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Table of Contents

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PREFACE TO THE FIRST EDITION.

PREFACE TO THE SECOND EDITION.

PREFACE TO THE THIRD EDITION.

PREFACE TO NEW EDITION (1873).

PART I OF GENERAL PRINCIPLES.

SECTION I. OF THE NATURE OF THE IDEAS CONVEYABLE BY ART.

CHAPTER I. INTRODUCTORY.

CHAPTER II. DEFINITION OF GREATNESS IN ART.

CHAPTER III. OF IDEAS OF POWER.

CHAPTER IV. OF IDEAS OF IMITATION.

CHAPTER V. OF IDEAS OF TRUTH.

CHAPTER VI. OF IDEAS OF BEAUTY.

CHAPTER VII. OF IDEAS OF RELATION.

SECTION II. OF POWER.

CHAPTER I. GENERAL PRINCIPLES RESPECTING IDEAS OF POWER.

CHAPTER II. OF IDEAS OF POWER, AS THEY ARE DEPENDENT UPON EXECUTION.

CHAPTER III. OF THE SUBLIME.

PART II. OF TRUTH.

SECTION I. GENERAL PRINCIPLES RESPECTING IDEAS OF TRUTH.

CHAPTER I. OF IDEAS OF TRUTH IN THEIR CONNECTION WITH THOSE OF BEAUTY AND RELATION.

CHAPTER II. THAT THE TRUTH OF NATURE IS NOT TO BE DISCERNED BY THE UNEDUCATED SENSES.

CHAPTER III. OF THE RELATIVE IMPORTANCE OF TRUTHS:—FIRST, THAT PARTICULAR TRUTHS ARE MORE IMPORTANT THAN GENERAL ONES.

CHAPTER IV. OF THE RELATIVE IMPORTANCE OF TRUTHS:—SECONDLY, THAT RARE TRUTHS ARE MORE IMPORTANT THAN FREQUENT ONES.

CHAPTER V. OF THE RELATIVE IMPORTANCE OF TRUTHS:—THIRDLY, THAT TRUTHS OF COLOR ARE THE LEAST IMPORTANT OF ALL TRUTHS.

CHAPTER VI. RECAPITULATION.

CHAPTER VII. GENERAL APPLICATION OF THE FOREGOING PRINCIPLES.

SECTION II. OF GENERAL TRUTHS.

CHAPTER I. OF TRUTH OF TONE.

CHAPTER II. OF TRUTH OF COLOR.

CHAPTER III. OF TRUTH OF CHIAROSCURO.

CHAPTER IV. OF TRUTH OF SPACE:—FIRST AS DEPENDENT ON THE FOCUS OF THE EYE.23

CHAPTER V. OF TRUTH OF SPACE:—SECONDLY, AS ITS APPEARANCE IS DEPENDENT ON THE POWER OF THE EYE.

SECTION III. OF TRUTH OF SKIES.

CHAPTER I. OF THE OPEN SKY.

CHAPTER II. OF TRUTH OF CLOUDS:—FIRST, OF THE REGION OF THE CIRRUS.

CHAPTER III. OF TRUTH OF CLOUDS:—SECONDLY, OF THE CENTRAL CLOUD REGION.

CHAPTER IV. OF TRUTH OF CLOUDS: THIRDLY, OF THE REGION OF THE RAIN-CLOUD.

CHAPTER V. EFFECTS OF LIGHT RENDERED BY MODERN ART.

SECTION IV. OF TRUTH OF EARTH.

CHAPTER I. OF GENERAL STRUCTURE.

CHAPTER II. OF THE CENTRAL MOUNTAINS.

CHAPTER III. OF THE INFERIOR MOUNTAINS.

CHAPTER IV. OF THE FOREGROUND.

SECTION V. OF TRUTH OF WATER.

CHAPTER I. OF WATER, AS PAINTED BY THE ANCIENTS.

CHAPTER II. OF WATER, AS PAINTED BY THE MODERNS.

CHAPTER III. OF WATER, AS PAINTED BY TURNER.

SECTION VI. OF TRUTH OF VEGETATION.—CONCLUSION.

CHAPTER I. OF TRUTH OF VEGETATION.

CHAPTER II. GENERAL REMARKS RESPECTING THE TRUTH OF TURNER.

CHAPTER III. CONCLUSION.—MODERN ART AND MODERN CRITICISM.

POSTSCRIPT.

Modern Painters

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