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No man was ever more written of or talked about in America than Henry Irving; probably no man was ever more misrepresented as to his art and his life. A monster, according to his enemies; an angel, if you took the verdict of his friends; he was a mystery to untravelled American journalists, and an enigma to the great play-going public of the American cities. They were told that people either loved or hated him at first sight. American tourists even carried home contradictory reports of him, though the majority were enthusiastic in praise of him as an actor and as a man. The American newspaper correspondent is naturally a trifle more sensational in the style of his work than his English colleague, because his editor favors graphic writing, entertaining chronicles, picturesque descriptions. Then the sub-editor or compiler of news from the foreign exchanges looks out for “English personals,” gossip about the Queen, notes on the Prince of Wales, out-of-the-way criticisms of actors and public persons of all classes; and so every outre thing that has been published about Irving in England has found its way into the ubiquitous press of America. Added to this publicity, private correspondence has also dealt largely with him, his work, his manners, his habits; for every American who travels writes letters home to his family and often to his local paper, and many English people who have visited America keep up a pleasant epistolary communication with their good friends in the New World.

Henry Irving's Impressions of America

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