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The clock was also the horologe of our old poets, from the Latin horologium:

He’ll watch the horologe a double set,

If drink rock not his cradle.—Othello, act ii. sc. 3.

Drayton calls the cock the country horologe.

Rabelais thus capriciously ridicules the use of the clock: “The greatest loss of time that I know, is to count the hours. What good comes of it? Nor can there be any greater dotage in the world, than for one to guide and direct his course by the sound of a bell, and not by his own judgment and discretion.” In similar exuberance has this gay satirist said: “There is only one quarter of an hour in human life passed ill, and that is between the calling for the reckoning and paying it.”

With more serious purpose has Sir Walter Scott, in his “Lay of the Imprisoned Huntsman,” thus anathematised the clock and the dial:

I hate to learn the ebb of time

From yon dull steeple’s drowsy chime,

Or mark it as the sunbeams crawl

Inch after inch along the wall.

Richard II., in the dungeon of Pomfret Castle, soliloquises more solemnly:

Now hath Time made me his numb’ring clock:

My thoughts are minutes, and with sighs they jade

Their watches on to mine eyes, the outward watch

Whereto my finger, like a dial’s point,

Is pointing still, in cleansing them from tears.

Now, sir, the sound that tells what hour it is,

Are clamorous groans, that strike upon my heart,

Which is the bell: so sighs, and tears, and groans

Show minutes, times, and hours.

Lucian, who died A.D. 180, refers to an instrument, mechanically constructed with water, which reported the hours by a bell. “Before the time of Jerome” (born A.D. 332), says Browne, “there were horologies that measured the hours, not only by drops of water in glasses, called clepsydra, but also by sand in glasses, called clepsummia.” It was the clepsydra to which Lucian alludes. When the water, which was constantly dripping out of the vessel, reached a certain level, it drew away, by means of a rope connected with the piston in the water-vessel, the ledge on which a weight rested; and the falling of this weight, which was attached to a bell, caused it to strike. This, perhaps, was the earliest kind of striking clock.

A public striking clock may well be termed the regulator of society: it reminds us of our engagements, and announces the hours for exertion or repose; and in the silence of night it tells us of the hours that are past, and how many remain before day.

The earliest public clock set up in England was that with three bells, which was placed in the clochard or bell-tower of the Palace at Westminster, built by Edward III. in 1365-6: the palace was then the most frequent residence of the king and his family; and the three bells were “usually rung at Coronations, Triumphs, Funeralls of Princes, and their Obits.”^[13] This bell-tower stood very near to the site of the great clock-tower of the new palace; the gilding of the exterior of which cost no less than 1500l.

A public clock is a public monitor; and the dimensions of its dial, and works, and striking-bell add much to the solemnity of its proclaiming the march of time. The great clocks in the International Exhibition of 1862 were among its colossal marvels.

The clocks of St. Paul’s Cathedral, Westminster Palace, and the Royal Exchange, are three of the largest clocks in London. The St. Paul’s hour-hands are the height of a tall man; the hour struck by this clock has been heard at midnight on the terrace of Windsor Castle; and from the telegraph station on Putney-heath the hour has been read by the St. Paul’s clock-face without the aid of a telescope: the hour-numerals are 2 feet 2½ inches in height. This clock once struck thirteen, which being heard by a sentinel, accused of being asleep at his post at that hour, was the means of saving his life; this striking thirteen was caused by the lifting-piece holding on too long.

The former church of St. Paul, Covent Garden, built by Inigo Jones, contained within the pediment a pendulum-clock, made by Richard Harris in 1641, and stated by an inscription in the vestry to be the first pendulum-clock made.^[14]

The Horse Guards Clock is properly described by Mr. Denison as “a superstitiously venerated and bad clock;” it is minutely described by Mr. B. L. Vulliamy in the Curiosities of London, pp. 378-380.

St. James’s Palace Clock, made by Clay, clockmaker to George II., strikes the hours and quarters upon three bells; it requires to be wound up every day, and originally had but one hand. We were told by the late Mr. B. L. Vulliamy, that when the gatehouse was repaired in 1831, the clock was removed, and not put up again, on account of the roof being reported unsafe to carry the weight. The inhabitants of the neighbourhood then memorialised William IV. for the replacement of the timekeeper: the King, having ascertained its weight, shrewdly inquired how, if the tower-roof was not strong enough to carry the clock, it was safe for the number of persons occasionally seen upon it to witness processions, &c. The clock was forthwith replaced, and a minute-hand was added, with new dials: the original dials were of wainscot, in a great number of very small pieces curiously dovetailed together.

Trinity College, Cambridge, has a double-striking clock, put up by the famous Dr. Bentley; striking, as it used to be said, once for Trinity and once for his former college, St. John’s, which had no clock.

The clock of St. Clement’s Danes, in the Strand, strikes twice; the hour being first struck on a larger bell, and then repeated on a smaller one; so that if the first has been miscounted, the second may be more correctly observed.

Wren has introduced the gilt projecting dial in several of the City churches: that at St. Magnus, London Bridge, was the gift of Sir Charles Duncomb, who, it is related, when a poor boy, had once to wait upon London Bridge a considerable time for his master, whom he missed through not knowing the hour; he then vowed that if ever he became successful in the world, he would give to St. Magnus a public clock, that passengers might see the time; and this dial proves the fulfilment of his vow. It was originally ornamented with several richly gilded figures: upon a small metal shield inside the clock are engraven the donor’s arms, with this inscription: “The gift of Sir Charles Duncomb, Knight, Lord Major, and Alderman of this ward; Langley Bradley fecit, 1709.”

The former church of St. Dunstan-in-the-West, Fleet-street, within memory possessed one of London’s wonders: it had a large gilt dial overhanging the street, and above it two figures of savages, life-size, carved in wood, and standing beneath a pediment, each having in his right hand a club, with which he struck the quarters upon a suspended bell, moving his head at the same time. To see the men strike was considered very attractive; and opposite St. Dunstan’s was a famous field for pickpockets, who took advantage of the gaping crowd. So it had long been; for Ned Ward, in his London Spy, says: “We added to the number of fools, and stood a little, making our ears do penance to please our eyes, with the conceited notion of their (the puppets’) heads and hands, which moved to and fro with as much deliberate stiffness as the two wooden horologists at St. Dunstan’s when they strike the quarters.” Cowper thus describes them in his Table-Talk: