Читать книгу The Beaufort Sisters - Jon Cleary, Jon Cleary - Страница 7

Ward Parkway runs south out of Kansas City and is lined with some of the more magnificent homes in the nation. There is no consistency of style, unless conspicuous expenditure of money is in itself a style. French Regency, English Tudor, Southern Colonial: the great-granddaughter of Scarlett O’Hara waves across the manicured lawns to a blue-rinsed Elizabeth R of Missouri. Yet even though the homes are symbols of the wealth of their owners, vulgarity, like the weeds in the expensive lawns, is not allowed to flourish. Reticence, if such a trait is possible in a $500,000 mansion set back only yards from a busy thoroughfare, is looked upon as desirable as being white, Protestant and Republican. Some Catholic Democrats managed to settle along the Parkway, most notably the political boss Tom Pendergast, but they appear to have done little to change the ideas of the majority as to what is right and proper for such an address. When a Catholic President moved into the White House, black crêpe was observed hanging in the windows of one or two of the older mansions. It is only fair to add that they did not hang crêpe in their windows when President Nixon moved out of the White House.

The original Beaufort house had been one of the first to be built along the Parkway. Thaddeus Beaufort, the founder of the family fortune, built the house as he had built his wealth: solidly, conservatively and to last. The architect, made light-headed by the commission, had mixed his design but somehow avoided vulgarity; the mansion was an amalgam of English Elizabethan manor house and French chateau, without the libidinous air of either. The property had once taken up fifty acres of a whole block and had been known as Beaufort Park; a private park which the public hoi-polloi could only admire through the spiked iron-railing fence surrounding it. Peacocks, avian, not human, had strutted the lawns; Thaddeus, walking the paths of his estate every evening summer and winter, had always worn black. His wife Lucy wore only mauve; walking together, they offered no competition to the peacocks. Sunday afternoons the hoi-polloi would stand outside the iron railings and whistle at both the peacocks and the Beauforts, but got no recognition from either. Late in life Lucy bore her only child, Lucas, and he too was dressed in dark clothes as he grew out of babyhood. Walking their rounds, the father, mother and small boy looked like a tiny funeral cortège trying to find a graveside ceremony.

Lucas grew up to marry Edith Pye, whose father was one of the principal stockholders in the Kansas City Railroad and who also owned half of Johnson County just over the State line in Kansas. When Thaddeus and Lucy died within six months of each other, in 1923, they left Lucas $220 million, which, with what Edith had inherited from her parents, made Lucas and Edith the richest couple in Missouri; all that in a day when income tax, compared to what was to come, was no more unbearable than an attack of hives. Lucas and Edith’s money continued to grow since, as any Wall Street farmer will tell you, there is no fertilizer better for growing money than other money.

The Beauforts had never been as ostentatious in the display of their wealth as the rich in the East: the caliphs of New York and Newport had had a barbarous bad taste that had both frightened and offended Thaddeus. His granddaughters had inherited his discretion, to a degree; it was foolish to be too reclusive about one’s money, because that only aroused the suspicions of the tax men. Part of the land had been sold off, but the estate still covered just over twenty acres. Nina occupied the original big house and beside it, on the northern side of a private street, three other mansions, slightly less grand but still formidable, housed the other sisters. The peacocks had gone and so had most of the fifty servants and gardeners who had once worked on the estate. But no strangers, passing by the empty lawns, would have mistaken the houses for empty museums or institutions. The Beaufort sisters, even when not visible, had their own vibrancy.

The Rolls-Royce pulled in through the big gates that still provided the main access to the estate. The uniformed security guard saluted Nina; as a child she had been saluted, less formally, by the guard’s father. The car went up the curving drive, past the big maples and the bright blaze of azaleas, and pulled up in front of the big main house. Nina got out, said a short thanks to George, went inside and straight up to the main bedroom that looked out towards the gates.

She took off her dress and lay down on the wide double bed. Even in the years between her marriages, here at home and in the houses she had rented abroad, she had always slept in a double bed. As if the sleeping place beside her would, inevitably, once again be filled. As it had been, and happily, for the past three years.

She had been lying there an hour when she heard the car coming up the drive.

Downstairs George Biff, who doubled as butler on the latter’s day off, alerted by the security guard on the intercom, went to the front door and opened it as the tall blond young man got out of the red compact and came up the steps.

Nina slipped on a robe and went out on to the gallery above the curving staircase. ‘What is it, George?’

George looked up in surprise: his mistress normally never came asking who was at her door. ‘A Mr Harvest to see you, Miz Nina. He don’t say why he want to see you.’

‘Why do you want to see me, young man?’

Harvest licked his lips, a hint of nervousness that one would not have expected in him. ‘Miss Beaufort – ’ His voice was tight; he cleared his throat. ‘I believe I am your son Michael.’