Читать книгу The Element Encyclopedia of 1000 Spells: A Concise Reference Book for the Magical Arts - Judika Illes - Страница 6

The image is so familiar as to qualify as an archetype. It appears in countless movies, television shows, and theatrical productions. If you’re of a literary bent, you’ll find it in countless novels, too. Although there may be variations on the theme, the core image remains consistent: someone, usually but not always a witch or wizard, faced with a serious dilemma, reaches for a massive book of magic spells.

The contents of this book are rarely displayed. (An exception occurs on the television series, Sabrina the Teenage Witch. As befitting a twenty-first-century witch, Sabrina’s edition is interactive.) Oversized, well-worn, and clearly used, this book is obviously no coffee-table book but a familiar companion—in every sense of the word “familiar.” Sabrina’s book makes almost as many appearances as her black cat, and consistently proves more reliable.

The book’s very presence transmits subliminal messages. If there were previously any doubts regarding someone’s identity, then the act of reaching for the book, mere possession of this book in fact, is usually sufficient to establish occult credentials. Consider depictions of Merlin or Morgan le Fay: their big books of spells are as much a part and parcel of their magical trappings as any animal familiar, crystal ball, or wizard’s robes. Millions of kitschy statues feature an elderly gray-bearded man clutching a massive book. He may or may not be wearing his peaked wizard’s hat but his identity is clear. How do we know he’s a wizard? By the book that he holds.

This book thus signals that its reader is a metaphysician or is striving to be one. If the reader handles the book with comfort and ease, the implication is that he or she is a person of power. The book, however, can also compensate for the reader’s very lack of experience and knowledge. One frequent variation on the theme depicts a complete novice discovering sophisticated magical solutions within the book’s pages. Typically the novice is in way over his head in disaster. The very appearance of the book signals that salvation is at hand: the secrets of salvation are contained within the book’s pages, if only the novice will follow its directions. (Conversely, Mickey Mouse’s inability to use such a book for anything other than a flotation device in The Sorcerer’s Apprentice only underscores his magical ineptitude and general incompetence.)

This spell book thus possesses transformative powers. It can transform anyone (well, Mickey excepted) into a magical adept. Its aged, well-worn appearance also indicates that this book is timeless: it never outlives its usefulness.

This archetypal book is based on both fact and fantasy.

Collections of spells rank among Earth’s earliest written documents. Not only are magical texts among the oldest surviving pieces of literature, but many scholars and anthropologists suggest that it was the need to record spells and divination results that stimulated the very birth of writing. Magic, as we will see, is the true mother of invention. In ancient Egypt, the lunar god Thoth is credited as the inventor of both magic and writing. He is the patron of scribes and magicians. It was rumored that in addition to inventing the systems of spelling and writing, Thoth created the very first book, authoring no less than a sacred revelation of Earth’s most powerful secret spells and rituals. The legendary Book of Thoth was believed to hold the key to all the secrets of the universe. To possess a copy of the book enabled one to command and control destiny itself.

The ancient Egyptians loved stories featuring books of power. Several of their legends remain to us, including the original version of Walt Disney’s The Sorcerer’s Apprentice. Egypt, at the time, was a theocracy: religion and government were one. The reigning pharaoh was simultaneously the child of the god, the living embodiment of the god, and the god’s foremost high priest, and vast temple complexes, financed by the state, contained literary annexes known as Houses of Life.

These combination scriptoria/emergency clinics housed wizard priests, on the government payroll. For a fee, these professional magicians would consult their extensive library of magic texts to provide their clientele with enchanted solutions to life’s many dilemmas. Perhaps, legend had it, the Book of Thoth was hidden in the depths of one of these magic libraries. Perhaps it was stashed in some priest or pharaoh’s tomb. Or perhaps it was eventually deemed so dangerous that, too powerful to destroy, the book had been locked into a chained, weighted iron box and thrown into the depths of the sea.

Access to occult knowledge bestowed power and prestige. The magical texts were hoarded and kept secret. Many were written in code, to prevent profane eyes from understanding what was read.

A few centuries before the dawning of the Common Era, the independent Egyptian nation was defeated, first by the Persians, then by the Greeks and Romans. Indigenous Egyptian religion and political structure degenerated. The Houses of Life were abandoned; the lucrative, respected profession of government-employed wizard-priest no longer existed. It was the last time in history that working with magic was a secure, respectable profession.

Although the profession ceased to exist, the big spell books survived, at least in fragments. It’s difficult for modern readers, so accustomed to printed, standardized texts, to recall that until the invention of the printing press, every book was hand-written and frequently unbound. Copies of copies of copies were made, each perhaps slightly different than the next. In the chaos that ensued as Egypt was successively conquered, individual pages were either smuggled out of the now unguarded temple libraries as personal treasures or auctioned off, page-by-page, papyrus-by-papyrus for personal profit. When Alexandria’s famed library, which boasted a copy of every book then in existence (the city stole them from arriving ships), was burned to the ground, the value of the few surviving manuscripts increased.

With the rise of Christianity, magic, together with its texts and professionals, was vilified. Spell books were burned en masse. Yet some were saved, if not whole books, then individual pages and pieces. We know this to be true, because some still remain, their spells reproduced in many books including this one, preserved at great personal risk throughout the ages, during eras when possession of magical texts warranted the death penalty.

These treasured pages survived, secretly passed between adepts and initiates, as did legends of mysterious books of power just waiting to be recovered. The Book of Thoth is one but there were others: The Book of Raziel is a rival with Thoth’s book for the title of first book ever. Another book of spells and rituals, The Book of Raziel was allegedly written by a sympathetic angel and given to Adam to compensate for his exile from Eden. Rumors regarding the existence of magical manuscripts attributed to Israel’s wizard king, Solomon, were first recorded, at least as far as we know, during the time of Josephus, the first-century chronicler of the Roman conquest of Judea. Fragments of Solomon’s pages were allegedly discovered and exist today. Treasure hunters searched desperately for these manuscripts, just like Sidney Greenstreet looking for the Maltese falcon.

In the fourteenth century, a large group of nomadic people arrived in Europe from parts unknown. Although the Romany people derive originally from India, another land steeped in magical and spiritual legend, they may or may not also have spent considerable time in Egypt. (According to some Romany legends, their ancestor was the sole survivor of Pharaoh’s army, drowned in the Red Sea.) The association with Egypt was powerful enough and appealing enough that Europeans called the Romany Egyptians, the name eventually being corrupted into Gypsies.

At the same time as the arrival of the Romany, a deck of mysterious cards began to circulate through Europe. Rumors spread that these tarot cards were what was left of the Book of Thoth. Readers scoured them searching for spiritual secrets and clues for obtaining personal power.

With the advent of the printing press came publication and standardization of spell books. Enough were published to warrant their own literary category, the grimoire. The word, “grimoire,” defined as a book of spells, is related to grammar. The grimoire is basically another type of grammar book, just teaching different spelling skills. The classic grimoires were published in the midst of anti-magic, anti-witchcraft persecutions and, like alchemists’ texts, they are often heavily coded to protect authors, compilers, and publishers, and also to maintain secrecy and control over their precious information, reserving true comprehension for a private club of initiated adepts.

On the whole, grimoires are not books of practical magic. The novice cannot pick one up and instantly begin casting life-saving spells. Instead they are largely oriented toward an educated male reader so devoted to his spiritual path that he has largely withdrawn from everyday life, like Dr. Faust, and can thus spend weeks in complex, tortuous preparation for summoning angels and demons.

Other books of magic circulated through Europe. These were still hand-written rather than printed editions. Books of Shadows meticulously recorded an individual witch’s personal spells and knowledge. These books were intended to be passed from person to person, and were a means of saving persecuted traditions from complete eradication. Few of these books remain. When a witch was caught, convicted, and killed, her Book of Shadows was inevitably destroyed with her. Modern Wicca has, however, revived the tradition of beautiful, lovingly preserved personal spell and ritual books.

Neither the Books of Shadows, nor the classic grimoires fulfill the Hollywood fantasy of that large, accessible book packed with every spell you might possibly need. One mustn’t mock that vision: we long for magical solutions to insoluble situations. We crave the inherent promise of the hidden Book of Thoth. We long to discover that one word of power strong enough to stop the sun in its tracks if we utter it, potent enough to vanquish our enemies, fill our bank accounts, and deliver our true love.

Perhaps somewhere, someday, in some archeological dig, that Book of Thoth will be found.

Until then, here is The Element Encyclopedia of 1000 Spells. There’s practical magic, high ritual magic, spells requiring virtually no preparation, and spells that should perhaps never be performed. No secret code has been applied; instead there are explanations so that you understand how and why the spells should work.

Be forewarned: in these pages you will discover methods of communicating with the dead, taming an errant lover, summoning spirits, handcrafting magic tools, and tips for creating magic mirrors and rings—including the one that allegedly gave Helen of Troy her seductive power. I will tell you up-front, however, this book does not contain that sole word of power, guaranteed to stop the sun and fulfill your every desire.

Perhaps one day you will find the volume that contains that one word, although the ancient Egyptians warned that in order to attain it you might have to break into a pyramid and wager with its guardian mummy, or else make the sea roll back in order to find the manuscript locked in the iron box and guarded by an army of many-headed venomous sea snakes. In the meantime, enjoy The Element Encyclopedia of 1000 Spells.