Читать книгу Agatha Christie’s Secret Notebooks: Fifty Years of Mysteries in the Making - Includes Two Unpublished Poirot Stories - John Curran - Страница 40

‘Do you like detective stories. I do. I read them all and I’ve got autographs from Dorothy Sayers and Agatha Christie and Dickson Carr and H. C. Bailey.’

The Body in the Library, Chapter 6

Apart from the ‘13 at Dinner’ list in Notebook 41, Agatha Christie makes various references to her fellow crime writers throughout the Notebooks. The following is a selection of those mentioned:

E.C. Bentley

Apart from his appearance in connection with the Detection Club, he is also referred to in Notebook 41. The following concerns a contribution to Bentley’s anthology A Second Century of Detective Stories, published in 1938, where ‘The Case of the Distressed Lady’ from Partners in Crime represents Christie; she did not write a story specifically for inclusion.

A HP story for Bentley

G.K. Chesterton

The creator of Father Brown, the immortal priest detective, and first president of the Detection Club, Chesterton contributed to their collaborative novel The Floating Admiral. The reference in Notebook 66 is a reminder to provide a short story for him, presumably for his 1935 anthology A Century of Detective Stories. She did not write a new one but instead provided ‘Sing a Song of Sixpence’.

Ideas for G.K.C.

John Creasey

In Notebook 52 there are two references, both very similar, to John Creasey, British crime writer of almost 600 books. Hugely prolific under a variety of pseudonyms, he was also a founder of the Crime Writers Association. In The Clocks, the typewriting agency, which is the focus of much of the novel, does some work for Creasey-like authors. He did not write detective fiction.

Miss M[artindale] is chief agent—Sec[retary] to Creasey—who wrote spy stories

Rufus King

Twice in Notebook 35, during the plotting of Mrs McGinty’s Dead, Christie mentions Murder by Latitude, the title of a novel by this largely forgotten writer, although his name itself does not appear. Murder by Latitude features a typical Christie setting, aboard a ship from which contact with land has been severed. There are a few King titles in the library at Greenway House.

Atmosphere like Murder by Latitude—some people—amongst them a Murderer

A.E.W. Mason

Mason was the creator of Inspector Hanaud. The reference in Notebook 35 is to At the Villa Rose, published in 1910, a case involving the death of an elderly woman and the suspicion surrounding her companion. While plotting One, Two, Buckle my Shoe Christie reminds herself of it:

A murder discovered (woman? Elderly? Like Villa Rose) Clue—a shoe buckle

Edgar Allan Poe

The ‘inventor’ of the detective story when he published ‘The Murders in the Rue Morgue’ in 1841, ‘The Purloined Letter’ is another famous case for his detective Auguste Dupin, turning on the idea of hiding in plain sight. Christie’s reference is in connection with a fortune hidden not in but on an envelope—as stamps. She used this plot device in the short story ‘Strange Jest’ and also much later, in Spider’s Web. The concept of hiding in plain sight is also used in ‘The Nemean Lion’.

Stamps—fortune left in them—on old letters in desk—‘Purloined Letter’ mentioned—they look in obvious envelope—really stamps on it

Dorothy L. Sayers

Sayers’ creation Lord Peter Wimsey made his debut in 1923 in Whose Body. In addition to the writer herself, Wimsey is mentioned in Notebook 41—this time in a reference to Ronnie West in Lord Edgware Dies. It is also possible that the naming of Dr Peter Lord in Sad Cypress is homage to Christie’s great contemporary.

Ronnie West (debonair Peter Wimseyish)