Читать книгу Authors and Writers Associated with Morristown - Julia Keese Colles - Страница 19

"In long forgotten Springs, where He who taught

Amid the olive groves of Syrian hills,"—

And ends:

"The lilies bloom upon the prairie wide

A stainless cross is reared by nature's hand,

And plain and height alike keep Easter-tide."

In 1887, the Century published a "Sonnet on Helen Hunt's Grave," with a picture of the grave. About this time Miss Donaghe was writing a series of letters which were published in a Southern newspaper, The Valley Virginian, and were widely copied. These were on Utah, when the Mormon hierarchy was in its power. Then appeared a book on "Picturesque Utah," making one of a group with "Picturesque Colorado" and "Colorado Favorites." The last is made up of six poems on Colorado flowers, illustrated by water colors of the blossoms, by Alice Stewart, and was the first book published.

The author was married to Mr. Gilbert McClurg of Chicago, one of the family of the publishing house of that name, in Morristown, on June 13th, 1889. Since then Mrs. McClurg has been both editor and newspaper correspondent, and, within the last two years, a valuable assistant to her husband in the preparation of his department of the official history of Colorado, which included several county histories.

In the Cosmopolitan of June, 1891, a sonnet appeared, "The Life Mask," and was reprinted in the Review of Reviews. Two of Mrs. McClurg's songs were set to music by Albert C. Pierson in the summer of 1890; "Lithe Stands my Lady"; "Je Reste et Tu T'en Vas"; the latter with a French refrain, the rest in English.

The last poem of Mrs. McClurg was published in the Banner, of Morristown, Dec. 24th, 1891, written to Mr. William L. King on his 85th Thanksgiving Day, and based on the Oriental salutation, "O King! Live forever".

Among the writings of Mrs. McClurg are also two articles on the Washington Headquarters of Morristown; being "quotations, comments and descriptions on two Order Books of the Revolution, daily records of life in camp and at Headquarters, in the year 1780." A passage from this is given in the opening chapter of this book.

The "Seven Sonnets of Sculpture" came out in 1889 and 1890. This book was widely and favorably noticed by some of the largest and most important journals. Says the writer in the Chicago Daily News: "It was a happy inspiration that led Mrs. McClurg to the idea realized in the publication of her latest volume 'Seven Sonnets of Sculpture'. The work is artistic from cover to cover, but the conception of equipping each one of the stanzas it contains with a photograph of the piece of sculpture which suggested it, was unique. * * To translate a work of art from its original form to another, to find the hidden sense of a conception imbedded in stone and revive it in words, to endue marble with speech, is in its nature a delicate task and one that demands the keenest of perceptions and sensibilities." The author says, in her dedication that seven was a Hebrew symbol of perfection.

The sonnet we select from these, to represent Mrs. McClurg, is "The Questioner of the Sphinx". This sonnet was written from the impression received from Elihu Vedder's engraving of the Sphinx and the artist expressed in a letter to the author, his appreciation of the fidelity of the interpretation in verse of his picture. His criticism is perhaps the best that could be given.

"I think it," he wrote, "good and strong and shall treasure it among the few good things that have been suggested by my work. My idea in the Sphinx was the hopelessness of man before the cold immutable laws of nature. Could the Sphinx speak, I am sure its words would be, 'look within,' for to his working brain and beating heart man must look for the solution of the great problem."