Читать книгу A Short Biographical Dictionary of English Literature - John W. Cousin - Страница 8

Of the works ascribed to C. several are, for various reasons, of greater or less strength, considered doubtful. These include The Romaunt of the Rose, Chaucer's Dream, and The Flower and the Leaf. After his return from Italy about 1380 he entered upon his period of greatest productiveness: Troilus and Criseyde (1382?), The Parlement of Foules (1382?), The House of Fame (1384?), and The Legende of Goode Women (1385), belong to this time. The first of them still remains one of the finest poems of its kind in the language. But the glory of C. is, of course, the Canterbury Tales, a work which places him in the front rank of the narrative poets of the world. It contains about 18,000 lines of verse, besides some passages in prose, and was left incomplete. In it his power of story-telling, his humour, sometimes broad, sometimes sly, his vivid picture-drawing, his tenderness, and lightness of touch, reach their highest development. He is our first artist in poetry, and with him begins modern English literature. His character—genial, sympathetic, and pleasure-loving, yet honest, diligent, and studious—is reflected in his writings.

SUMMARY.—B. 1340, fought in France 1359, by his marriage in 1366 became connected with John of Gaunt, employed on diplomatic missions 1369–79, Controller of Customs, etc., c. 1374, began Canterbury Tales 1373, elected to Parliament 1386, loses his appointments 1386, Clerk of King's Works 1389–91, pensioned by Richard II. and Henry IV., d. c. 1400.

The best ed. of C. is The Complete Works of Geoffrey Chaucer (6 vols. 1894), ed. by Prof. Skeat. Others are Thos. Wright's for the Percy Society (1842), and Richard Morris's in Bell's Aldine Classics (1866).

CHERRY, ANDREW (1762–1812).—Dramatist, s. of a bookseller at Limerick, was a successful actor, and managed theatres in the provinces. He also wrote some plays, of which The Soldier's Daughter is the best. His chief claim to remembrance rests on his three songs, The Bay of Biscay, The Green Little Shamrock, and Tom Moody.

CHESTERFIELD, PHILIP DORMER STANHOPE, 4TH EARL OF (1694–1773).—Statesman and letter-writer, was the eldest s. of the 3rd Earl. After being at Trinity Coll., Camb., he sat in the House of Commons until his accession to the peerage in 1726. He filled many high offices, including those of Ambassador to Holland, Lord Lieutenant of Ireland, and Sec. of State. He was distinguished for his wit, conversational powers, and grace of manner. His place in literature is fixed by his well-known Letters addressed to his natural son, Philip Dormer Stanhope. Though brilliant, and full of shrewdness and knowledge of the world, they reflect the low tone of morals prevalent in the age when they were written. He was the recipient of Johnson's famous letter as to his "patronage."

CHETTLE, HENRY (1565–1607?).—Dramatist. Very little is known of him. He ed. R. Greene's Groat's-worth of Wit (1592), is believed to have written 13 and collaborated in 35 plays. He also wrote two satires, Kind Harts Dreame (1593), and Pierre Plainnes Prentship (1595). He was imprisoned for debt 1599.

Among his own plays, which have considerable merit, is Hoffmann, which has been reprinted, and he had a hand in Patient Grissill (1603) (which may have influenced Shakespeare in the Merry Wives of Windsor), The Blind Beggar of Bethnal Green, and Jane Shore.

CHILD, FRANCIS J. (1825–1896).—English scholar, b. at Boston, Mass., was a prof. at Harvard, one of the foremost students of early English, and especially of ancient ballads in America. He ed. the American ed. of English Poets in 130 vols., and English and Scottish Ballads. He was also a profound student of Chaucer, and pub. Observations on the Language of Chaucer, and Observations on the Language of Gower's Confessio Amantis.

CHILD, MRS. LYDIA MARIA (FRANCIS) (1802–1880).—Was the author of many once popular tales, Hobomok, The Rebels, Philothes, etc.

CHILLINGWORTH, WILLIAM (1602–1644).—Theologian and controversialist, b. and ed. at Oxf., was godson of Archbishop Laud. Falling into theological doubts he subsequently became a convert to Roman Catholicism, and studied at the Jesuit Coll. at Douay, 1630. In the following year he returned to Oxf., and after further consideration of the points at issue, he rejoined the Church of England, 1634. This exposed him to violent attacks on the part of the Romanists, in reply to which he pub. in 1637 his famous polemic, The Religion of the Protestants a Safe Way to Salvation, characterised by clear style and logical reasoning. For a time he refused ecclesiastical preferment, but ultimately his scruples were overcome, and he became Prebendary and Chancellor of Salisbury. C. is regarded as one of the ablest controversialists of the Anglican Church.

CHURCH, RICHARD WILLIAM (1815–1890).—Divine, historian, and biographer, was b. at Lisbon, and ed. at Oxf., where he became a friend of J.H. Newman (q.v.). He took orders, and became Rector of Whatley, Somerset, and in 1871 Dean of St. Paul's. He was a leading member of the High Church party, but was held in reverence by many who did not sympathise with his ecclesiastical views. Among his writings are The Beginning of the Middle Ages (1877), and a memoir on The Oxford Movement (1891), pub. posthumously. He also wrote Lives of Anselm, Dante, Spenser, and Bacon.

CHURCHILL, CHARLES (1731–1764).—Satirist, s. of a clergyman, was ed. at Westminster School, and while still a schoolboy made a clandestine marriage. He entered the Church, and on the death of his f. in 1758 succeeded him in the curacy and lectureship of St. John's, Westminster. In 1761 he pub. the Rosciad, in which he severely satirised the players and managers of the day. It at once brought him both fame and money; but he fell into dissipated habits, separated from his wife, and outraged the proprieties of his profession to such an extent that he was compelled to resign his preferments. He also incurred the enmity of those whom he had attacked, which led to the publication of two other satirical pieces, The Apology and Night. He also attacked Dr. Johnson and his circle in The Ghost, and the Scotch in The Prophecy of Famine. He attached himself to John Wilkes, on a visit to whom, at Boulogne, he d. of fever.

CHURCHYARD, THOMAS (1520?-1604).—Poet and miscellaneous writer, began life as a page to the Earl of Surrey, and subsequently passed through many vicissitudes as a soldier in Scotland, Ireland, France, and the Low Countries. He was latterly a hanger-on at Court, and had a pension of eighteenpence a day from Queen Elizabeth, which was not, however, regularly paid. He wrote innumerable pamphlets and broadsides, and some poems, of which the best are Shore's Wife (1563), The Worthiness of Wales (1587) repub. by the Spenser Society (1871), and Churchyard's Chips (1575), an autobiographical piece.

CIBBER, COLLEY (1671–1757).—Actor and dramatist, b. in London, s. of a Danish sculptor, and ed. at Grantham School. Soon after his return to London he took to the stage. Beginning with tragedy, in which he failed, he turned to comedy, and became popular in eccentric rôles. In 1696 he brought out his first play, Love's Last Shift, and produced in all about 30 plays, some of which were very successful. In 1730 he was made Poet Laureate, and wrote some forgotten odes of no merit, also an entertaining autobiography. Pope made him the hero of the Dunciad.

Among other plays are The Nonjuror (1717), Woman's Wit, She Would and She Would Not, The Provoked Husband (1728) (with Vanbrugh).

CLARE, JOHN (1793–1864).—Poet, s. of a cripple pauper, was b. at Helpstone near Peterborough. His youth is the record of a noble struggle against adverse circumstances. With great difficulty he managed to save one pound, with which he was able to have a prospectus of his first book of poems printed, which led to an acquaintance with Mr. Drury, a bookseller in Stamford, by whose help the poems were pub., and brought him £20. The book, Poems descriptive of Rural Life (1820), immediately attracted attention. Various noblemen befriended him and stocked a farm for him. But unfortunately C. had no turn for practical affairs, and got into difficulties. He, however, continued to produce poetry, and in addition to The Village Minstrel, which had appeared in 1821, pub. The Shepherd's Calendar (1827), and Rural Muse (1835). Things, however, went on from bad to worse; his mind gave way, and he d. in an asylum. C. excels in description of rural scenes and the feelings and ideas of humble country life.

CLARENDON, EDWARD HYDE, EARL of (1608–1674).—Lawyer, statesman, and historian, s. of a country gentleman of good estate in Wiltshire, was b. at Dinton in that county, and ed. at Oxf. Destined originally for the Church, circumstances led to his being sent to London to study law, which he did under his uncle, Sir Nicholas H., Chief Justice of the King's Bench. In early life he was the friend of all the leading men of the day. Entering Parliament in 1640 he at first supported popular measures, but, on the outbreak of the Civil War, attached himself to the King, and was the author of many of his state papers. From 1648 until the Restoration C. was engaged in various embassies and as a counsellor of Charles II., who made him in 1658 his Lord Chancellor, an office in which he was confirmed at the Restoration, when he also became Chancellor of the Univ. of Oxf., and was likewise raised to the peerage. His power and influence came to an end, however, in 1667, when he was dismissed from all his offices, was impeached, and had to fly to France. The causes of his fall were partly the miscarriage of the war with Holland, and the sale of Dunkirk, and partly the jealousy of rivals and the intrigues of place hunters, whose claims he had withstood. In his enforced retirement he engaged himself in completing his great historic work, The History of the Rebellion and Civil Wars in England, which he had begun in 1641, and which was not pub. until 1702–4. C.'s style is easy, flowing, diffuse, and remarkably modern, with an occasional want of clearness owing to his long and involved sentences. His great strength is in character-painting, in which he is almost unrivalled. The History was followed by a supplementary History of the Civil War in Ireland (1721). C. also wrote an autobiography, The Life of Edward Earl of Clarendon (1759), a reply to the Leviathan of Hobbes, and An Essay on the Active and Contemplative Life, in which the superiority of the former is maintained. C. d. at Rouen. He was a man of high personal character, and great intellect and sagacity, but lacking in the firmness and energy necessary for the troublous times in which he lived. His dau. Anne married the Duke of York, afterwards James II., a connection which involved him in much trouble and humiliation.

Agar Ellis's Historical Enquiry respecting the Character of Clarendon (1827), Life by T.H. Lister (1838), History (Macray, 6 vols., 1888).

CLARKE, CHARLES COWDEN (1787–1877).—Writer on Shakespeare, was a publisher in London. He lectured on Shakespeare and on European literature. Latterly he lived in France and Italy. His wife, MARY C.-C. (1809–1898), dau. of V. Novello, musician, compiled a complete Concordance to Shakespeare (1844–45), and wrote The Shakespeare Key (1879) and, with her husband, Recollections of Writers (1878).

CLARKE, MARCUS (1846–1881).—Novelist, b. in London, the s. of a barrister. After a somewhat wild youth he went to Australia where, after more than one failure to achieve success in business, he took to journalism on the staff of the Melbourne Argus, with brilliant results. He wrote two novels, Long Odds and For the Term of his Natural Life (1874), the latter, which is generally considered his masterpiece, dealing in a powerful and realistic manner with transportation and convict labour. He also wrote many short tales and dramatic pieces. After a turbulent and improvident life he d. at 35. In addition to the works above mentioned, he wrote Lower Bohemia in Melbourne, The Humbug Papers, The Future Australian Race. As a writer he was keen, brilliant, and bitter.

CLARKE, SAMUEL (1675–1729).—Divine and metaphysician, b. at Norwich, was ed. at Camb., where he became the friend and disciple of Newton, whose System of the Universe he afterwards defended against Leibnitz. In 1704–5 he delivered the Boyle lectures, taking for his subject, The Being and Attributes of God, and assuming an intermediate position between orthodoxy and Deism. In 1712 he pub. views on the doctrine of the Trinity which involved him in trouble, from which he escaped by a somewhat unsatisfactory explanation. He was, however, one of the most powerful opponents of the freethinkers of the time. In addition to his theological writings C. pub. an ed. of the Iliad, a Latin translation of the Optics of Newton, on whose death he was offered the Mastership of the Mint, an office worth £1500 a year, which, however, he declined. The talents, learning, and amiable disposition of C. gave him a high place in the esteem of his contemporaries. In the Church he held various preferments, the last being that of Rector of St. James's, Westminster. He was also Chaplain to Queen Anne. His style is cold, dry, and precise.

CLEVELAND, JOHN (1613–1658).—Poet, s. of an usher in a charity school, was b. at Loughborough, and ed. at Camb., where he became coll. tutor and lecturer on rhetoric at St. John's, and was much sought after. A staunch Royalist, he opposed the election of Oliver Cromwell as member for Camb. in the Long Parliament, and was in consequence ejected from his coll. in 1645. Joining the King, by whom he was welcomed, he was appointed to the office of Judge Advocate at Newark. In 1646, however, he was deprived of this, and wandered about the country dependent on the bounty of the Royalists. In 1655 he was imprisoned at Yarmouth, but released by Cromwell, to whom he appealed, and went to London, where he lived in much consideration till his death. His best work is satirical, giving a faint adumbration of Hudibras; his other poems, with occasional passages of great beauty, being affected and artificial. The Poems were pub. in 1656.

CLINTON, HENRY FYNES (1781–1852).—Chronologist, b. at Gamston, Notts, ed. at Southwell, Westminster, and Oxf., where he devoted himself chiefly to the study of Greek. Brought into Parliament by the Duke of Newcastle in 1806, he took no active part in political life, and retired in 1826. He bought in 1810 the estate of Welwyn, and there he entered upon wide and profound studies bearing upon classical chronology, and wrote various important treatises on the subject, viz., Fasti Hellenici, Civil and Literary Chronology of Greece, part i. (1824), part ii. (1827), part iii. (1830), part iv. (1841), Fasti Romani, Civil and Literary Chronology of Rome and Constantinople, vol. i. (1850), vol. ii. (1851), An Epitome of the Civil and Literary Chronology of Greece (1851), the same for Rome (1853). He also wrote a tragedy, Solyman, which was a failure.

CLOUGH, ARTHUR HUGH (1819–1861).—Poet, s. of a cotton merchant in Liverpool, he spent his childhood in America, but was sent back to England for his education, which he received at Rugby and Oxf. While at the Univ., where he was tutor and Fellow of Oriel, he fell under the influence of Newman, but afterwards became a sceptic and resigned his Fellowship in 1848. In the same year he pub. his poem, The Bothie of Tober-na-Vuolich, written in hexameters. After travelling on the Continent for a year, he was in 1849 appointed Warden of Univ. Hall, London. In 1849 appeared Amours de Voyage, a rhymed novelette, and the more serious work, Dipsychus. In 1854 he was appointed an examiner in the Education Office, and married. His last appointment was as Sec. of a Commission on Military Schools, in connection with which he visited various countries, but was seized with illness, and d. at Florence. C. was a man of singularly sincere character, with a passion for truth. His poems, though full of fine and subtle thought, are, with the exception of some short lyrics, deficient in form, and the hexameters which he employed in The Bothie are often rough, though perhaps used as effectively as by any English verse-writer. M. Arnold's Thyrsis was written in memory of C.

COBBE, FRANCES POWER (1822–1904).—Theological and social writer, was b. near Dublin. Coming under the influence of Theodore Parker, she became a Unitarian. Her first work, pub. anonymously, was on The Intuitive Theory of Morals (1855). She travelled in the East, and pub. Cities of the Past (1864). Later she became interested in social questions and philanthropic work, and wrote many books on these and kindred subjects, including Criminals, Idiots, Women and Minors (1869), Darwinism in Morals (1872), and Scientific Spirit of the Age (1888). She was a strong opponent of vivisection.

COBBETT, WILLIAM (1762–1835).—Essayist and political writer, b. at Farnham, Surrey, s. of a small farmer, his youth was spent as a farm labourer, a clerk, and in the army, in which his good conduct and intelligence led to his promotion to the rank of sergeant-major. After moving about between England and America, and alternating between journalism and agriculture, in the former of which his daring opposition to men in power got him into frequent trouble and subjected him to heavy fines in both countries, he settled down in England in 1800, and continued his career as a political writer, first as a Tory and then as a Radical. His violent changes of opinion, and the force and severity with which he expressed himself naturally raised up enemies in both camps. In 1817 he went back to America, where he remained for two years. Returning he stood, in 1821, for a seat in Parliament, but was unsuccessful. In 1832, however, he was returned for Oldham, but made no mark as a speaker. C. was one of the best known men of his day. His intellect was narrow, but intensely clear, and he was master of a nervous and idiomatic English style which enabled him to project his ideas into the minds of his readers. His chief writings are English Grammar, Rural Rides, Advice to Young Men and Women. His Weekly Political Register was continued from 1802 until his death.

COCKBURN, HENRY (1779–1854).—Scottish judge and biographer, b. (probably) and ed. in Edin., became a distinguished member of the Scottish Bar, and ultimately a judge. He was also one of the leaders of the Whig party in Scotland in its days of darkness prior to the Reform Act of 1832. The life-long friend of Francis Jeffrey, he wrote his life, pub. in 1852. His chief literary work, however, is his Memorials of his Time (1856), continued in his Journal (1874). These constitute an autobiography of the writer interspersed with notices of manners, public events, and sketches of his contemporaries, of great interest and value.

COCKTON, HENRY (1807–1852).—Novelist, b. in London, is only remembered as an author for his novel of Valentine Vox (1840), the adventures of a ventriloquist.

COLENSO, JOHN WILLIAM (1814–1883).—Mathematician and Biblical critic, b. at St. Austell, Cornwall, and ed. at St. John's Coll., Camb., where he was a tutor, entered the Church, and pub. various mathematical treatises and Village Sermons. In 1853 he was appointed first Bishop of Natal. He mastered the Zulu language, introduced printing, wrote a Zulu grammar and dictionary, and many useful reading-books for the natives. His Commentary on the Romans (1861) excited great opposition from the High Church party, and his Critical Examination of the Pentateuch (1862–1879), by its then extreme views, created great alarm and excitement. He was in 1863 deposed and excommunicated by Bishop Gray of Cape Town, but confirmed in his see by the Courts of Law. His theological writings are now largely superseded; but his mathematical text-books, for the writing of which he was much better equipped, hold their place.

COLERIDGE, HARTLEY (1796–1849).—Poet, eldest s. of Samuel T.C. (q.v.), b. at Clevedon, spent his youth at Keswick among the "Lake poets." His early education was desultory, but he was sent by Southey to Oxf. in 1815. His talents enabled him to win a Fellowship, but the weakness of his character led to his being deprived of it. He then went to London and wrote for magazines. From 1823 to 1828 he tried keeping a school at Ambleside, which failed, and he then led the life of a recluse at Grasmere until his death. Here he wrote Essays, Biographia Borealis (lives of worthies of the northern counties) (1832), and a Life of Massinger (1839). He is remembered chiefly for his Sonnets. He also left unfinished a drama, Prometheus.

COLERIDGE, SAMUEL TAYLOR (1772–1834).—Poet, philosopher, and critic, s. of the Rev. John C., vicar and schoolmaster of Ottery St. Mary, Devonshire, was b. there in 1772, the youngest of 13 children. He was at Christ's Hospital from 1782 to 1790, and had Charles Lamb for a schoolfellow, and the famous scholar and disciplinarian, James Boyer, for his master. Thence he proceeded to Jesus Coll., Camb., in 1791, where he read much, but desultorily, and got into debt. The troubles arising thence and also, apparently, a disappointment in love, led to his going to London and enlisting in the 15th Dragoons under the name of Silas Tomkyn Comberbacke. He could not, however, be taught to ride, and through some Latin lines written by him on a stable door, his real condition was discovered, his friends communicated with, and his release accomplished, his brothers buying him off. After this escapade he returned (1794) to Camb. He had by this time imbibed extreme democratic or, as he termed them, pantisocratic principles, and on leaving Camb. in the same year he visited Oxf., where he made the acquaintance of Southey, and discussed with him a project of founding a "pantisocracy" on the banks of the Susquehanna, a scheme which speedily fell through, owing firstly to want of funds, and secondly to the circumstance of the two projectors falling in love simultaneously with two sisters, Sarah and Edith Fricker, of whom the former became, in 1795, the wife of C., and the latter of Southey. C. had spent one more term at Camb., and there in Sept. 1794 his first work, The Fall of Robespierre, a drama, to which Southey contributed two acts, the second and third, was pub. After his marriage he settled first at Clevedon, and thereafter at Nether Stowey, Somerset, where he had Wordsworth for a neighbour, with whom he formed an intimate association. About 1796 he fell into the fatal habit of taking laudanum, which had such disastrous effects upon his character and powers of will. In the same year Poems on various Subjects appeared, and a little later Ode to the Departing Year. While at Nether Stowey he was practically supported by Thomas Poole, a tanner, with whom he had formed a friendship. Here he wrote The Ancient Mariner, the first part of Christabel and Kubla Khan, and here he joined with Wordsworth in producing the Lyrical Ballads. Some time previously he had become a Unitarian, and was much engaged as a preacher in that body, and for a short time acted as a minister at Shrewsbury. Influenced by Josiah and Thomas Wedgwood, who each in 1798 gave him an annuity of £75 on condition of his devoting himself to literature, he resigned this position, and soon afterwards went to Germany, where he remained for over a year, an experience which profoundly influenced the future development of his intellect. On his return he made excursions with Southey and Wordsworth, and at the end of 1799 went to London, where he wrote and reported for the Morning Post. His great translation of Schiller's Wallenstein appeared in 1800. In the same year he migrated to Greta Hall, near Keswick, where he wrote the second part of Christabel. Soon after this his health gave way, and he suffered much; and, whether as the cause or the consequence of this, he had become a slave to opium. In 1804 he went to Malta in search of health, and there became the friend of the governor, Sir Alexander Ball, who appointed him his sec., in which position he showed remarkable capacity for affairs. Resigning this occupation, of which he had become tired, he travelled in Italy, and in the beginning of 1806 reached Rome, where he enjoyed the friendship of Tieck, Humboldt, and Bunsen. He returned to England in the end of 1806, and in 1808 delivered his first course of lectures on Shakespeare at the Royal Institution, and thereafter (1809), leaving his family at Keswick, he went to live with Wordsworth at Grasmere. Here he started The Friend, a philosophical and theological periodical, which lasted for 9 months. That part of his annuity contributed by T. Wedgwood had been confirmed to him by will in 1805, and this he allowed to his wife, but in 1811 the remaining half was stopped. He delivered a second course of lectures in London, and in 1813 his drama, Remorse, was acted at Drury Lane with success. Leaving his family dependent upon Southey, he lived with various friends, first, from 1816 to 1819, with John Morgan at Calne. While there he pub. Christabel and Kubla Khan in 1816, and in 1817 Biographia Literaria, Sybilline Leaves, and an autobiography. In 1818 he appeared for the last time as a lecturer. He found in 1819 a final resting-place in the household of James Gillman, a surgeon, at Highgate. His life thenceforth was a splendid wreck. His nervous system was shattered, and he was a constant sufferer. Yet these last years were, in some respects, his best. He maintained a struggle against opium which lasted with his life, and though he ceased to write much, he became the revered centre of a group of disciples, including such men as Sterling, Maurice, and Hare, and thus indirectly continued and increased his influence in the philosophic and theological thought of his time. He returned to Trinitarianism, and a singular and childlike humility became one of his most marked characteristics. In 1824 he was elected an Associate of the Royal Society of Literature, which brought him a pension of 100 guineas. His latest publications were Aids to Reflection (1825) and The Constitution of Church and State. After his death there were pub., among other works, Table Talk (1835), Confessions of an Enquiring Spirit (1840), Letters and Anima Poetæ (1895).

Endowed with an intellect of the first order, and an imagination at once delicate and splendid, C., from a weakness of moral constitution, and the lamentable habit already referred to, fell far short of the performance which he had planned, and which included various epic poems, and a complete system of philosophy, in which all knowledge was to be co-ordinated. He has, however, left enough poetry of such excellence as to place him in the first rank of English poets, and enough philosophic, critical, and theological matter to constitute him one of the principal intellectually formative forces of his time. His knowledge of philosophy, science, theology, and literature was alike wide and deep, and his powers of conversation, or rather monologue, were almost unique. A description of him in later life tells of "the clerical-looking dress, the thick, waving, silver hair, the youthful coloured cheek, the indefinable mouth and lips, the quick, yet steady and penetrating greenish-grey eye, the slow and continuous enunciation, and the everlasting music of his tones."

SUMMARY.—B. 1772, ed. Christ's Hospital and Camb., enlists 1794 but bought off, became intimate with Southey, and proposes to found pantisocracy, settles at Clevedon and Nether Stowey 1795, and became friend of Wordsworth, began to take opium 1796, writes Ancient Mariner, and joins W. in Lyrical Ballads, became Unitarian preacher, visits Germany 1798, pub. translation of Wallenstein 1800, settles at Greta Hall and finishes Christabel, goes to Malta 1804, lectures on Shakespeare 1808, leaves his family and lives with W. 1809, and thereafter with various friends, latterly with Gillman at Highgate, returned to Trinitarianism, pub. various works 1808–1825, d. 1834.

S.T. Coleridge, a Narrative, J.D. Campbell (1893), also H.D. Traill (Men of Letters Series, 1884), also Pater's Appreciations, De Quincey's Works, Principal Shairp's Studies in Poetry and Philosophy (1868).

COLERIDGE, SARA (1802–1852).—Miscellaneous writer, the only dau. of the above, m. her cousin, Henry Nelson C. She translated Dobrizhöffer's Account of the Abipones, and The Joyous and Pleasant History … of the Chevalier Bayard. Her original works are Pretty Lessons in Verse, etc. (1834), which was very popular, and a fairy tale, Phantasmion. She also ed. her father's works, to which she added an essay on Rationalism.

COLET, JOHN (1467–1519).—Scholar and theologian, was b. in London, the s. of a wealthy citizen, who was twice Lord Mayor. The only survivor of a family of 22, he went to Oxf. and Paris, and thence to Italy, where he learned Greek. He entered the Church, and held many preferments, including the Deanery of St. Paul's. He continued to follow out his studies, devoting himself chiefly to St. Paul's epistles. He was outspoken against the corruptions of the Church, and would have been called to account but for the protection of Archbishop Warham. He devoted his great fortune to founding and endowing St. Paul's School. Among his works are a treatise on the Sacraments and various devotional writings. It is rather for his learning and his attitude to the advancement of knowledge than for his own writings that he has a place in the history of English literature.

COLLIER, JEREMY (1650–1726).—Church historian and controversialist, b. at Stow, Cambridgeshire, ed. at Ipswich and Camb., entered the Church, and became Rector of Ampton, Suffolk, lecturer of Gray's Inn, London, and ultimately a nonjuring bishop. He was a man of war from his youth, and was engaged in controversies almost until his death. His first important one was with Gilbert Burnet, and led to his being imprisoned in Newgate. He was, however, a man of real learning. His chief writings are his Ecclesiastical History of Great Britain (1708–1714), and especially his Short View of the Immorality and Profaneness of the English Stage (1699), on account of which he was attacked by Congreve and Farquhar, for whom, however, he showed himself more than a match. The work materially helped towards the subsequent purification of the stage.

COLLINS, JOHN (d. 1808).—Actor and writer, was a staymaker, but took to the stage, on which he was fairly successful. He also gave humorous entertainments and pub. Scripscrapologia, a book of verses. He is worthy of mention for the little piece, To-morrow, beginning "In the downhill of life when I find I'm declining," characterised by Palgrave as "a truly noble poem."

COLLINS, JOHN CHURTON (1848–1908).—Writer on literature and critic, b. in Gloucestershire, and ed. at King Edward's School, Birmingham, and Oxf., became in 1894 Prof. of English Literature at Birmingham. He wrote books on Sir J. Reynolds (1874), Voltaire in England (1886), Illustrations of Tennyson (1891), and also on Swift and Shakespeare, various collections of essays, Essays and Studies (1895), and Studies in Poetry and Criticism (1905), etc., and he issued ed. of the works of C. Tourneur, Greene, Dryden, Herbert of Cherbury, etc.

COLLINS, MORTIMER (1827–1876).—Novelist, s. of a solicitor at Plymouth, was for a time a teacher of mathematics in Guernsey. Settling in Berkshire he adopted a literary life, and was a prolific author, writing largely for periodicals. He also wrote a good deal of occasional and humorous verse, and several novels, including Sweet Anne Page (1868), Two Plunges for a Pearl (1872), Mr. Carrington (1873), under the name of "R.T. Cotton," and A Fight with Fortune (1876).

COLLINS, WILLIAM (1721–1759).—Poet, s. of a respectable hatter at Chichester, where he was b. He was ed. at Chichester, Winchester, and Oxf. His is a melancholy career. Disappointed with the reception of his poems, especially his Odes, he sank into despondency, fell into habits of intemperance, and after fits of melancholy, deepening into insanity, d. a physical and mental wreck. Posterity has signally reversed the judgment of his contemporaries, and has placed him at the head of the lyrists of his age. He did not write much, but all that he wrote is precious. His first publication was a small vol. of poems, including the Persian (afterwards called Oriental) Eclogues (1742); but his principal work was his Odes (1747), including those to Evening and The Passions, which will live as long as the language. When Thomson died in 1748 C., who had been his friend, commemorated him in a beautiful ode. Another—left unfinished—that on the Superstitions of the Scottish Highlands, was for many years lost sight of, but was discovered by Dr. Alex. Carlyle (q.v.). C.'s poetry is distinguished by its high imaginative quality, and by exquisitely felicitous descriptive phrases.

Memoirs prefixed to Dyce's ed. of Poems (1827), Aldine ed., Moy Thomas, 1892.

COLLINS, WILLIAM WILKIE (1824–1889).—Novelist, s. of William C., R.A., entered Lincoln's Inn, and was called to the Bar 1851, but soon relinquished law for literature. His first novel was Antonina (1850), a historical romance. He found his true field, however, in the novel of modern life, in which his power lies chiefly in the construction of a skilful plot, which holds the attention of the reader and baffles his curiosity to the last. In Count Fosco, however, he has contributed an original character to English fiction. Among his numerous novels two, The Woman in White (1860), and The Moonstone (1868), stand out pre-eminent. Others are The Dead Secret (1857), Armadale (1866), No Name (1862), After Dark, "I say No," etc. He collaborated with Dickens in No Thoroughfare.

COLMAN, GEORGE, THE ELDER (1732–1794).—Dramatist, b. at Florence, where his f. was British Envoy, he was a friend of Garrick, and took to writing for the stage with success. He wrote more than 30 dramatic pieces, of which the best known are The Jealous Wife (1761), and The Clandestine Marriage (1766). C. was also manager and part proprietor of various theatres. He was a scholar and translated Terence and the De Arte Poetica of Horace, wrote essays, and ed. Beaumont and Fletcher and B. Jonson.

COLMAN, GEORGE, THE YOUNGER (1762–1836).—Dramatist, s. of the preceding, wrote or adapted numerous plays, including The Heir at Law and John Bull. He was Examiner of Plays (1824–1836). Many of his plays are highly amusing, and keep their place on the stage. His wit made him popular in society, and he was a favourite with George IV.

COLTON, CHARLES CALEB (1780–1832).—Miscellaneous writer, ed. at Eton and Camb., took orders and held various livings. He was an eccentric man of talent, with little or no principle, took to gaming, and had to leave the country. He d. by his own hand. His books, mainly collections of epigrammatic aphorisms and short essays on conduct, etc., though now almost forgotten, had a phenomenal popularity in their day. Among them are Lacon, or Many Things in Few Words, and a few poems.

COMBE, GEORGE (1788–1858).—Writer on phrenology and education, b. in Edin., where for some time he practised as a lawyer. Latterly, however, he devoted himself to the promotion of phrenology, and of his views on education, for which he in 1848 founded a school. His chief work was The Constitution of Man (1828).

COMBE, WILLIAM (1741–1823).—Miscellaneous writer. His early life was that of an adventurer, his later was passed chiefly within the "rules" of the King's Bench prison. He is chiefly remembered as the author of The Three Tours of Dr. Syntax, a comic poem (?). His cleverest piece of work was a series of imaginary letters, supposed to have been written by the second, or "wicked" Lord Lyttelton. Of a similar kind were his letters between Swift and Stella. He also wrote the letterpress for various illustrated books, and was a general hack.

CONGREVE, WILLIAM (1670–1729).—Dramatist, was b. in Yorkshire. In boyhood he was taken to Ireland, and ed. at Kilkenny and at Trinity Coll., Dublin. In 1688 he returned to England and entered the Middle Temple, but does not appear to have practised, and took to writing for the stage. His first comedy, The Old Bachelor, was produced with great applause in 1693, and was followed by The Double Dealer (1693), Love for Love (1695), and The Way of the World (1700), and by a tragedy, The Mourning Bride (1697). His comedies are all remarkable for wit and sparkling dialogue, but their profanity and licentiousness have driven them from the stage. These latter qualities brought them under the lash of Jeremy Collier (q.v.) in his Short View of the English Stage. Congreve rushed into controversy with his critic who, however, proved too strong for him. C. was a favourite at Court, and had various lucrative offices conferred upon him. In his latter years he was blind; otherwise his life was prosperous, and he achieved his chief ambition of being admired as a fine gentleman and gallant. Life, Gosse (1888). Works, ed. by Henley (1895), also Mermaid Series (1888).

CONINGTON, JOHN (1825–1869).—Translator, s. of a clergyman at Boston, Lincolnshire, where he was b., ed., at Rugby and Magdalen and Univ. Coll., Oxf., and began the study of law, but soon relinquished it, and devoting himself to scholarship, became Prof. of Latin at Oxf. (1854–1869). His chief work is his translation of Virgil's Æneid in the octosyllabic metre of Scott (1861–68). He also translated the Satires and Epistles of Horace in Pope's couplets, and completed Worsley's Iliad in Spenserian stanza. He also brought out valuable ed. of Virgil and Perseus. C. was one of the greatest translators whom England has produced.

CONSTABLE, HENRY (1562–1613).—Poet, s. of Sir Robert C., ed. at Camb., but becoming a Roman Catholic, went to Paris, and acted as an agent for the Catholic powers. He d. at Liège. In 1592 he pub. Diana, a collection of sonnets, and contributed to England's Helicon four poems, including Diaphenia and Venus and Adonis. His style is characterised by fervour and richness of colour.

COOKE, JOHN ESTEN (1830–1886).—Novelist, b. in Virginia, illustrated the life and history of his native state in the novels, The Virginia Comedians (1854), and The Wearing of the Gray, a tale of the Civil War, and more formally in an excellent History of the State. His style was somewhat high-flown.

COOPER, JAMES FENIMORE (1789–1851).—Novelist, b. at Burlington, New Jersey, and ed. at Yale Coll., he in 1808 entered the U.S. Navy, in which he remained for 3 years, an experience which was of immense future value to him as an author. It was not until 1821 that his first novel, Precaution, appeared. Its want of success did not discourage him, and in the next year (1822), he produced The Spy, which at once gained him a high place as a story-teller. He wrote over 30 novels, of which may be mentioned The Pioneers (1823), The Pilot (1823), The Last of the Mohicans (1826), The Prairie (1826), The Red Rover (1831), The Bravo (1840), The Pathfinder, The Deerslayer (1841), The Two Admirals (1842), and Satanstoe (1845). He also wrote a Naval History of the United States (1839). C. was possessed of remarkable narrative and descriptive powers, and could occasionally delineate character. He had the merit of opening up an entirely new field, and giving expression to the spirit of the New World, but his true range was limited, and he sometimes showed a lack of judgment in choosing subjects with which he was not fitted to deal. He was a proud and combative but honest and estimable man.

COOPER, THOMAS (1805–1892).—Chartist poet, was b. at Leicester, and apprenticed to a shoemaker. In spite of hardships and difficulties, he ed. himself, and at 23 was a schoolmaster. He became a leader and lecturer among the Chartists, and in 1842 was imprisoned in Stafford gaol for two years, where he wrote his Purgatory of Suicides, a political epic. At the same time he adopted sceptical views, which he continued to hold until 1855, when he became a Christian, joined the Baptists, and was a preacher among them. In his latter years he settled down into an old-fashioned Radical. His friends in 1867 raised an annuity for him, and in the last year of his life he received a government pension. In addition to his poems he wrote several novels. Somewhat impulsive, he was an honest and sincere man.

CORBET, RICHARD (1582–1635).—Poet, s. of a gardener, was ed. at Westminster School and Oxf., and entered the Church, in which he obtained many preferments, and rose to be Bishop successively of Oxf. and Norwich. He was celebrated for his wit, which not seldom passed into buffoonery. His poems, which are often mere doggerel, were not pub. until after his death. They include Journey to France, Iter Boreale, the account of a tour from Oxf. to Newark, and the Farewell to the Fairies.

CORNWALL, BARRY, see PROCTER, B.W.

CORY, WILLIAM JOHNSON (1823–1892).—Poet, b. at Torrington, and ed. at Eton, where he was afterwards a master. He was a brilliant writer of Latin verse. His chief poetical work is Ionica, containing poems in which he showed a true lyrical gift.

CORYATE, or CORYATT, THOMAS (1577–1617).—Poet, b. at Odcombe, Somerset, and ed. at Westminster and Oxf., entered the household of Prince Henry. In 1608 he made a walking tour in France, Italy, and Germany, walking nearly 2000 miles in one pair of shoes, which were, until 1702, hung up in Odcombe Church, and known as "the thousand mile shoes." He gave an amusing account of this in his Coryate's Crudities hastily gobbled up (1611), prefixed to which were commendatory verses by many contemporary poets. A sequel, Coryate's Crambé, or Colewort twice Sodden followed. Next year (1612) C. bade farewell to his fellow-townsmen, and set out on another journey to Greece, Egypt, and India, from which he never returned. He d. at Surat. Though odd and conceited, C. was a close observer, and took real pains in collecting information as to the places he visited.

COSTELLO, LOUISA STUART (1799–1877).—Poet and novelist, b. in Ireland, lived chiefly in Paris, where she was a miniature-painter. In 1815 she pub. The Maid of the Cyprus Isle, etc. (poems). She also wrote books of travel, which were very popular, as were her novels, chiefly founded on French history. Another work, pub. in 1835, is Specimens of the Early Poetry of France.

COTTON, CHARLES (1630–1687).—Poet and translator, succeeded to an embarrassed estate, which his happy-go-lucky methods did not improve, wrote burlesques on Virgil and Lucian, and made an excellent translation of Montaigne's Essays, also a humorous Journey to Ireland. C. was the friend of Izaak Walton, and wrote a second part of The Complete Angler. He was apparently always in difficulties, always happy, and always a favourite.

COTTON, SIR ROBERT BRUCE (1571–1631).—Antiquary, b. at Denton, Hunts, and ed. at Camb., was a great collector of charters and records throwing light upon English history, and co-operated with Camden (q.v.). Among his works are a history of the Raigne of Henry III. (1627). He was the collector of the Cottonian library, now in the British Museum, and was the author of various political tracts.

COUSIN, ANNE ROSS (CUNDELL) (1824–1906).—Poetess, only dau. of D.R. Cundell, M.D., Leith, m. 1847 Rev. Wm. Cousin, minister of the Free Church of Scotland, latterly at Melrose. Some of her hymns, especially "The Sands of Time are sinking," are known and sung over the English-speaking world. A collection of her poems, Immanuel's Land and Other Pieces, was pub. in 1876 under her initials A.R.C., by which she was most widely known.

COVERDALE, MILES (1488–1568).—Translator of the Bible, b. in Yorkshire, and ed. at Camb. Originally an Augustinian monk, he became a supporter of the Reformation. In 1535 his translation of the Bible was pub., probably at Zurich. It bore the title, Biblia, the Bible: that is the Holy Scripture of the Olde and New Testament faithfully and newly translated out of the Doutche and Latyn into English. C. was made Bishop of Exeter in 1551, but, on the accession of Mary, he was imprisoned for two years, at the end of which he was released and went to Denmark and afterwards to Geneva. On the death of Mary he returned to England, but the views he had imbibed in Geneva were adverse to his preferment. He ultimately, however, received a benefice in London, which he resigned before his death. Besides the Bible he translated many treatises of the Continental Reformers.

COWLEY, ABRAHAM (1618–1667).—Poet, s. of a grocer or stationer in London, where he was b. In childhood he was greatly influenced by reading Spenser, a copy of whose poems was in the possession of his mother. This, he said, made him a poet. His first book, Poetic Blossoms (1633), was pub. when he was only 15. After being at Westminster School he went to Camb., where he was distinguished for his graceful translations. On the outbreak of the Civil War he joined the Royalists, was turned out of his college, and in 1646 followed the Queen to Paris, where he remained for 10 or 12 years, during which he rendered unwearied service to the royal family. At the Restoration he wrote some loyal odes, but was disappointed by being refused the Mastership of the Savoy, and retired to the country. He received a lease of Crown lands, but his life in the country did not yield him the happiness he expected. He is said by Pope to have d. of a fever brought on by lying in the fields after a drinking-bout. The drinking-bout, however, is perhaps an ill-natured addition. C.'s fame among his contemporaries was much greater than that which posterity has accorded to him. His poems are marred by conceits and a forced and artificial brilliancy. In some of them, however, he sings pleasantly of gardens and country scenes. They comprise Miscellanies, The Mistress, or Love Poems (1647), Pindaric Odes, and The Davideis, an epic on David (unfinished). He is at his best in such imitations of Anacreon as The Grasshopper. His prose, especially in his Essays, though now almost unread, is better than his verse; simple and manly, it sometimes rises to eloquence. C. is buried in Westminster Abbey near Spenser.

Ed., Grosart (1881), Waller (1903).

COWPER, WILLIAM (1731–1800).—Poet, was the s. of the Rev. John C., Rector of Great Berkhampstead, Herts, and Chaplain to George II. His grandfather was a judge, and he was the grand-nephew of the 1st Earl C., the eminent Lord Chancellor. A shy and timid child, the death of his mother when he was 6 years old, and the sufferings inflicted upon him by a bullying schoolfellow at his first school, wounded his tender and shrinking spirit irrecoverably. He was sent to Westminster School, where he had for schoolfellows Churchill, the poet (q.v.), and Warren Hastings. The powerful legal influence of his family naturally suggested his being destined for the law, and at 18 he entered the chambers of a solicitor, where he had for a companion Thurlow, the future Chancellor, a truly incongruous conjunction; the pair, however, seem to have got on well together, and employed their time chiefly in "giggling and making giggle." He then entered the Middle Temple, and in 1754 was called to the Bar. This was perhaps the happiest period of his life, being enlivened by the society of two cousins, Theodora and Harriet C. With the former he fell in love; but his proposal of marriage was opposed by her f., who had observed symptoms of morbidity in him, and he never met her again. The latter, as Lady Hesketh, was in later days one of his most intimate friends. In 1759 he received a small sinecure appointment as Commissioner of Bankrupts, which he held for 5 years, and in 1763, through the influence of a relative, he received the offer of the desirable office of Clerk of the Journals to the House of Lords. He accepted the appointment, but the dread of having to make a formal appearance before the House so preyed upon his mind as to induce a temporary loss of reason, and he was sent to an asylum at St. Albans, where he remained for about a year. He had now no income beyond a small sum inherited from his f., and no aims in life; but friends supplemented his means sufficiently to enable him to lead with a quiet mind the life of retirement which he had resolved to follow. He went to Huntingdon, and there made the acquaintance of the Unwins, with whom he went to live as a boarder. The acquaintance soon ripened into a close friendship, and on the death, from an accident (1767), of Mr. U., C. accompanied his widow (the "Mary" of his poems) to Olney, where the Rev. John Newton (q.v.) was curate. N. and C. became intimate friends, and collaborated in producing the well-known Olney Hymns, of which 67 were composed by C. He became engaged to Mary Unwin, but a fresh attack of his mental malady in 1773 prevented their marriage. On his recovery he took to gardening, and amused himself by keeping pets, including the hares "Tiny" and "Puss," and the spaniel "Beau," immortalised in his works. The chief means, however, which he adopted for keeping his mind occupied and free from distressing ideas was the cultivation of his poetic gift. At the suggestion of Mrs. U., he wrote The Progress of Error; Truth, Table Talk, Expostulation, Hope, Charity, Conversation, and Retirement were added, and the whole were pub. in one vol. in 1782. Though not received with acclamation, its signal merits of freshness, simplicity, graceful humour, and the pure idiomatic English in which it was written gradually obtained recognition, and the fame of the poet-recluse began to spread. His health had now become considerably re-established, and he enjoyed an unwonted measure of cheerfulness, which was fostered by the friendship of Lady Austin, who had become his neighbour. From her he received the story of John Gilpin, which he forthwith turned into his immortal ballad. Hers also was the suggestion that he should write a poem in blank verse, which gave its origin to his most famous poem, The Task. Before it was pub., however, the intimacy had, apparently owing to some little feminine jealousies, been broken off. The Task was pub. in 1785, and met with immediate and distinguished success. Although not formally or professedly, it was, in fact, the beginning of an uprising against the classical school of poetry, and the founding of a new school in which nature was the teacher. As Dr. Stopford Brooke points out, "Cowper is the first of the poets who loves Nature entirely for her own sake," and in him "the idea of Mankind as a whole is fully formed." About this time he resumed his friendship with his cousin, Lady Hesketh, and, encouraged by her, he began his translation of Homer, which appeared in 1791. Before this he had removed with Mrs. U. to the village of Weston Underwood. His health had again given way; and in 1791 Mrs. U. became paralytic, and the object of his assiduous and affectionate care. A settled gloom with occasional brighter intervals was now falling upon him. He strove to fight it by engaging in various translations, and in revising his Homer, and undertaking a new ed. of Milton, which last was, however, left unfinished. In 1794 a pension of £300 was conferred upon him, and in 1795 he removed with Mrs. U., now a helpless invalid, to East Dereham. Mrs. U. d. in the following year, and three years later his own death released him from his heavy burden of trouble and sorrow. His last poem was The Castaway, which, with its darkness almost of despair, shows no loss of intellectual or poetic power. In addition to his reputation as a poet C. has that of being among the very best of English letter-writers, and in this he shows, in an even easier and more unstudied manner, the same command of pure idiomatic English, the same acute observation, and the same mingling of gentle humour and melancholy. In literature C. is the connecting link between the classical school of Pope and the natural school of Burns, Crabbe, and Wordsworth, having, however, much more in common with the latter.

SUMMARY.—B. 1731, ed. Westminster School, entered Middle Temple and called to the Bar, 1754, appointed Clerk of Journals of House of Lords, but mind gave way 1763, lives with the Unwins, became intimate with J. Newton and with him writes Olney Hymns, pub. Poems (Progress of Error, etc.), 1782, Task 1785, Homer 1791, d. 1731.

The standard ed. of C.'s works is Southey's, with memoir (15 vols. 1834–37). Others are the Aldine (1865), the Globe (1870). There are Lives by Hayley (2 vols., 1805), Goldwin Smith (Men of Letters Series), and T. Wright.

COXE, WILLIAM (1747–1828).—Historian, was b. in London, and ed. at Eton and Camb. As tutor to various young men of family he travelled much on the Continent, and pub. accounts of his journeys. His chief historical work is his Memoirs of the House of Austria (1807), and he also wrote lives of Walpole, Marlborough, and others. He had access to valuable original sources, and his books, though somewhat heavy, are on the whole trustworthy, notwithstanding a decided Whig bias. He was a clergyman, and d. Archdeacon of Wilts.

CRABBE, GEORGE (1754–1832).—Poet, b. at Aldborough, Suffolk, where his f. was collector of salt dues, he was apprenticed to a surgeon, but, having no liking for the work, went to London to try his fortune in literature. Unsuccessful at first, he as a last resource wrote a letter to Burke enclosing some of his writings, and was immediately befriended by him, and taken into his own house, where he met Fox, Reynolds, and others. His first important work, The Library, was pub. in 1781, and received with favour. He took orders, and was appointed by the Duke of Rutland his domestic chaplain, residing with him at Belvoir Castle. Here in 1783 he pub. The Village, which established his reputation, and about the same time he was presented by Lord Thurlow to two small livings. He was now secured from want, made a happy marriage, and devoted himself to literary and scientific pursuits. The Newspaper appeared in 1785, and was followed by a period of silence until 1807, when he came forward again with The Parish Register, followed by The Borough (1810), Tales in Verse (1812), and his last work, Tales of the Hall (1817–18). In 1819 Murray the publisher gave him £3000 for the last named work and the unexpired copyright of his other poems. In 1822 he visited Sir Walter Scott at Edinburgh. Soon afterwards his health began to give way, and he d. in 1832. C. has been called "the poet of the poor." He describes in simple, but strong and vivid, verse their struggles, sorrows, weaknesses, crimes, and pleasures, sometimes with racy humour, oftener in sombre hues. His pathos, sparingly introduced, goes to the heart; his pictures of crime and despair not seldom rise to the terrific, and he has a marvellous power of painting natural scenery, and of bringing out in detail the beauty and picturesqueness of scenes at first sight uninteresting, or even uninviting. He is absolutely free from affectation or sentimentality, and may be regarded as one of the greatest masters of the realistic in our literature. With these merits he has certain faults, too great minuteness in his pictures, too frequent dwelling upon the sordid and depraved aspects of character, and some degree of harshness both in matter and manner, and not unfrequently a want of taste.

Life prefixed to ed. of works by his son (1834), Ainger (Men of Letters, 1903). Works (Ward, 3 vols., 1906–7).

CRAIGIE, MRS. PEARL MARY TERESA (RICHARDS) (1867–1906).—Dau. of John Morgan, R. b. in Boston, Massachusetts. Most of her education was received in London and Paris, and from childhood she was a great reader and observer. At 19 she m. Mr. R.W. Craigie, but the union did not prove happy and was, on her petition, dissolved. In 1902 she became a Roman Catholic. She wrote, under the pseudonym of "John Oliver Hobbes," a number of novels and dramas, distinguished by originality of subject and treatment, brightness of humour, and finish of style, among which may be mentioned Some Emotions and a Moral, The Gods, Some Mortals and Lord Wickenham (1895), The Herb Moon and The School for Saints (1897), and Robert Orange (1900), The Dream and The Business (1907). Her dramas include The Ambassador and The Bishop's Move.

CRAIK, GEORGE LILLIE (1798–1866).—Writer on English literature, etc., b. at Kennoway, Fife, and ed. at St. Andrews, went to London in 1824, where he wrote largely for the "Society for the Promotion of Useful Knowledge." In 1849 he was appointed Prof. of English Literature and History at Belfast. Among his books are The Pursuit of Knowledge under Difficulties (1831), History of British Commerce (1844), and History of English Literature and the English Language (1861). He was also joint author of The Pictorial History of England, and wrote books on Spenser and Bacon.

CRANMER, THOMAS (1489–1556).—Theologian and Churchman, b. at Aslacton, Notts, ed. at Camb., and became an eminent classical and biblical scholar. He supported Henry VIII. in his divorce proceedings against Queen Catherine, gained the King's favour, and obtained rapid preferment, ending with the Primacy. He was one of the chief promoters of the Reformation in England. On the accession of Mary, he was committed to the Tower, and after a temporary failure of courage and constancy, suffered martyrdom at the stake. It is largely to C. that we owe the stately forms of the Book of Common Prayer. He also wrote over 40 works, and composed several hymns; but the influence of the Prayer-book in fixing the language is his great, though indirect, service to our literature.

Fox's Book of Martyrs, Strype's Memorials of Cranmer, Hook's Lives of Archbishops of Canterbury, etc.

CRASHAW, RICHARD (1613?-1649).—Poet, s. of William C., a Puritan divine, was b. in London, and ed. at Charterhouse and Camb., where he became a Fellow of Peterhouse, from which, however, he was, in 1643, ejected for refusing to take the Solemn League and Covenant. Thereafter he went to France, and joined the Roman communion. He suffered great straits, being almost reduced to starvation, but was, through the influence of Queen Henrietta Maria, appointed Sec. to Cardinal Palotta. About 1649 he went to Italy, and in the following year became a canon of the Church of Loretto. He d. the same year. C. is said to have been an eloquent preacher, and was a scholar as well as a poet of a high order in the ecstatic and transcendental style. His chief work is Steps to the Temple (1646), consisting mainly of religious poems somewhat in the style of Herbert; his Weeping of the Magdalen is full of the most extravagant conceits, a fondness for which is, indeed, his besetting sin as a poet. His friend Cowley commemorated him in a beautiful ode.

CRAWFORD, FRANCIS MARION (1854–1909).—Novelist and historian, s. of Thomas C., an American sculptor, b. at Bagni di Lucca, Italy, and ed. in America, at Camb., and in Germany, he went to India and ed. The Indian Herald (1879–80). Thereafter he settled in Italy, living chiefly at Sorrento, and becoming a Roman Catholic. His principal historical works are Ave Roma Immortalis (1898), The Rulers of the South (reprinted as Sicily, Calabria, and Malta, 1904), and Venetian Gleanings (1905), but his reputation rests mainly on his novels, of which he wrote between 30 and 40, the best known of which are perhaps Mr. Isaacs (1882), Dr. Claudius (1883), A Roman Singer (1884), Marzio's Crucifix (1887), Saracinesca (1887), A Cigarette-maker's Romance (1890), generally considered his masterpiece, Don Orsino (1892), Pietro Ghisleri (1893), and The Heart of Rome (1903). His one play is Francesca, da Rimini. His novels are all interesting, and written in a style of decided distinction. His historical works, though full of information, lack spirit.

CREASY, SIR EDWARD SHEPHERD (1812–1878).—Historian, ed. at Eton and Camb., and called to the Bar in 1837, he became in 1840 Prof. of History, London Univ., and in 1860 Chief Justice of Ceylon, when he was knighted. His best known contribution to literature is his Fifteen Decisive Battles of the World (1852). Other works are Historical and Critical Account of the Several Invasions of England (1852), History of the Ottoman Turks, and Imperial and Colonial Institutions of the British Empire (1872).

CREECH, THOMAS (1659–1700).—Translator, b. near Sherborne, ed. at Oxf., became Head Master of Sherborne School. He translated Lucretius in verse (1682), for which he received a Fellowship at Oxf., also Horace, Theocritus, and other classics. Owing to a disappointment in love and pecuniary difficulties he hanged himself.

CREIGHTON, MANDELL (1843–1901).—Churchman and historian, b. at Carlisle, and ed. at Durham Grammar School and Merton Coll., Oxf., he took orders, and was presented to the living of Embleton, Northumberland, in 1875, where, in addition to zealous discharge of pastoral duties, he pursued the historical studies on the results of which his reputation chiefly rests. In 1882 the first two vols. of his History of the Papacy appeared, followed by two more in 1887, and a fifth in 1894. In 1884 he was appointed first Dixie Prof. of Ecclesiastical History at Camb. He ed. the English Historical Review (1886–91). In 1891, after having held canonries at Worcester and Windsor, he became Bishop of Peterborough, from which he was in 1897 translated to London. His duties as Bishop of London made the completion of his great historical work an impossibility. He wrote in addition to it various text-books on history, a life of Queen Elizabeth, a memoir of Sir George Grey, and many articles and reviews. He was recognised as a leading authority on the department of history to which he had specially devoted himself, and he made his mark as a Churchman.

CROKER, JOHN WILSON (1780–1857).—Politician and miscellaneous writer. Ed. at Trinity Coll., Dublin, he entered Parliament as a Tory, and was appointed to various offices, including the Secretaryship of the Admiralty, which he held for 20 years. He was one of the founders of the Quarterly Review, and wrote some of its most violent political articles and reviews. He pub. in 1831 an ed. of Boswell's Life of Johnson. He also wrote some historical essays and satirical pieces.

CROKER, THOMAS CROFTON (1798–1854).—Irish Antiquary, b. at Cork, for some years held a position in the Admiralty. He devoted himself largely to the collection of ancient Irish poetry and folk-lore. Among his publications are Researches in the South of Ireland (1824), Fairy Legends and Traditions of the South of Ireland (1825–27), Popular Songs of Ireland (1837), Daniel O'Rourke (1829), and Barney Mahoney (1832). He assisted in founding the "Camden" and "Percy" Societies.

CROLY, GEORGE (1780–1860).—Poet, novelist, historian, and divine, b. at Dublin, and ed. at Trinity Coll. there, he took orders and became Rector of St. Stephen's, Walbrook, and had a high reputation as a preacher. He wrote poems, dramas, satires, novels, history, and theological works, and attained some measure of success in all. Perhaps his best known works are his novels, Salathiel (1829), founded on the legend of "the wandering Jew," and Mareton (1846). His chief contribution to theological literature is an exposition of the Apocalypse.

CROWE, CATHERINE (STEVENS) (1800–1876).—Wrote dramas, children's books, and one or two novels, including Susan Hopley (1841), and Lilly Dawson (1847), but is chiefly remembered for her Night-side of Nature (1848), a collection of stories of the supernatural. Though somewhat morbid she had considerable talent.

CROWE, EYRE EVANS (1799–1868).—Historian and novelist, s. of an officer in the army, b. near Southampton, and ed. at Trinity Coll., Dublin. He wrote several novels, including Vittoria Colonna, To-day in Ireland (1825), The English in France (1828), and Charles Dalmer (1853). Among his historical works are a History of France in Lardner's Cabinet Encyclopædia, afterwards enlarged and separately pub., and a History of Louis XVIII. and Charles X.

CROWE, SIR JOSEPH ARCHER (1825–1896).—Writer on art, s. of the above, was b. in London. Most of his childhood was spent in France, and on his return to England in 1843 he became a journalist. He was then for some years engaged in educational work in India, and was afterwards war correspondent for the Times on various occasions, and filled various important consular posts, for which he was in 1890 made K.C.M.G. In collaboration with G.B. Cavalcasselle, an Italian refugee, he was the author of several authoritative works on art, including The Early Flemish Painters (1856), A New History of Painting in Italy (1864–68), A History of Painting in North Italy (1871), Titian, His Life and Times (1877), and Raphael, His Life and Works (1883–85). The actual writing of all these was the work of C.