Читать книгу Why Does the Screenwriter Cross the Road? - Joe Gilford - Страница 6

Оглавление

CONTENTS

Introduction

Chapter 1 FILM IS NOT A VISUAL MEDIUM

• Why It’s Taken You So Long to Write an Unfinished Script

• If You Feel Good Writing It, You’re Doing It Wrong!

• You Can’t Learn to Write a Crappy Screenplay

• You Have to Know What You’re Doing

• There’s No Such Thing As a “Bad Idea,” Only a Story Poorly Told

• Exercises

Chapter 2 SCREEN PLAYS ARE NOT WRITTEN — THEY’RE BUILT

• Stories Are Energy Machines

• There Are No Rules in Screenwriting — But You Have to Obey Every Single One!

• Screenplays Are Like Good Watches: The “Moving Parts” of a Screenplay

• Checklist: The Moving Parts of a Screen Story

• “Putting It in the Box”: A Screenplay Is Like a Chair — You Gotta Be Able to Sit in It!

• The World of the Journey Is the Plot!

• Why Now?

• Life Is Chaos. Movies Make Sense

• The Promise

• Story Value: What’s It Worth?

• The “Action Structure” of Your Story

• Action Structure: The Godfather

Chapter 3 SO THERE’S THIS PERSON

• You’re Writing for Actors!

• Your Main Character Moves in Two Opposite Directions At Once

• Great Characters = Great Actors: Movies Are About Performance

• No Character Left Behind

Chapter 4 WHY IS THIS STORY SO IMPORTANT FOR YOUR HERO?

• The “Fatal Flaw”

• Your Character Is Looking for Satisfaction — But You’re Gonna Make Him/Her Sweat for It!

• “If It Weren’t for Me, Everything Would Be Fine!”

• “Schmuck!” “Idiot!” — Nicknames for Your Protagonist

• Exercises

Chapter 5 IF YOU DON’T BELIEVE THIS STORY, WHO WILL?

• You Can Make This Stuff Up!

• Exercises

• Zombie Rules: Believing the Unbelievable

Chapter 6 SUSTAINABLE SCREEN WRITING

• The Story Is Always Being Told

• Stress, Story Torque, and Zápletka: Putting the Squeeze On!

• Eight Good Scenes

• Scenes: The Bricks on the Framework

• Cause and Effect: Don’t Waste My Screen Time, Pal!

• When You Pack, Take Only What You’re Going to Wear

• Irony: It’s Not Over ’til It’s Not Over

• What’s the Worst That Can Happen? — That’s What Happens!

• Your Surprise Ending . . . Is Inevitable

• Exercise

Chapter 7 TOOL BAG : SOME OF THE GADGETS YOU’LL NEED

• “Shut Up When You Talk to Me . . . ” Dialogue Is Not Just Talk

• “Many Years Ago . . . ” — Flashbacks

• Backstory — How Does It Get into My (Front) Story?

• “That’s Me Talking, In Case You Didn’t Recognize Me . . .”: Voiceover Dos & Don’ts

• “Just Listen . . . ”: Monologues

• “Whose ‘Now’ Is It Anyway?”: Time and When to Mess with It

• Plants and Payoffs

• The Sidekick, the Mentor, the Student, and All Those Other Types of Characters

• To Montage or Not Montage

• Yes, There Is a “Rule of Threes” — And It’s Not Stupid

Chapter 8 OKAY, NOW GO WRITE YOUR SCRIPT!

• The “Certainty Principle” — You and Your Story

• Step by Step by Step by Step by Step by Step: Your Beat Sheet

• Methods to the Madness

• Page Count and Structure

• Writing = Writing, So Write!

• You’re Married to Your Story Now, So Be Faithful!

Chapter 9 NOW WHAT?

• “Industry Experts”: Nine Out of Ten Times — They’re Wrong!

• It’s Your Script and You’ll Write What You Want To

• The Three Ds

• “Copying” Is Plagiarism. “Stealing” Is Art!

• Get It Out There!

Appendix: Recommended Viewing (. . . and spoiler alert)

Acknowledgments

About the Author

Why Does the Screenwriter Cross the Road?

Подняться наверх