lied smoothly enough, but the words didn’t erase that moment of honest response he’d seen on her face.

“Yes, you do.” He wasn’t going to drop it. And he wasn’t going to let her off the hook. “My family is going through hell right now, Hannah, and if you know something about that—about the threats leveled against the McNeills—”

“I have no idea what you’re talking about.” She shook her head, the curls brushing her shoulders, catching on the lace detail of her sleeve. Her face paled. “What threats?”

Behind him, another dolly rumbled past with electronic equipment, but with the shouting and noise made by the crew, he wasn’t worried about being overheard.

He plowed ahead. “Someone has been threatening my family. Time is running out for me to figure out who’s behind those threats.” He stepped closer to her, sensing movement behind him as the set workers adjusted lights overhead. “We’re being blackmailed—”

His speech wavered, then halted, as something heavy cracked the back of his skull. He had a flash of awareness that he was falling. A moment to see panic on Hannah’s lovely face before...

The world went black.

* * *

“Brock!” Hannah watched in horror as the big, strong man beside her crumpled to the ground.

It took her a moment to process what had happened. One of the overhead lights had broken free of the grid, hitting the back of Brock’s head. The light lay smashed on the floor behind him, the heavy black housing bent on one side. Already, people were shouting, grips and gaffers scrambling to secure the grid and clear the set.

“Brock?” Hannah sank to her knees beside the fallen rancher, her fingers tentative as she touched his shoulder, fear icing her insides. “Are you all right?”

He was breathing, but he remained stone-still.

Two production assistants were suddenly beside her, leaning over him, informing her not to move him.

Because she was flustered and scared, it took her a moment to process why. He had a head injury. He could have a concussion or much worse. A spinal injury would be...

Oh, God. She laid her hand over his, taking his fingers—careful not to move his arm—and squeezing them gently.

“Call 911!” she shouted, even as one of the wardrobe assistants flashed a thumbs-up sign as she spoke into her phone.

Someone was already taking care of that.

The minutes stretched out endlessly as they waited for an ambulance. In the background, Hannah heard the second director yelling at the production staff while someone swept up broken glass. Hannah debated how to reach Brock’s family to let someone know what had happened, but she couldn’t seem to let go of his hand.

He’d told her someone was threatening his relatives. Blackmailing them. He’d been upset about it—to the point there was even suspicion of her in his eyes—before that light had hit him. Did he suspect her of blackmail?

The thought chilled her even more.

Had he told his family about them? About his night with her or the way she’d reacted when he mentioned the McNeill name? What if they blamed her for the accident?

None of it should matter now when Brock was hurt. But she couldn’t afford to get caught up in a scandal that had nothing to do with her. Brock might suspect her of something, but she knew she wasn’t a blackmailer. She only wanted evidence against Antonio Ventura, but she couldn’t possibly share her secret agenda with his family. Not even to clear her name, if it came down to that.

In the distance, she heard the wail of a siren. The ambulance was getting closer.

Relieved that help was on the way, she let one of the director’s assistants know that she was going to follow the ambulance to the hospital. Because no matter how awkward things had gotten between her and Brock, this was still the man who had kissed her senseless the night before. The man who’d publicly told off Antonio.

She needed to be there for him until someone from his family arrived.

“You’re going to be fine,” she assured him even though he couldn’t hear her. She stroked her free hand over the subtle bristle of his jaw. “The ambulance is almost here.”

The siren grew louder. Nearby, the production team cleared a path between the doors and Brock, moving aside equipment.

Hannah told herself she should step back out of the way, too. But before she could, she felt Brock stirring.

Relief rushed through her.

“He’s waking up!” she shouted to no one in particular, her eyes remaining on him. “He’s coming out of it.”

She squeezed his hand tighter, watched as he lifted his head ever so slightly. Then, as if he found it too heavy, he rested his head back on the ground, but blinked his eyes open and stared up at her.

“Are you okay?” she asked him, tilting her head to meet his gaze. “It’s probably better if you don’t move just yet.”

She searched his face, looking for clues to any sign of discomfort or injury. Needing him to be okay.

Brock frowned, a scowl wrinkling his forehead as he studied her. When he spoke, his voice was gravelly and deep, his tone oddly distant.

“Who are you?” he asked, his blue eyes never wavering from her face. “Do I know you?”