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Cap'n Bartlet removed his hat and wiped away a steam of sweat with deliberate care and a red-barred kerchief. "Sounds natural," he observed, clearing his throat. "Though I never did make much of that 'hic' language."

"It means 'here ended the talk,' or something of the kind," explained Jeckol. "But still," he added, quite seriously, "the list isn't complete, you know. Where's your friend Albro?"

Peters rolled the white of an eye on him. "Is it your fancy," he inquired, "that the niggers run much to writin' epitaphs? Or books—?"

He held up to our gaze the object he had found on lifting the lid of the box—a packet of thin bark strips covered with coarse markings and bound with a twist of fiber which next he unknotted, to run the leaves over in his hand. "I knew he was alive," said Cap'n Bartlett simply. …

And that was the way we won to the story of James O'Shaughnessy Albro. Even now I can recall each tone and gesture of its telling, each detail of the group we made there in empty Barange village; the trader's drawl and check as he read a line or turned to Kakwe with a question or flung in some vivid comment of his own; the strained attention on Bartlet's earnest face; incredulous sniff and squint of little Jeckol, still unsubdued, fidgeting about; the statued bronze figures of our Tonga boys as they stood leaning patiently on their rifles, awaiting the master's next whim; the massed ring of the jungle; the odd, high-peaked houses with their cavernous fronts like gaping and grinning listeners; the lances of sunlight that began to splinter and fall out among lengthening shadows across the open; and through all and over all the heat and the smell and the brooding, ominous, inscrutable mystery of Papua!

Seeking wealth I found glory. I went below as an amateur diver and I came up a professional god. But I wish I could find which son of a nighthawk it was that cut my pipe. I'd excommunicate him on the altar.

This is a page from the Book of Jim Albro, and it shows him as he lived. Later entries are not so clear, not by any means so sprightly, and some are pitiful enough in all truth. It must have been set down in the early hours of his reign, while he was still in the flush of his stupendous adventure, before he had begun to understand what lay ahead. But here was the man "with an eye like a blue glass marble," that "never held his fist or his smile." No other could have written it after the events he had survived.

Just as Peters inferred to have been the case, the attack on the Timothy S. caught the whole crew of pearl hunters unready. They had seen no natives at Barange, they kept no lookout, and when Albro stepped off the ladder that morning of January 22 he left his shipmates contentedly employed on deck. He never saw any of them again, or—what might have been a different matter—any part of them. He went down to the shell bed, and while he was there the black raiders made their sweep of the schooner.

It is likely the savages took the diving lines for an extra mooring—it is certain they knew nothing whatever about the apparatus—and Albro's first warning was the cutting of that air pipe, when he found his pressure gone and water trickling through the inlet valve. Fortunately, he was just preparing to ascend and had tightened his outlet to inflate the suit. Fortunately, too, his helmet was furnished with an adjustable inlet and he was able hastily to close both valves.

He tugged at his life line, but it drew loose in his hand. He turned over on his side to look upward, but he could see nothing—only the vague blue twilight through which the slack coils of his severed air pipe came sagging. Then he knew that he had been cut off, and the hideous fear that lies in wait for every diver, amid the perils and loneliness of the sea bottom seized upon him. He might have popped to the surface by throwing off his forty-pound weights, but he was aware that no chance accident could have served him so, and his impulse was to get away, from schooner and all, to shore. Under water he had some few minutes to live, perhaps four or five, as long as the inclosed air should last him. Frantically he began to struggle toward the beach, yielding to a moment's panic that was to cost him dear. … While trying blindly to slash free the useless pipe he lost his diver's knife.

The rotten coral burst and sank under footing. Clogging weeds enwreathed and held him back with evil embrace. A tridacna spread its jaws before his steps so that he nearly plunged into the deadly springtrap of the deep. But he kept on up the slope; his keen spirit rallied and bore him through, and he came surging from the waves at last on a point of rocks outside the bay where he could cling and open the emergency cock in the helmet. The suit deflated and he breathed new life. But here he suffered his second immediate mishap, for as he scrambled to his feet a dizziness took him and he slipped and pitched forward heavily, and with a great clang of armor the god fell fainting at the very threshold of his world.

Broke left arm getting ashore. Walking the beach when I met the niggers. They dropped on their faces, and I saw I was elected.

These are the words with which Jim Albro chooses to make his note of a scene that can scarcely have had its parallel in human experience. With two dozen words, no more. You figure him there, I hope, that muffled colossus with his huge copper helm flashing red and his monstrous cyclopean eye agleam, striding along the strip of white beach against the hostile green hills of Papua. You see him break, an incredible apparition of power and majesty, upon the view of the dusky cannibal folk and stand towering over their stricken ranks, triumphant—a glimpse as through the flick of a shutter that passes and leaves the beholder dazzled and unsatisfied! But the whole record is only a series of such glimpses, some focused with startling lucidity, some clouded and confused, and all too brief.

One other bit remains to fix the picture—an inimitable splash of color, flung at the end of a perplexing page. …

I picked out the chief devil-devil doctor, and raised him to honor. Old Gum-eye. Friend of mine.

Mark the spirit of the man. Whole chapters could supply no clearer tribute to his resilience and entire adequacy. Unerringly he took the right course to enforce the rôle thus amazingly thrust upon him and to establish his godhead. Already he had caught up the situation, had put its shock behind him. The inscription on the box remains his only reference to the loss of the schooner and her crew. And while this might seem to argue a certain lack of sensibility, I cannot feel it was so with Albro. His was a nature essentially episodic, prompt to the play of circumstance. The thing was done and past crying over; the blacks had acted by their lights, and he had very swiftly to act by his. They had given him his cue. How well he filled the part we can guess. By evening he had been installed in some kind of temple or devil house as an accredited deity to the Barange tribes. …

Here ends the first part of the Book, so far as its unnumbered and fugitive entries can be arranged—the first part and the only part quite comprehensible, before the haze of distress and anxiety has dimmed our image of that strange god, whose mortality was all too real. He began its composition that same night, picking up the Snider cartridge and the bark strips while still he had some measure of liberty. Perhaps he foresaw that he would want to leave the record. Perhaps he merely sought distraction, and he had need of it.

Squatting above his own altar, he prepared his own epistle. Around his sanctuary slept a guard of devil doctors, priests, sorcerers—he uses all three terms. No sleep for Albro. But while he wrestled there alone through long hours he found the pluck to jot those early notes by the flare of a guttering torch, beguiling the pain of his broken arm and the new terror that was now rapidly closing upon him.

Like a glint of lightning from a cloud comes the following spurted item, written the next day:

Forty hours of this. Am growing weaker. My arm—[word scratched out]. Had to give up trying to start the glass in my helmet. Can't budge it. …

Soon afterward occurs another passage in the same startling altered key:

Tried to get away this [morning], but the priests too suspicious. I wanted to try smashing the glass on a rock. Likely would have burst my ear drums anyway—

And further:

If I could get hold of a knife for three minutes. Bamboo stick [part illegible here]—can't tear vulcan canvas. No use. …

When Peters read those lines aloud and looked up he confronted a sickly ring of auditors.

"Good God!" breathed Bartlet. "He couldn't get out!"

The knowledge of Albro's actual plight crashed upon us all in just that phrase, and I leave you to gauge its impact. We had had no hint of it. Here was the diary before us. We were only waiting to learn the present address of the diarist. Indeed our whole attitude toward the singular discovery we were making had been quite cheerful, even exultant, like that of children who follow the tribulations of some favorite hero, secure of the happy solution.

"Couldn't get out?" squeaked Jeckol. "How do you mean—he couldn't?"

"He was locked up in that blasted diving dress!"

"Locked up?" …

"Sewed up—sacked up," said Peters heavily. "Did you ever see the damn' stuff? He calls it canvas, which it ain't, but tanned twill—two-ply—with rubber between. He can't tear his way out with a stick, he says. And small wonder. Talk about strait-jackets!"

"But—but why doesn't he take off the helmet?"

Peters stared unseeing at the packet in his hand, and his face was saturnine.

"By Joe, what a mess!" he murmured. "What a beau-ti-ful mess! Look here—d'y' know a diver's outfit? First he wears a solid breastplate—see?—that sets about his shoulders. Then the helmet fits on that with segmental neck rings and screws hard down with a quarter turn to a catch. Aye, there's a catch to snap it home. … And where is that catch? Why at the back! No diver was ever intended to take off his own helmet!"

We could only blink at him dumbly.

"Albro couldn't reach it. Of course if he should manage to rip away the cloth from the eyelets he'd be all right—he'd simply shift the whole upper works. But them eyelets, now, they lock down all around through a vulcanized collar. He couldn't reach more'n two of them either."

"There's the glass—"

Peters offered the diary.

"What does he say himself? There's only one removable glass to a helmet and that's in front—an inch thick and screws tight in a gun-metal socket. It's guarded with a gridiron of bars—same as the two side glasses. He wants to break it, but he can't. He wants to unscrew it, but he can't. He wants to cut himself loose, but he has no knife. Do you see him—by Joe!—do you see him twistin' and writhin' and fightin' for his life in there—with one good arm?"

"Why—" cried Jeckol, in sudden appalled perception. "He couldn't even eat. He's starving inside that suit!"

"Starving?" echoed Bartlet, from colorless lips. "God—if that was all! He's dying of thirst by inches!" …

I do not know how it struck Jeckol, but it seemed to me as if a blackness came in upon the sun.

"Go on," urged Bartlet. "Go on!"

But it was not so easy to go on. Peters found whole pages of the Book impossible to decipher. At places it lapsed to a mere jumble of sprawling characters. Again the soft lead was hopelessly blurred over, where the pages had been often thumbed, or perhaps crumbled and thrown aside. He shuffled them hastily and we hung upon his search.

… uneasy god. They got me tied up now to keep me safe [words missing] joke, to pass out here like a rat under a bell jar. Not me. I don't mean to. …

Curious. When Peters resumed the thread, when he read that eloquent line, those of us who had known Jim Albro nodded solemnly, one to another, as if sharing a profound and secret thrill. For this was the man's real triumph—and we felt it then, regardless of the outcome—that alone, beyond any conceivable aid for the first time in his life, speechless, helpless, at the end of all those amiable arts which had given him his way so often with men and devils, and women, too, Jim Albro was still the Jim Albro "that you couldn't keep down."

His body was consuming and shriveling with its own heat. He had to scheme for each scant breath he drew, spreading the dress and collapsing it at short intervals to renew the foul air. He had to view the tempting tribute laid out before the altar: juicy mangoes and figs and sugar cane, wild berries and young drinking coconuts freshly opened, with the new, cool milk frothing up at the brim. He had to receive the homage of a people, and to count by the wheeling sun how many hours of torment were left him. Worse than all, he had to withstand the pitiless irony of it, the derisive grin of fate that drives men mad. He did these things, and he would not yield. He did not mean to. And lest you should think the phrase a mere flourish—observe the testimony of the Book. …

The tribes flocked in that second day to do him honor. There was a great gathering in the square. Some vivid pantomime was displayed before the high seat. Some unusual rites were enacted before the temple, when the bamboo pipes and drums were going and the doctors wore their vermilion mop wigs and masks of ceremony and chains of naked dancers were stamping and circling to the chant. Jim Albro watched and noted it all behind his solid inch of plate glass; not passively, not indifferently, but with close attention and the very liveliest interest. Aye, this god took an interest in the welfare of his people!

Heaven knows what he saw in the Papuans of Barange. By all accounts they are a plum-black race of rather superior ferocity—six feet is their medium stature and their favorite dish a human ear, nicely broiled. So the old traders report, and never an explorer has improved the description. It required some one who could sit down among them without losing his head—quite literally—to learn more. Albro filled the bill. He had nothing to do but to sit. And while he sat he busied himself with the thoughts that have made the strangest, and blindest, reading in the diary.

A prime lot of raw material. Why [do?] people always lie about niggers? Unspoiled [part illegible] the makings. Their orators told me in dumb show [words missing] behind the hills [lines missing]. … Wonderful!

Wonderful, he says. Wonderful what? Chances, perhaps. Opportunities. Possibilities. Certainly nobody else ever had such as lay before Jim Albro if he could have won free to take them, as a conqueror, as a god. Was he dreaming even then of empire? Had he had a glimpse into the meaning of Papua that struck fire to his roving and restless soul? Had he fallen enamored of the sphinx, and had she drawn the veil for him? It may be. The fact stands that, fevered and tortured as he was, burning with thirst and pain, he discovered something capable of rousing that cry from him. We hear the cry, and that is all we hear—nearly.

suppose I should take a hand at this dumb show myself. I could do it. I know I could. Am going to trust old Gum-eye. And afterward. …

Peters looked up from the last page.

"Well?" said Jeckol impatiently.

"That's the end," announced Peters.

I cannot say what the breathless group of us had been expecting. Possibly the first-hand memoir of a miracle would have satisfied us, or the harrowing confessions and last wishes of the moribund. But so natural and unfanciful a thing as a full stop to the tension left us stupefied. We felt aggrieved, too, as if the author should have postponed his business long enough to let us know whether he was dead or not.

"It can't be!" cried Jeckol, all abroad. "How could it end there? What happened to him? Where is he?"

Peters swung his gaze around the vacant clearing and the impenetrable palisade of the forest.

"This was written three months ago, remember," he said.

"But he had a plan," insisted Jeckol. "He surely had a plan. He says he was going to do something. He'd found a friend he could trust. What next?"

"That friend must ha' failed him."

Cap'n Bartlet shook himself like one awaking. "No friend would have failed him," he said deliberately. "And—you're forgetting that ship boy again."

Once more, with a rattled oath, Peters pounced on the unfortunate Kakwe, quailing beside him. Once more he brought to bear the persuasion he best knew how to use; and once more the black boy submitted, wholly, and showed. He had nothing to tell. He could throw no light on events. But he had seen from the trees where the "white fella mahrster him diver" forgathered with all the fiends of the pit, whereat he was "too much fright," and he showed us this time up the platform of the identical wide-thatched house by which we had been standing. We crept in through the low entrance and across a floor of sagging bamboo mats and found ourselves before a curtain of pandanus that hung midway. We were long past astonishment, but Jeckol, arresting a gesture, dropped his hand.

"I daren't," he whimpered.

It was Bartlet who put the curtain aside. And there, in the twilight of the place, we saw the god as he had appeared in his recent earthly phase. His great copper head gleamed at the back of a shallow niche, made fast against the wall. The muffled, stiff clumsiness of his diving dress revealed a heroic figure, still disposed in the attitude of a sitting Buddha, with the leaden-soled diving shoes thrust out by either knee. His single huge eye glared down at us balefully from over the altar as we stood, overwhelmed in the presence. "And so he did—pass out," said Jeckol.

Something had caught the quick eye of Peters. Horrified, we saw him step forward and lay a vigorous and sacrilegious hold on that high divinity, saw the shape start and tremble as with life, saw it shake and flutter like a bundle of rags in the wind, and flap—emptily. …

"Yes," said Peters. "He's passed out, right enough. Leastways from here. Passed out, and on. And quite easy too. Look at these slits—would you?"

The diving suit had been laid open like a stripped pelt with long cuts of a keen blade, one down the middle of the back, one across the shoulders, and others connected along the inside of each limb to the wrists and ankles.

"Gone!"

"Gone," confirmed Peters. "Whether the niggers dug him from it piece by piece like the kernel from a nut or whether that friend of his helped him to shed complete—you can take your choice. In either case he's gone—and gone this time to stay."

"There's no—no blood!" gasped Jeckol. "Anyhow!"

Cap'n Bartlet had removed his hat to polish his shiny forehead with the colorful kerchief, and he was looking out of the door over the tops of the trees to the far blue and nameless mountains of Papua, with an eye at peace.

"You could always bank on the luck of James O'Shaughnessy Albro," he said simply. "I knew he was alive."

But Jeckol was still reeling.

"I shan't write this yarn," he assured us earnestly.

"It's too—it's too—and besides, there's no end to it." …

"Hic finis fandi," suggested Peters.

Where the Pavement Ends

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