Читать книгу On the Processes for the Production of Ex Libris (Book-Plates) - John Vinycomb - Страница 2

PREFACE.

ON THE PROCESSES FOR THE PRODUCTION OF EX LIBRIS.

Introductory.

WOOD ENGRAVING.

WOOD ENGRAVING AND COPPER-PLATE ENGRAVING—THE DIFFERENCE.

EARLY METHOD OF ENGRAVING ON THE SIDE OF THE WOOD WITH KNIVES.

MODERN WOOD ENGRAVING.

MATERIALS AND MODE OF PROCEEDING.

ENGRAVING ON COPPER AND STEEL.

THE VARIOUS MODES OF ENGRAVING ON COPPER AND STEEL-PLATE.

1.—LINE ENGRAVING.

2.—ETCHING.

3.—SOFT-GROUND ETCHING.

4.—AQUATINT ENGRAVING.

5.—MEZZOTINT ENGRAVING.

6.—STIPPLE ENGRAVING.

LITHOGRAPHY.

CHROMO-LITHOGRAPHY.

PHOTO-LITHOGRAPHY.

DRAWING FOR PHOTO-LITHO, AND FOR PROCESS LINE-BLOCKS.

PROCESS BLOCKS.

LINE WORK.

HALF-TONE PROCESS BLOCKS.

PEN AND INK DRAWING.

HINTS TO COLLECTORS OF EX LIBRIS.

To distinguish how a book-plate may have been produced.

THE DIFFERENCE IN ENGRAVED OR CUT LINES, AND ETCHED LINES.

TO DISTINGUISH AN IMPRESSION FROM PLATE.

TO DISTINGUISH A WOODCUT, OR LINE PROCESS BLOCK.

TO DISTINGUISH A LITHOGRAPH.

“AU REVOIR.”