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When we took our places in the little gallery that extends across the west side of the chapel to hear the monks chanting the last service of the day, Compline and Salve Regina, we found that there was at least another visitor, in the person of a stout and blue-chinned curé. The white-robed monks were seated in their chairs in the choir, books upon their knees; while the organist in an elevated position on a level with the gallery played, unseen by us, "those majestic old Gregorian chants that, wherever you may hear them (in Meredith's fine phrase) seem to build up cathedral walls about you." Paraffin lamps shed a dim, uncertain light, and the rich full voices of the singers resounded weirdly through the white-walled chapel, the door opening now and again as some of the lay brothers entered and, crossing themselves, bowed wearily towards the altar, moving to their places below the gallery. After the elevation of the Host, and when the service was almost ended, the organist came down, and we noticed that in making his way out of the chapel he hung back a little in passing the choir screen, that he might not meet on his way to the door any of the brethren who were now slowly leaving.

Of a similar service Stevenson writes: "There were none of those circumstances which strike the Protestant as childish or as tawdry in the public offices of Rome. A stern simplicity, heightened by the romance of the surroundings, spoke directly to the heart. I recall the whitewashed chapel, the hooded figures in the choir, the lights alternately occluded and revealed the strong manly singing, the silence that ensued, the sight of cowled heads bowed in prayer, and then the clear trenchant beating of the bell, breaking in to show that the last office was over, and the hour of sleep had come; and when I remember, I am not surprised that I made my escape into the court with somewhat whirling fancies, and stood like a man bewildered in the windy starry night." The effect of it all on the sentimental traveller was summed up in these fervent words: "And I blessed God that I was free to wander, free to hope, and free to love."

This, indeed, must be the impression all robust and unfettered minds will receive from a visit to Our Lady of the Snows. It is true that in their busy saw-mill which stands to the west of the monastery, and where the timber from the hills is turned to commercial use by the monks and their lay assistants, in their well-managed farm some distance westward, in the surrounding fields, in their many workshops—in these they have varied occupations, and of a manly character, but the terrible uselessness of it all is ever present to the mind of one coming from the stress and struggle of the zestful world. Poor men! in their sullen way they may believe they have chosen the better part; but, simple and devout as they may be, they are the real cowards of life, the shirkers of the battle we are meant to fight.

Malavieille, a mountain sheiling

Scene of "A Night among the Pines"

"Buckled into my sack, and smoking alone in the pine woods, between four and five thousand feet towards the stars."—R. L. S.

ON THE LOZÈRE

We slept the sleep of tired men in our room upstairs, and heard none of those hourly bells Stevenson records. Our young friend, whose monastic name I foolishly omitted to ask, called us before eight in the morning, and after providing a capital breakfast, bade us a ceremonious good-bye, watching us from the door until the pine woods enclosed us.