Читать книгу The Vanishing Race: The Last Great Indian Council - Joseph K. Dixon - Страница 5

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We are exchanging salutations with the uncalendared ages of the red man. We are measuring footsteps with moccasined feet whose trail leads along the receding sands of the western ocean. A bit of red colour set in immemorial time, now a silent sentinel, weeping unshed tears with eyes peering into a pitiless desert.

Life without humour is intolerable. The life of the Indian has been a series of long and bitter tragedies. There is a look in his face of bronze that frightens us, a tone lights up the gamut of his voice that makes it unlike any other voice we have ever heard—a voice that will echo in the tomb of time—a Spartan courage that shall be regnant a millennium beyond the Thermopylæ of his race.

We have come to the day of audit. Annihilation is not a cheerful word, but it is coined from the alphabet of Indian life and heralds the infinite pathos of a vanishing race. We are at the end of historical origins. The impression is profound.

A vision of the past and future confronts us. What we see is more wonderful than a view the points of which can be [pg 4] easily determined. We behold a dead sea of men under the empty and silent morning, a hollow land into which have flowed thousands upon thousands—at last the echo of a child's cry. The door of the Indian's yesterdays opens to a new world—a world unpeopled with red men, but whose population fills the sky, the plains, with sad and spectre-like memories—with the flutter of unseen eagle pinions. A land without the tall and sombre figure worshipping the Great Mystery; without suns and snows and storms—without the scars of battle, swinging war club, and flashing arrow—a strange, weird world, holding an unconquered race, vanquished before the ruthless tread of superior forces—we call them the agents of civilization. Forces that have in cruel fashion borne down upon the Indian until he had to give up all that was his and all that was dear to him—to make himself over or die. He would not yield. He died. He would not receive his salvation by surrender; rather would he choose oblivion, unknown darkness—the melting fires of extermination. It is hard to think this virile, untamed creation has been swept like hurrying leaves by angry autumn gusts across the sunlit plains into a night without a star.

The white is the conquering race, but every-whither there is a cry in the heart to delve into the mystery of these ancient [pg 5] forerunners. This type of colour holds the eye, rivets and absorbs the interest.

Men are fast coming to recognize the high claim of a moral obligation to study the yesterdays of this imperial and imperious race. The preservation of this record in abiding form is all the more significant because all serious students of Indian life and lore are deeply convinced of the insistent fact that the Indian, as a race, is fast losing its typical characters and is soon destined to pass completely away. So rapidly are the remaining Western tribes putting aside their native customs and costumes, their modes of life and ceremonies, that we belong to the last generation that will be granted the supreme privilege of studying the Indian in anything like his native state. The buffalo has gone from the continent, and now the Indian is following the deserted buffalo trail. All future students and historians, all ethnological researches must turn to the pictures now made and the pages now written for the study of a great race.

It is little short of solemn justice to these vanishing red men that students, explorers, artists, poets, men of letters, genius, generosity, and industry, strive to make known to future generations what manner of men and women were these whom we have displaced and despoiled. [pg 6] Indisputable figures, the result of more than five years of painstaking research on the part of the Bureau of Ethnology at Washington, place the decrease of Indian population in the United Sates, north of Mexico, since the coming of the white man, at 65 per cent. They have gone from the forests and plains, from the hills and valleys over which they roamed and reigned for uncounted ages. We have taken their land, blotted out their faith and despoiled their philosophy. It has been the utter extinction of a whole type of humanity. The conquering Anglo-Saxon speech has swept out of existence over a thousand distinct languages. These original Americans Deserve a Monument. They have moved majestically down the pathway of the ages, but it culminates in the dead march of Saul.

The record of the North American Indian has naught to do with the tabulation of statistics, the musty folios of custom reports, the conquests of commerce. He has never walked up to the gates of the city and asked entrance to its portals, nor subscribed himself as a contestant in the arena of finance. He has had no share in the lofty ideals of statecraft, nor the spotless ermine of the judiciary. He lived and moved and had his being in the sanctuary of the hills, the high altar-stairs of the mountains, the sublime silences of the stately pines—where birds sung their matins and the “stars became tapers tall”; where the zitkadanto—the blue bird—uttered [pg 7] its ravishing notes. He sought the kat-yi-mo—the “enchanted mesa”—as the place of prayer, the hour in which to register his oath. On the wide extended plain, rolling green, like the billows of the ocean, he listened for wana'gipi tah'upahupi—“the wings of the spirits.” In wana'gi ta'canku—the milky way—he saw the footprints of departed warriors. His moccasined feet penetrated wa-koniya—“the place where water is born”—the springs that gushed forth to give life, and refreshing to all the earth. Canhotka ska—the “white frost”—became the priest's robe as he petitioned at the sacrament of winter. The universe to him became a sounding-board of every emotion that thrilled his being. He found in its phenomena an answer to his longings and the high expression of every fervour of his soul. We cannot understand this, because the Indian chased the ethereal, the weird, the sublime, the mysterious: we chase the dollar. He heard the voice of nature; we listen for the cuckoo clock of commerce.

The Sacrament of Winter

The camera, the brush, and the chisel have made us familiar with his plumed and hairy crests, but what of the deep fountains of his inner life? What did he think? How did he feel? What riotous impulses, or communion with the Great Mystery, carved his face of bronze? These no scientist, no discoverer, no leader of expeditions have ever borne into the [pg 8] light. No footprints along the trail can spell out for us his majestic mien, his stolid dignity, his triumphant courage, his inscrutable self-poise, and all of these dyed with a blood-red struggle for survival such as crowns no other page of American history.

To gain this close measure of the Indian mind, his friendship and confidence must not suffer eclipse. It is a superlative task, for the inner Indian shrine is crossed by only a favoured few. The Indian is averse to being photographed, for he feels that every picture made of himself by so much shortens his life. He looks at his portrait, then feels of his person; he realizes that he has not lost a hand or a foot, but feels most profoundly that his soul will be that much smaller in the future world. His medicine is sacred, and you may not interrupt the daily tenure of his life without destroying some ceremonial purpose. It is meaningful, therefore, that these red men allowed us daily communion. This story is then simply instinct with the Indian's inner self: how we sat with him in his wigwam, and amid his native haunts, surrounded by every element of the wild life we were to commemorate; how his confidence was gained, and he was led to put aside his war-shirt and eagle feathers, and pull in twain the veil of his superstitious and unexplained reserve and give to the world what the world so much [pg 9] craves to know—what the Indian thinks and how he feels.

Memorable hours these under clear Montana skies, or at the midnight hour by the dim campfire light, the rain beating its tattoo on the tepee above our heads—surrounded by an army of shining tepees, like white ghosts of the plains, while these pathetic figures told the story of their lives. The warrior of other days gave himself up to mirthful tale, to boyhood's transports, to manhood's achievements, to the wild chase of the hunter, to the weaponry and woes of savage warfare, to the hallowed scenes of home life, to the primitive government of the tribe, and the busy and engaging activities of the camp; finally, to the royalty of the Great Council, when the chiefs assembled in solemn conclave to hold communion, to say a long and last farewell.

The Lone Tepee

Months of arduous labour were spent in the effort to make a comprehensive and permanent record of an old-time Indian council. For this purpose eminent Indian chiefs were assembled in the Valley of the Little Big Horn in Montana, from nearly every Indian tribe in the United States. This council involved permission and unstinted aid from the Bureau of Indian Affairs at Washington, the cooperation of the Indian superintendents on all the reservations; the selection of the most distinguished chiefs—chiefs eminent for ability [pg 10] and honourable achievement among their tribes. The council involved the necessity of interpreters from each tribe, for they could only talk in the sign language. It involved the construction of a primitive council lodge along the lines of history and tradition, and again, the reproduction of primitive customs and traditions, both in paraphernalia, costume, and conduct.

These imprints are the trail marks left by this Great Council of Chiefs—the last Great Indian Council that will ever be held on American soil. The story most faithfully records the idiom and phrasing and atmosphere of the Indian's speech as it came from Indian lips. The language of the landscape where the Indian made his home, where he fought his battles and lived his life, where this solemn council was held, is manifest in the accompanying photogravures. On the Indian trail, we may note as a hint of the many, a few of his imprints.

Singing to the Spirits