Читать книгу A History of Literary Criticism in the Renaissance - Joel Elias Spingarn - Страница 17

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[40] Robortelli, p. 1 sq.

[41] This analysis of Zabarella, Opera Logica, De Natura Logicæ, ii. 13–23, I owe to the kindness of Professor Butcher of Edinburgh. Zabarella probably derived his knowledge of Aristotle's Poetics from Robortelli, under whom he studied Greek. Cf. Bayle, Dict. s. v. Zabarella.

[42] Maggi, p. 28 sq. Cf. B. Tasso, Lettere, ii. 514; Scaliger, Poet. i. 2; Castelvetro, Poetica, p. 7; Salviati, Cod. Magliabech. ii. ii. 11, fol. 384 v.; B. Jonson, Timber, p. 74.

[43] Daniello, p. 41 sq.

[44] Robortelli, p. 86 sq.

[45] Robortelli, p. 90 sq.

[46] Fracastoro, i. 340.

[47] Fracastoro, i. 357 sq.

[48] Poet. vi. 2.

[49] Varchi, p. 578.

[50] E.g. Piccolomini, p. 27 sq.

[51] Tiraboschi, vii. 1331.

[52] Summo, pp. 61–69.

[53] Poet. iii. 95.

[54] Poet. i. 1.

[55] Another critic of the time, Vettori, 1560, pp. 14, 93, attacks poetic prose on the ground that in Aristotle's definition of the various poetic forms, verse is always spoken of as an essential part. It is interesting to note that the phrase "poetic prose" is used, perhaps for the first time, in Minturno, Arte Poetica, 1564, p. 3, etc.

[56] Opere, x. 254. Cf. Minturno, Arte Poetica, p. 33.

[57] Poet. iii. 96.

[58] Muzio, p. 69.

[59] Giraldi Cintio, i. 61.

[60] Art Poét. iii. 50. Cf. Horace, Ars Poet. 188.

[61] Zodiac. Vitæ, i. 143.

[62] Butcher, pp. 117, 118.

[63] Poet. i. 8.

[64] Fracastoro, i. 335 sq.

[65] Cf. Castelvetro, Poetica, p. 27 sq.

[66] Rhet. i. 11.

[67] Cf. A. Segni, 1581, cap. i.

[68] Varchi, p. 227 sq.

[69] Capriano, cap. ii.

[70] Lionardi, p. 43 sq.

[71] Lettere, ii. 525.

[72] Scaliger, Poet. i. 2.

[73] Defense, pp. 10, 11.

[74] De Poeta, p. 53 sq.

[75] Castelvetro, Poetica, p. 23 sq.

[76] Ibid. p. 190.

[77] Cf. T. Tasso, xi. 51.

[78] Poetica, p. 158.

[79] Poetica, p. 191.

[80] Ars Poet. 333.

[81] Butcher, p. 185.

[82] Daniello, p. 25.

[83] Ibid. p. 40.

[84] Fracastoro, i. 363.

[85] Scaliger, Poet. vi. ii. 2.

[86] De Poeta, p. 102. Cf. Scaliger, Poet. iii. 96.

[87] De Poeta, p. 11.

[88] Essay of Dramatic Poesy, p. 104.

[89] De Poeta, p. 79.

[90] Œuvres, vii. 318.

[91] Works, i. 333.

[92] Prose Works, iii. 118.

[93] Characteristicks, 1711, i. 207.

[94] H. C. Robinson, Diary, May 29, 1812, "Coleridge talked of the impossibility of being a good poet without being a good man."

[95] Defence of Poetry, p. 42.

[96] Minturno plainly says as much, De Poeta, p. 105.

[97] Geog. i. ii. 5, as cited by Shaftesbury.

[98] Lettere, ii. 195.

[99] Essay of Dramatic Poesy, p. 104.

[100] Cf. Piccolomini, p. 369.

[101] Castelvetro, Poetica, p. 505. Cf. Twining, ii. 449, 450.

[102] Poetica, p. 29.

[103] Posnett, cited by Cook, p. 247.

[104] Opere, viii. 26 sq.

[105] Ibid. ix. 123.

[106] Ibid. xii. 13.

[107] Ibid. xi. 50.

[108] Ibid. xii. 212.