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"Caus michtilie the warlic nottes brake

On Heiland pipes, Scottes and Hyberniche.

Incidentally, this reference to three different kinds of pipes is interesting.

The first authentic reference to pipers in the Forces of the Crown appears to have been in 1627, when Alex. Macnaughton of Loch Fyne-side was commissioned by King Charles I. to "levie and transport twa hundredthe bowmen" for service in the French war. Writing in January 1628 to the Earl of Morton, Macnaughton says:

"As for newis from our selfis, our baggpyperis and marlit plaidis serwitt us in guid wise in the pursuit of ane man of war that hetlie followed us."

The records show that this company had a harper, "Harrie M'Gra frae Larg," and a piper, "Allester Caddell," who, in accordance with the custom of the time, had his gillie to carry his pipes for him.

Regimental pipers undoubtedly existed in the numerous bodies of Scottish troops which served at various times on the Continent. Thus, in 1586, in the "State of War" of Captain Balfour's company in the Scots Brigade in Holland, there were two drummers and a piper; and in "the worthy Scots regiment called Mackeye's" raised by Sir Donald Mackay in 1626 there was an establishment of thirty-six pipers.

Pipers are also found on the rolls of the "regiment d'Hebron"—now the Royal Scots—and to that very distinguished regiment we may safely accord the further distinction of being the first "Regular" regiment of the British Army to have pipes. The "North British Fusiliers," now one of the battalions of the Royal Scots Fusiliers, also had pipes as far back as 1678, and probably as early as 1642.

Writing in 1641, Lord Lothian said:

"I cannot out of our armie furnish you with a sober fiddler.... We are sadder and graver than ordinarie soldiers, only we are well provided with pypers. I have one for every company in my regiment, and I think they are as good as drummers."

The great Montrose had pipers in his armies, and tradition has it that, in the action of Philiphaugh in 1645, a piper stood on a small eminence and played the old Cavalier tune, "Whurry, Whigs, awa' man," until he was shot by one of Leslie's men, and fell into the "Piper's Pule" in Ettrick river.

An exactly similar incident occurred in the case of one of the pipers of Bonnie Dundee at Bothwell Brig in 1679.

At the Haughs o' Cromdale in 1690 a wounded piper climbed on to a big rock and went on playing till he died, thus setting an example which has been followed by his successors in many actions in this war. The stone on which this unknown hero stood is known to this day locally as "Clach a phiobair."

There are many such in France and elsewhere to-day.

In Wodrow's letters in 1716 there is a reference to the company pipers of the "Argyle's Highlanders": "They entered in three companies, and every company had their distinct pipers, playing three distinct springs. The first played "The Campbells are coming" ... and when they entered Dundee the people thought they had been some of Mar's men, till some of the prisoners in the Tolbooth, understanding the first spring, swung the words of it out of the windows, which mortified the Jacobites."

Again, in 1715, when Argyle's troops marched to Leith, it was stated by Cockburn (Historical MSS. Commission): "While our generals were asleep the rebels marched to Seton House, leaving the piper in the citadel to amuse."

The piper, by this time, had clearly become a recognised military institution.

In the '45 the unfortunate Sir John Cope was undoubtedly aroused by the music of piob mhor at Prestonpans, though it is doubtful whether "Hey Johnnie Cope" was composed for the occasion.

Prince Charlie had thirty-two pipers of his own, besides those belonging to the clans with him. One of these men, James Reid, was taken prisoner in the operations of 1746. He pleaded that he had not carried arms, but the Court decided that "no Highland regiment ever marched without a piper: therefore his bag pipe, in the eye of the law, was an instrument of war"—and they dealt with him accordingly.

This view was confirmed by the Disarming Act of 1747, which nearly succeeded in attaining its object of abolishing the bagpipe, the kilt, the tartan and national sentiment generally—only Regular regiments being exempted from its operation.

Penal legislation against the bagpipe was no new thing. Cromwell had tried it in Ireland, and, under William II., 600 Irish pipers and harpers were persecuted with relentless rigour. And in Ireland it succeeded.

Saxon governments have always done the piper the honour of regarding him as an exponent and supporter of national sentiment.

Even in Scotland the years between 1747 and 1782, when the iniquitous Disarming Act was repealed, were very nearly fatal to the continued existence of the bagpipe as a national institution; and it was the Regular Army which saved it—though no one could ever accuse the military authorities of unduly favouring the instrument. Even General Officers have publicly sneered at them—as when Wolfe at Quebec contemptuously refused to allow the pipes of the Fraser Highlanders to play, or when Sir Eyre Coote in 1778 described them as a "useless relic of the barbarous ages."

Both generals had to withdraw what they had said.

The opinion of the Court Martial which tried poor James Reid, that his bagpipe "was, in the eye of the law, an instrument of war," was after all as shrewd an expression of the truth as their sentence was harsh.

In later times the pipes in the army have received little official recognition. In 1858, when the King's Own Scottish Borderers applied for their pipers to be placed on the establishment, the Commander in Chief grudgingly consented "as the permission for these men is lost in time," but on condition that they were not to cost the public anything as regards their clothing.

Nor has the modern War Office shown more sympathy to an institution whose value, even on theoretical grounds, should have been recognised. The ancient and honourable title of Pipe Major has been abolished and that of "sergeant piper" has been substituted. Pipers themselves, on mobilisation, are returned to the ranks with the exception of six men. In Lowland regiments, indeed, the piper, though tolerated, is not officially recognised at all.

A bandsman may in due course become a first-class warrant officer—in one or two units, indeed, he has attained commissioned rank; but the "sergeant piper" remains a sergeant, and can hope for nothing more. This, surely, is an injustice which is remediable at small cost to the nation.

The apathy of the War Office in regard to the training of pipers as pipers is another matter which is in urgent need of reform. Commanding officers and pipe presidents are sometimes pipers themselves—though not always; it is absurd to leave to them the responsibility of training men in the art. The time has come for a thorough reform of the whole system and method of training of military pipe bands.

The Pipes of War

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