Читать книгу Flying Leap - Judy Budnitz - Страница 13

Versatile cotton and linen separates for the girl on the go.

I’ve decided to take a vacation. Someplace exotic and warm and far away. The sort of place you read about in books and see in movies where the colors are supersaturated and the focus crystal clear. Impossible fairy-tale things can happen in a place like that. I want to walk through the movie screen, enter another world through the portal of the metal detector in the airport.

I board the plane behind a troop of Girl Scouts. Their uniforms are flashy as those of dictators in South American countries. Berets and sashes, tassels on their kneesocks, pins and badges and patches for campouts and cookie sales. Handbooks, bubble gum, first-aid kits. They are fully equipped. They walk in jangling pairs—the buddy system. One girl has glasses. One has her hair done up in a mass of fantastic little braids. One looks retarded, with sleepy eyes and a drooping lower lip. Her partner drags her along by the hand.

I sit down next to a puffy man with a tight collar and sweating face. The Girl Scouts troop past. People bustle about, stowing baggage in the overhead compartments. Most of the bags are made of soft meaty-looking leather.

The seats on the plane seem unusually small and close. My neighbor and I battle silently for the armrest, both of us trying to force off the other’s elbow while seeming oblivious. The stewardesses recite the safety features in a familiar litany. The plane takes off. The pilot reassures us over the intercom that everything is normal—the weather is good; the sky is clear.

The man in the seat next to mine says he is a shoe salesman, just returning from a shoe convention. “You wouldn’t believe,” he says, “the synthetics they have now. I’ve seen stuff that looks like leather, smells like leather”—he raises his hands, widens his eyes—”pure synthetics. Incredible.”

“Yes,” I say. The stewardess approaches, trundling her beverage cart. The shoe salesman offers to buy me a drink. I say no thanks, but he requests two Bloody Marys anyway. “If you don’t drink it, I will,” he says.

I hear the crackle of cellophane, the crunch of peanuts all through the cabin.

“What’s your address?” the shoe man says. “I’ll send you some free shoes.”

“No thanks,” I say.

“No, really. I can send you some samples. What size do you wear?” A quick glance down. “Seven and a half, isn’t that right?”

“That’s right.”

“You know, you have nice feet. Nice thin ankles. You know what I always say—you gotta stay away from a woman if she’s got thick ankles. Even if the rest of her is thin. A woman with thick ankles is doomed. Over the years, or maybe overnight, you never know, that thickness will start creeping up her legs, puffing them up, then her thighs and hips and stomach, and eventually it reaches your neck and fats up your face. I mean, not your face—like I said, you have nice thin ankles, so there’s nothing to worry about.” The back of his hand brushes my arm.

“Thank God,” I say.

The plane suddenly swerves and plunges sickeningly; there is a confusion of running figures, a struggle, raised voices, a stewardess shriek. Three figures stand in the front of the cabin, hoods covering their faces. Each holds a gun so ridiculously large, it doesn’t look real. The plane veers over an edge into a realm of impossibility, of bad movies, tasteless jokes, the evening news.

The tallest one says, “This plane is being hijacked. Please stay seated and remain calm.”

Instantly all the passengers stand up and move into the aisles. Voices rise to a shrill pitch. People fumble about, push at one another. It seems they are not trying to escape; instead, they are all trying to retrieve their carry-on luggage. Then they sink into their seats, clutching their suitcases for comfort. Some, I think, are sucking their thumbs.

My head is ringing. I am in denial. I am thinking, No, this can’t be happening; this sort of thing never happens to me; it is some kind of joke, a silly dream. I look out the window, and I’m aware, as never before, of the emptiness of the sky, and our incredible distance from the earth. The shoe salesman tries to rise; he bucks and kicks, panting, nearly weeping, before he remembers to unfasten his seat belt. He finds his case of shoe samples and cradles it in his lap. He remembers the Bloody Marys and gulps them down.

The tallest hijacker retreats to the cockpit, to talk to the pilot (or perhaps he is the pilot? Their voices seem suspiciously similar), while the other two watch the cabin as the hubbub subsides. Then the shortest hijacker gestures to one of the stewardesses with his gun. It is the blond stewardess, naturally. He leads her into the lavatory in the front of the plane. The cabin grows silent; we listen to the thuds and screams as he ravishes her, in the tiny room hardly large enough for one. They soon emerge, the stewardess rumpled and weeping, the hijacker, in spite of the hood, undeniably smiling.

Now it is the middle-sized hijacker’s turn. He looks over the stewardesses, then begins walking up the aisle, eyeing passengers. It is silent except for the humming of engines, the sound of his slow steps. He approaches; I watch his scuffed boots. He is almost past me when I remember the Girl Scouts sitting near the back of the plane. Pretty braids, skinny legs. Lips scented with cherry lip gloss. The retarded one. I raise my hand like a schoolgirl, then undo my seat belt. It slides down my thighs and I stand up. He turns his head and gives me a nod.

We walk together down the aisle. He in his black executioner’s hood, I in my white linen suit crumpled from sitting. We walk with a slow, measured step. I stare at the passengers as I pass, but the women look away, breathing small guilty sighs of relief.

To the back of the plane we go, then through a secret door and down a ladder into the baggage hold. It is dark here; the suitcases are stacked up in hulking, uneven piles. I can see a narrow path winding mazelike among the mounds.

The hijacker removes his hood and his black leather gloves. He comes close and grabs my arm, his breath hot and heavy with peanuts. His sweat is rank like the sewers of a foreign country. Without a word, he licks my face and starts to tear at my clothes.

I begin to form a fantastic plan.

I push him away—gently. I give him a big smile and take off my jacket, dropping it on the floor. The shoes go next. He watches suspiciously. I start to unbutton the blouse, retreating into the luggage. I drop it on the floor and walk farther into the darkness. He begins to understand the game, and follows the trail.

He finds my skirt next, then my bra. This he holds in his hands a minute, trying to judge its size. The light is dim; we can barely see each other in the narrow passageway, a dark tunnel in the middle of the sky.

I leave my slip next; he fingers it, rubs it against his face. I pull off my stockings. The next bread crumb is a glittering pile of jewelry. I can hear him breathing harder now, getting excited as he imagines my bare body waiting just ahead.

Next I drop a girdle in his path. This confuses him; it takes him a moment to figure out what it is. He holds it in his hands, trying to remember how I looked in the lighted cabin. He squints now, trying to see me. He is wondering if perhaps this woman he is following is older than he thought. Perhaps she is not what she seemed.

Next he finds the panties, and these reassure him somewhat. They are skimpy, silky; they have a certain smell. He walks faster now, perspiring with desire, eager to reach the naked perfect woman waiting just around the bend, splayed out on a garment bag.

I have not yet laid myself completely bare. I now leave for him: false nails, a dental plate, corn pads, contact lenses. A tampon. He slips and skids on this litter. It disturbs him, and his mental picture begins to crumble. Yet he doggedly pushes onward, still hopeful that his goal will be curvy and intact.

But I have only begun to strip down; I am peeling myself like a complicated fruit and leaving the husks in his path. So many layers: scrapings of makeup, blobs of cellulite, breast implants like two clear disks of Jell-O. Scars, tattoos, an IUD.

Now I begin to pluck out the deeper things, which grate against my bones and aggravate my stomach. The things that fester in my cramping brain. Barbed memories, secret thoughts, hairy hands, thickened skin, dirty secrets whispered drunk late at night. Abortions, braces, blood tests. I am plucking these things out with tweezers; I am throwing them down in a flood of tears and mucus and menstrual blood. Here I am: This is my pure center, the fruit’s core, the inner nugget.

Down here in the luggage hold, I am unloading my own personal baggage and strewing it at his feet. And he—at the sight of this blinding nakedness, this shocking intimacy—flees, howling.

He races away, and I chase after him, scratching at his back with rough-bitten nails. He tosses the gun aside and vaults up the ladder. I follow after him, wild and cackling.

We dash through the cabin, past rows of surprised faces. The hijacker is raising his hands in surrender. I run faster; I am nearly upon him.

Then the shoe salesman leaps to his feet. He sticks his foot into the aisle and trips up the hijacker, who falls flat. I am running too fast to stop. I plow straight into the shoe man, who catches me in his arms. The passengers applaud wildly. He pushes me aside and plants a foot on the hijacker’s rump.

I look down and see that I am no longer naked. I am as I was before—sheathed, concealed; only bits of my clothing are missing. Passengers crowd around. The heroic shoe man nods and beams, accepting high fives and slaps on the back. The captain awards him an airline pin. Children beg for autographs.

I twist about, trapped in the crush. My blouse pops open and men are staring at my breasts. The stewardesses are passing out free cocktails. People are dancing around with oxygen masks on their heads for party hats, the elastic straps beneath their chins. The plane dives and loops; people raise their hands and whoop as if they’re on a roller coaster. The in-flight movie begins. I’m blinded by dancing colors. “You’re blocking the screen!” somebody yells. The passengers cheer as the opening credits scroll across my chest.

Framed in the window is a sunset, with the words The End sketched across the sky.

And then suddenly there is a whooosh, a great blast of air as the hatch is opened. Everyone turns to stare. The twelve Girl Scouts, fully equipped with parachutes and helmets, spring out into the air. They’re looking ahead, squinting, sunlight glinting on their braces. They float down two by two, holding hands. Sailing free and brave in the wide-open sky.