Читать книгу The One Before - Juan José Saer - Страница 24

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Friends

Angel Leto, an old friend of Barco and Tomatis’s whom they hadn’t heard from in years, was alone in a house waiting for the appointed moment to kill a man. It was a winter morning, green and rainy, and Leto, who had just gotten up, came from the kitchen through the semidarkness of the hallway into the light of the living room, carrying with him a cup of coffee. If he followed through with the plan, by the next day at half past eight in the morning the man would already be dead and Leto would be back in the house where Tomatis’s books were carefully lined up on the bookshelf, gathering dust while their owner spent the summer in Europe.

It was, in fact, Tomatis’s apartment, to which Barco had given him the keys two days earlier. Barco had found Leto in his kitchen, on another rainy morning, and had given him the keys, neither put out nor surprised even though it had been nearly eight years since the last time he had seen him. And, as Leto thought that very night, in bed, as he flipped through Tomatis’s originals with pleasure and credulity, smoking a cigarette by lamplight against the monotonous background of the June rain that enveloped the night like a cocoon, if Barco didn’t yet know exactly what he was up to in the city, within two or three days, if he read the papers, he would be sure to figure it out.

And now Leto, in his second morning at Tomatis’s place, walked to the living room from the kitchen, through the dark hall, with the white cup on the white saucer balanced on the palm of his hand. He sat down, placing the cup carefully on the table, and set about reading one of Tomatis’s manuscripts held in a green folder upon which Tomatis had printed, in red ink, a word Leto didn’t know: PARANATELLON. On the first page inside the folder there were three words printed all in capital letters, one after the other, separated by several spaces, in the following order:

PARANATELLON

PARANATELLERS

OR

PARNASUS

And farther down an inscription in lowercase:

An annotated anthology of the coast

A bit later, when the last sip of coffee at the bottom of the cup had gone cold, Leto lifted his eyes from the typed pages, and, leaning the nape of his neck on the backrest of the chair and contemplating the ceiling, he began to think of the man he was going to kill. The man who had been the object of his every action these past several months could not hold his attention for long, because his thoughts soon wandered to considering death in general. His first thought was that, for all that he might riddle this man’s body with bullets, as he fully intended to do, he would never manage to completely rid the world of him. The man deserved to die: he was a union leader who had betrayed his class and whom Leto’s group held responsible for several assassinations. But, thought Leto, as if his ideas emanated from the grayish emptiness that extended between the lamp and the ceiling, killing him would only take him out of immediate action, not out of reality.

And Leto remembered when he was eighteen and a friend of his age had died after an operation. Now that he was thirty-three, it seemed that, after fifteen years, time had lost its fearsome character and his dead friend remained as present in the world as he himself, independent from his memories and authority. What comes into the world, Leto thought, can never go out again. The infinitude of stars would remain, whether they liked it or not, wandering around with us inside them. And, like a bird that eats its own eggs, time went on erasing events as they unfolded, leaving nothing to human life but its indeterminate presence, a kind of clot of solidarity that kept reducing and encrusting itself in some imprecise point in the infinite, and from which every individual, as a just consequence of his mortal condition, formed a part. This clot, thought Leto, was of a singular quality: it could never be erased. Its presence had produced an irreversible alteration, redeeming the universe from pure ostentation; after its appearance, nothing would continue as before, and death—the death of his friend, the death of the man he was going to kill, his own death—was an insignificant accident.

No one can be killed, Leto thought, except one’s friends, but one cannot even kill them, because it is impossible to kill what is immortal.

The One Before

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