Cedric Robinson
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Оглавление
Joshua Myers. Cedric Robinson
CONTENTS
Guide
List of Illustrations
Pages
Black Lives series
Cedric Robinson. The Time of the Black Radical Tradition
Acknowledgments
Introduction: Cedric’s Time
Notes
1 All Around Him
I can die, but I won’t work
Responsibilities of a community
Notes
2 The Town and Gown
It is something to be Black
He said such wise things
You both make a truth
Black dignity could be achieved
A tremendous effect to be in Africa
When you introduced me to the Crawfords
Notes
3 Authority and Order
I can fight with my own tools
Elizabeth
He made the correct choice
Realizing ourselves
Notes
4 Beyond Racial Capitalism
We must in fact be different
He never had to be
We are strangers
None was immune
Notes
5 The Making of the Black Radical Tradition
Mosquitoes
Unhappy legacies
We will be Black
Truer genius
Choose wisely
Notes
6 Culture and War
They knew that he was authentic
Info-tech wars
Toward fascism?
A vision of the future
The closed text has been ruptured
Notes
Conclusion: I Am You
The appropriation of Cedric Robinson
Notes
Index. A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
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Отрывок из книги
Elvira Basevich, W. E. B. Du Bois
Utz McKnight, Frances E. W. Harper
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Those signs of the collapsing world that occasioned the words and vantage point in 1983 have been exacerbated, as the “racial regimes” that Cedric wrote of in 2007 are constantly updating themselves, as they must if they are to continue.27 Globally, the racist foundations of capitalism are evident; these “native racisms,” responsible for death on a massive scale, have produced a moment where simply saying “Black lives matter” becomes an attempt to stave off the disavowal of Black humanity. And even such declarations are met with further utterances of contempt. Underneath those utterances are affirmations of the modes of living and the temporal and spatial constructs that have generated a newly energized racial capitalism that is supported and reified by a white nationalist consciousness where everyone is vulnerable, every day. One could easily identify the election of the forty-fifth US president and the subsequent right-wing and fascist efflorescence, the turmoil in Europe, Africa, South and Central America around migration, permanent war, the global pandemic, and the increasing fears around human planetary existence as realities that make the current moment a prime one for an initial engagement or reassessment of Cedric’s work. And they would be correct. But western time has always produced the urgency we feel. It has never not been this late, this dark.
Black people, as Christina Sharpe has written, live in the wake of immanent and imminent death, which in the conception of western time is the erasure of life. We need Cedric Robinson’s work, then, for it reminds us that there are ways of inhabiting these conditions and finding ways not to be reduced to them; or, in Sharpe’s words, we need to find solace in “tracking the ways we resist, rupture, and disrupt that immanence and imminence.”28 We need Cedric Robinson’s work because what we need in this moment are better ways of seeing and marking the limits of a conceptual project that renders so many of those who have been marked for death as having no rhythms of human action to speak of, who have been prevented from offering what they know about (an)other time.
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