Читать книгу The Element Encyclopedia of Secret Societies: The Ultimate A–Z of Ancient Mysteries, Lost Civilizations and Forgotten Wisdom - John Greer Michael - Страница 68

When King Philip IV of France rounded up the Knights Templar in his kingdom and turned them over to the Inquisition for torture, one of the offenses they were charged with was that they had worshipped an idol named Baphomet. Under torture, some of the Templars admitted to the charge, though their descriptions of Baphomet varied so wildly that it’s clear they, like most victims of torture, simply said whatever would make the torturers stop. See Knights Templar.

During the centuries that followed, as most people forgot about the Knights Templar, references to Baphomet gathered dust in old archives. The first great transformation of the Templar myth, at the hands of Jacobite Freemasons in the middle years of the eighteenth century, left Baphomet untouched. Only when Joseph von Hammer-Purgstall, an Austrian government clerk turned historian, published his Mysterium Baphometis Revelatum (The Mystery of Baphomet Revealed, 1818) did Baphomet find its way back into the burgeoning Templar myth. Hammer-Purgstall argued that the Templars were part of an ancient Gnostic cult that practiced sexual orgies in honor of the hermaphroditic goddess Achamoth, and redefined Baphomet as the idol of Achamoth that the Templars worshipped during their obscene revels. See Gnosticism.

As so often happens in the history of secret societies, Hammer-Purgstall’s theory was then borrowed by would-be Templars, attracted by his portrayal of Templar heresy and sexual deviance. By 1845, when Eliphas Lévi’s Dogme et Rituel de la Haute Magie (Doctrine and Ritual of High Magic) took the occult scene by storm and reinvented magic for the modern world, some reference to Baphomet was all but obligatory in a French book on magic. Lévi met the demand with a description of Baphomet as a symbol of the Absolute, and an illustration: the half-human, hermaphrodite Goat of Mendes with its veiled phallus, bare breasts, and dark wings, a torch blazing between its horns and a pentagram on its brow, its hands pointing up and down in echo of the old Hermetic axiom “as above, so below.” The image was a creation of Lévi’s own magical imagination, inspired by Hammer-Purgstall’s claims and the contemporary theory of fertility religion, but it has defined Baphomet in occult circles ever since. See fertility religion.

Since Lévi’s time Baphomet has remained a constant presence in occult symbolism and philosophy. Predictably, given the phallic symbolism of the name, Aleister Crowley took Baphomet as his magical title as head of the Ordo Templi Orientis, the magical secret society he took over from Theodor Reuss. In some contemporary magical systems, Baphomet has become a symbol of the spiritus mundi or soul of the world, formed from the sum total of life energy generated by all the living things on earth. A new interpretation of the old legend surfaced in the early 1980s, when writers in the alternative-history field suggested that the idol of the Templars might have been the Shroud of Turin, a medieval forgery that claims to show the face and body of Christ miraculously imprinted on his shroud. See Crowley, Aleister; Ordo Templi Orientis (OTO); Reuss, Theodor; Shroud of Turin.

Interpretations of the meaning of the alleged idol’s name form a sideline among Baphomet researchers. Suggestions range from German bookseller Friedrich Nicolai’s claim that it derived from Greek words for “color” (and in a somewhat unlikely extension, “baptism”) and “spirit,” through Eliphas Lévi’s proposal that it was a backwards abbreviation, TEM.O.H.P.AB, of the Latin phrase Templum omnium hominum pacis abbas (“abbot of the temple of peace for all men”), to Crowley’s suggestion that it came from a phrase meaning “Father Mithras.” It took twentieth-century scholars of medieval history to point out that “Baphomet” is the standard medieval French mispronunciation of the name of Muhammad, the Prophet of Islam, equivalent to the medieval and early modern English “Mahound.” Philip IV’s use of the term to blacken the Templars’ reputation, in other words, was simply meant to imply that they had betrayed the Christian cause and gone over to the Muslim side.