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Prologue

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In which I answer the questions in the way I choose …

JH: Good morning. It’s ten past eight and I’m John Humphrys. With me live in the studio is … John Humphrys. It’s just been announced that he’s finally decided to leave Today after thirty-three years. Mr Humphrys, why leave it so long?

JH: Well, as you said it’s been thirty-three years and that’s—

JH: I know how long it’s been … far too long for the taste of many listeners, some might say. It’s because your style of interviewing has long passed its sell-by date, isn’t it?

JH: Well I suppose some people might say that but—

JH: You suppose some people might say that? Is it true or not?

JH: I’m not sure it’s really up to me to pass judgement on that because—

JH: What d’you mean you’re ‘not sure’! You either have a view on it or you don’t.

JH: Well I do but you keep interrupting me and—

JH: Ha! I keep interrupting you! That’s a bit rich. Isn’t that exactly what you’ve been doing to your guests on this programme for the past thirty-three years and isn’t that one of the reasons why the audience has finally had enough of you … not to mention your own bosses?

JH: I really don’t think that’s fair. After all it was only politicians I ever interrupted and only then if they weren’t answering the question.

JH: You mean if they didn’t answer YOUR questions in the way YOU chose—

JH: Again that’s not fair because—

JH: Are you seriously suggesting that you didn’t approach every political interview with your own views and if the politician didn’t happen to share those views they were toast? You did your best to cut them off at the knees.

JH: That’s nonsense. The job of the interviewer is to act as devil’s advocate … to test the politician’s argument and—

JH: And to make them look like fools and to make you look clever. It’s just an ego trip, isn’t it?

JH: No … and if that were really the case the politician would refuse to appear on Today. And mostly they don’t—

JH: Ah! You say ‘mostly’, which is a weasel word if ever I heard one. Isn’t it the case that when they do refuse it’s because they know you will deny them the chance to get their message across because all you want is a shouting match?

JH: Not at all. They’re a pretty robust bunch and I’d like to think they hide from the live microphone because they don’t want to be faced with questions that might very well embarrass them if they answer frankly and honestly.

JH: I’m sure that’s what you’d like to think but the facts suggest otherwise don’t they? And when they do try to answer frankly, you either snort with disbelief or try to ridicule them.

JH: Look, I wouldn’t deny that I get frustrated when the politician is simply refusing to answer the question, and I’m sure the listeners feel the same. It’s my job to ask the questions they want answered and if the politician refuses to engage or pulls the ‘I think what people really want to know …’ trick, then it’s true that occasionally I do let my irritation show.

JH: Nonsense! The fact is you have often been downright rude and that is simply not acceptable.

JH: Well … we agree on something at last! You’re absolutely right when you say being rude is unacceptable and I admit that I’ve been guilty of it – but not often. In my own defence I can think of only a tiny number of occasions when it’s happened and I regret it enormously – not least because it really does upset the audience. One of the biggest postbags I’ve ever had (in the days before email which shows you how long ago it happened) was for an interview in which I really did lose my temper. The audience ripped me apart afterwards and they were quite right to do so. If we invite people onto the programme we have to treat them in a civilised manner.

JH: So we’ve established that you’re not some saintly figure who always occupies the moral high ground. I suppose that’s a concession of sorts. But what I’m accusing you of goes much wider than that. Of course you have a responsibility to the audience and to the interviewee but you also have a wider responsibility. Let me suggest that when people like you treat politicians with contempt you invite us, the listeners, to do the same. And that’s bad for the whole democratic process.

JH: Once again, I agree with you. Not that we treat them with contempt, but that programmes like Today might contribute to the growing cynicism society has for politicians and the whole political process. But which would you prefer: a society in which politicians are regarded with awe and deference, or a society in which they are publicly held to account for their actions by people like me who question them when things go wrong or when we suspect they might be misleading us?

JH: Not for me to say: I’m the one who’s asking the questions this time remember! But what I’m asking you to deal with is a rather different accusation. If people like you, who’ve never been elected to so much as a seat on the local parish council, don’t show any respect to the people the nation has elected to run the country … why should anyone else?

JH: But that’s not what I’m saying. Quite the opposite. I can’t speak for my colleagues, but I have huge respect for the men and women who choose to go into politics. I hate the idea that for so many people politics has become a dirty word. Henry Kissinger once said ninety per cent of politicians give the other ten per cent a bad reputation. The wonderful American comedian Lily Tomlin put it like this: ‘Ninety-eight per cent of the adults in this country are decent, hard-working, honest Americans. It’s the other lousy two per cent who get all the publicity. But then – we elected them.’ Yes, that’s funny, but it’s wrong. One of the greatest broadcasters of the last century, Edward R. Murrow, got closer to it when he chastised politicians who complained that broadcasters had turned politics into a circus. He said the circus was already there and all the broadcasters had done was show the people that not all the performers were well trained.

JH: In other words you regard political interviewing as a branch of showbiz rather than your high-flown pretension to be serving democracy!

JH: Look, I’m not going to pretend that we don’t want our listeners to keep listening and if that means we want to make the interviews entertaining as well as informative I’m not going to apologise for that. After all, the BBC’s founder Lord Reith said nearly a century ago that its purpose was to ‘inform, educate and entertain’. But you’ll note that he made ‘entertain’ the last in that list. Ask yourself: what’s the point of doing long, worthy and boring interviews if nobody is listening?

JH: Ah … so now we get to the nub of it don’t we? It’s all about ratings!

JH: Of course it’s not ‘all about ratings’ but obviously they matter …

JH: … because the higher they are the more you can get away with charging the BBC a king’s ransom to present the programme!

JH: Ah … I wondered how long it would take you to get onto this because—

JH: I trust you’re not going to deny that you’ve been paid outrageous sums of money over the years for sitting in a comfy studio asking a few questions when somebody else has probably briefed you up to the eyeballs anyway?

JH: That’s not entirely fair is it? You know perfectly well I spent years as a reporter and foreign correspondent in some very dangerous parts of the world. And anyway are you really saying the amount a presenter gets paid shouldn’t be related to the size of his or her audience? That’s rubbish!

JH: Ooh … touchy aren’t we when it comes to your own greed! Have you forgotten it’s the licence payer who foots the bill and the vast majority of them earn a tiny percentage of what you take home?

JH: Yes, I am a bit touchy on this subject and that’s partly because for various reasons I got a bit of a bum rap when BBC salaries were first disclosed back in the summer of 2017. And anyway I volunteered several pay cuts as you well know …

JH: Yes yes yes … we all know you’re a saint but I’m afraid we’ve run out of time. John Humphrys … thank you.

JH: And thank you too. And now I’m going to tell my own story without all those impertinent questions …

A Day Like Today: Memoirs

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