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The Ramayana, second of the great Sanskrit epics, has been subjected to the same sort of revision processes as the Mahabharata. So much so that attempting to tease India’s past from such doubtful material has been likened to trying to reconstruct the history of ancient Greece from the fables of Aesop, or that of the Baghdad caliphate from The Thousand and One Nights. The Ramayana’s story is, however, simpler than the Mahabharata’s and its purpose is clearer. No one under Lord Rama’s sway would swap a king for ten harlots, let alone for a thousand slaughterhouses. For in the form we now know it, the Ramayana may be seen as ‘an epic legitimising the monarchical state’.⁸

When it took this form is uncertain. A condensed version of the story is told in the Mahabharata, but it would appear to be an interpolation. It is certainly no proof that the characters in the Ramayana preceded those in the Mahabharata. The opposite seems more probable, in that Lord Rama’s capital of Ayodhya lay astride the Uttarapatha and five hundred kilometres east of the Kuru/Pandavas’ Hastinapura. That, in its final form, the Ramayana is definitely later than the Mahabharata is shown by the prominence given to regions which are unheard of in the latter. Indeed, while the main wanderings of the exiled Pandavas seem to have been restricted to the immediate neighbourhood of the Doab, those of Lord Rama and his associates are made to extend deep into central and southern India. No doubt much of this was a gloss by later redactors, but it is still precious evidence of the continuing spread of Aryanisation during the first millennium BC. If the Mahabharata hints at the pattern of settlement in the north and west, the Ramayana continues the story eastwards.

Thus while the Mahabharata belongs to the Ganga-Jamuna Doab, the Ramayana is firmly rooted in the middle Ganga region. Rama’s Ayodhya was the capital of an important janapada called Koshala, roughly north-eastern Uttar Pradesh, which some time in mid-millennium would absorb its southern neighbour. The latter was Kashi, which is the old name for Varanasi (Benares). In a popular Buddhist version of the epic, Varanasi rather than Ayodhya actually becomes the locus of the story. And much later, in Lord Shiva’s city, in a quiet whitewashed house overlooking the Ganga and well away from the crowds thronging Dashashwamedh Ghat, the seventeenth-century poet Tulsi Das would pen for the delight of future generations the definitive Hindi version of the epic. Varanasi would make the Ramayana its own, and to this day slightly further upstream, on rolling parkland beside the ex-Maharaja of Varanasi’s palace, the annual week-long performance of the Ram Lila (a dramatised version of the epic) remains one of the greatest spectacles in India.

This suggests that whereas the Mahabharata survives in the popular imagination as a hoard of cherished but disjointed segments, like the scattered skeleton of a fossilised dinosaur, the Ramayana is still alive – indeed kicking, if one may judge by the events of the early 1990s. Casting about for an evocative issue around which to rally Hindu opinion, it was to the sanctity of Ayodhya and its supposed defilement by the presence of a mosque that fundamentalist Hindu opinion turned. Loudly invoking Lord Rama, in 1992 saffron-clad activists duly assailed the Ayodhya mosque and so plunged the proud secularism of post-Independence India into its deepest crisis of conscience.

That Ayodhya/Varanasi score higher in the sacral stakes than Hastinapura/Indraprastra may also have something to do with the different cosmic perspectives of the two epics. A clue is provided by the language of the Puranas, whose genealogies undergo an unexpected change of tense when they reach the Bharata war. From one of Sanskrit’s innumerable past tenses the verb suddenly switches to the future; in effect, subsequent generations as recorded in these genealogies are being prophesied. Given that the lists were not written down until centuries later, the succession of future descendants may be just as authentic as that of past antecedents, indeed rather more so since later names extend into historic times and can be verified from other sources. But the point that the authors of these lists were trying to register was that the great war marked a watershed in time. It was literally the end of an era. The Dvapara Yug, the ‘Third Age’ of Hindu cosmology, came to a close as Pandavas slew Kauravas in the great Bharata holocaust at Kurukshetra, ‘the field of the Kuru’; thereafter the dreaded Kali Yug, the still current ‘Black Age’, began.

Although the battle does not mark the end of the epic, the impression gained is that the Mahabharata is essentially retrospective. It celebrates a vanishing past and may be read as the swansong of an old order in which the primacy of clan kinship, and the martial ethic associated with it, is being slowly laid to rest. In the eighteen-day battle nearly all the Kauravas, plus a whole generation of Pandavas, are wiped out. Yudhisthira, ostensibly the principal victor, surveys the carnage and is overcome with remorse; the rivalry and conflicts endemic in the clan system are repudiated; with the intention of returning to the forest, Yudhisthira asks his followers to accept his abdication. Krishna will have none of it: the ruler must rule just as the warrior must fight; release depends on following one’s dharma, not indulging one’s grief. Reluctantly Yudhisthira concurs, performing the royal sacrifices of rajasuya and aswamedha. But regrets continue, and when Krishna himself dies, it is as if the last remaining pillar of the old order has been removed. All five Pandavas, plus their shared wife Draupadi, can then gratefully withdraw from public life to wander off into the Himalayas.

By way of contrast, the Ramayana may be considered as decidedly forward-looking. It opens new frontiers and it formulates a new ideal. Although nothing is said about a new era or a system of governance specifically designed for it, the implication is clear. When Rama eventually regains his capital, it is not to indulge in remorse or even to reaffirm Vedic values but to usher in a dazzling utopia of order, justice and prosperity under his personal rule. The resultant Rama-rajya (or Ram-raj in Hindi, ‘the rule of Rama’) quickly became, and is still, the Indian political ideal, invoked by countless dynasts and pledged by countless politicians, secularist as well as Hindu nationalist. Likewise Ayodhya itself would come to represent the model of a royal capital and as such would feature in many subsequent Aryanised state systems. In this guise it would travel far, making landfalls in Thailand where Ayuthia, the pre-Bangkok capital of the Thai monarchs, supposedly replicated Rama’s city, and even in central Java where the most senior sultanate is still that of Jogjakarta, or Ngajodya-karta, the first part of which is a Javanese rendering of ‘Ayodhya’.