Читать книгу The Amazing City - John Frederick Macdonald - Страница 9

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As a consequence of the death, in her ninety-third year, of Mademoiselle Marie Rosalie Losset, many a successful French barrister, politician and littérateur is recalling the early, struggling days of the past. He sees the Rue des Poitevins, a narrow little street in the heart of the Latin Quarter. He remembers the board over one of its doorways: “Pension Laveur. Cuisine Bourgeoise. Prix modérés.” He can almost smell the strong evening odour of cabbage and onion soup that assailed him in the dim entrance hall when he returned to the boarding-house exhausted, perhaps depressed from his lectures at the Sorbonne, his studies in the medicine schools, his first visits to the Law Courts.

As I am nothing of a greybeard, I am only able to write of Mademoiselle Marie Rosalie Losset and of the pension de famille in the Rue des Poitevins at second hand. It was as far back as 1838 that Mademoiselle Marie, then a jeune fille of eighteen, came up to Paris from tranquil, beautiful Savoy to help her sister and brother-in-law, M. and Madame Laveur, to conduct their new boarding-house. Tall, graceful, masses of golden hair—the “Greek Statue,” the great Gambetta called her, and the name clung. I must be excused from stating names and events in chronological order—so much has happened since the year 1840! But I can give the precise terms of the pension: five or six francs a day for full board, including white or red wine. Also I am able to record that whereas the sister and brother-in-law, M. and Madame Laveur, were suspicious, severe and close-fisted, Mademoiselle Marie Rosalie Losset—“Mademoiselle Marie” for short—was all gaiety and generosity, and sympathised with the struggles, disappointments and financial ennuis of the boarders.

Fortunately for the latter it was Mademoiselle Marie who made up the bills and had charge of the cash-box; the Laveurs occupied themselves exclusively with the kitchen and the household arrangements. Inevitably, the student boarders lost their hearts to the “Greek Statue”; but she laughed at their gallantry, and gaily wanted to know how on earth they could keep a wife when they couldn’t pay their own way. Bill of M. Paul a month and thirteen days overdue. Laundry account of M. Pierre five weeks in arrears, and the washerwoman making persistent “inquiries.” The washing-basin of M. Jacques, broken an eternity ago, still standing against him in the boarding-house ledger. And yet they wanted to marry her, all of them—the foolish sentimentalists, the dear, simple imbeciles! No, no; she would try to keep the Laveurs in ignorance of the unpaid bills; she would sew buttons on to M. Paul’s shabby coat, and blot out the stains from M. Pierre’s; she would say no more of the washing-basin; she would reassure the angry blanchisseuse; she would, in a word, do everything for the student boarders except marry them. “Tant pis,” cried the latter dramatically, “you have broken my heart. I shall never do anything in this world. You have ruined me!” Replied the radiant Savoyarde: “Nonsense! Work hard, and make a name for yourself. And when you are famous come and see me, and I promise not to remind you of the washerwoman, or the basin, or your faded old coat.”

Their studies finished, away from the narrow little Rue des Poitevins went the “heartbroken” boarders to make a “name for themselves.” Not so heartbroken but that they became either heroic or distinguished “citizens” of France. At the end of the plain, bourgeois dinner Mademoiselle Marie came to Gambetta’s table for dessert, and, amidst a cracking of nuts and the drinking of sour wine, the future great and noble Gambetta tempestuously held forth. A Republic for France was his cry. How the glasses danced as he thumped with his fist on the table! What cheers from the boarders; what a blush and a flush on the face of the “Greek Statue”! Gambetta stirred that sombre, musty boarding-house as later he roused the whole of France with his eloquence, enthusiasm, his glorious patriotism. His Republican programme was first conceived, his famous social battle-cry—“Le Cléricalisme, voilà l’ennemi”—was first sounded in that pension of the narrow, obscure Rue des Poitevins. Emotion, we may be sure, of the “Greek Statue” whilst her hero was away with the Army of the Loire. Gloom and hunger in the Pension Laveur during the Siege of Paris; never a sniff of the strong onion soup. Years later—1881—Gambetta Prime Minister, accession of “le Grand Ministère,”—and joy and pride of the “Greek Statue.” But downfall of the “Grand Ministère” after only two months’ power, and death of Gambetta in the following year—and then, yes, then, so, at least, I surmise, grief and tears of the Savoyarde, the “Greek Statue,” now become grey-headed, now a sexagenarian, now known to her boarders as “Tante Marie.”

So have we arrived at the twilight of the once radiant Savoyarde’s career. She is sixty, and the golden hair has gone grey, and familiarly and affectionately she is known amongst her boarders as “Auntie.” Still, however, does she sew on the missing buttons of the jeunesse of the Latin Quarter, and allow the pension bills to stand over, and overlook the matter of broken washing-basins, and pacify the angry blanchisseuse, and encourage her struggling boarders with the old words of long ago: “Work hard, and make a name for yourself, and come and tell me of your fame....” Years roll on—and “Tante Marie” becomes deaf and frail, and holds a hand to her ear when the pensionnaires of the past return to the Rue des Poitevins—elderly, many of them wealthy and distinguished—and pay her homage, and thank her emotionally for her kindnesses, and leave behind them autographed photographs bearing, amongst many other signatures, the names of Alphonse Daudet, François Coppée, Waldeck-Rousseau (Gambetta’s disciple), Reclus, the great physician, Millerand (ex-Minister of War), Pichon, the actual French Foreign Secretary, and a former President of the Republic, Émile Loubet.... More years roll by and “Tante Marie” becomes bent, shaky and wizened—a nonagenarian. Against her will, she is removed from the sombre, musty old Balzacian pension to a small, modern, electric-lighted apartment—where she dies. Dies, in spite of her beauty, brilliancy, irresistibility, a spinster. Dies with the admission: “It was Gambetta I loved. Impossible, of course. But he called me a Greek Statue!”