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ОглавлениеContents
| List of Illustrations | ix |
| Acknowledgments | xi |
| Introduction: Conversations in Retrospect, Joan Retallack | xiii |
| I. WORDS | |
| Art Is Either a Complaint or Do Something Else / John Cage | 3 |
| Cage’s Loft, New York City: | |
| September 6-7, 1990 / John Cage and Joan Retallack | 43 |
| II. VISUAL ART | |
| Cage’s Loft, New York City: | |
| October 21-23, 1991 / John Cage and Joan Retallack | 83 |
| III. MUSIC | |
| Cage’s Loft, New York City: | |
| July 15-17, 1992 / John Cage and Joan Retallack | 169 |
| July 18, 1992 / John Cage, Joan Retallack, and Michael Bach | 246 |
| July 30, 1992 / John Cage and Joan Retallack | 291 |
| Appendixes | |
| A.Selected Cage Computer Programs | 315 |
| B.Mesostic Introduction to The First Meeting of the Satie Society | 316 |
| C.Writing through Ulysses (Muoyce II). Typescript Page from Part 17 based on the “Nighttown” section of Ulysses | 319 |
| D.Excerpts from Manuscript and Score of Two6 (1992) | 320 |
| E.Notated Time Bracket Sheets for Thirteen (1992), Pages 14, 15, 16 | 328 |
| F.Writing through Ulysses (Muoyce II), Part 5 | 331 |
| G.IC Supply Sheet Marked by Cage with Red, Blue, and Black Pencils | 332 |
| H.Excerpts from Score for Europera 5 | 333 |
| I.Europera 5 at MOMA | 340 |
| J.Letter Outlining Plans for Noh-opera | 341 |
| K.Notated Time Bracket Sheets for 58 (1992), Pages 2 and 4 | 342 |
| L.Project for Hanau Squatters | 344 |
| M.First Page of One8 (1991) | 345 |
| N.First Page of Ten (1991), Violin 1 | 346 |
| Index | 347 |
