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A version of chapter 1 was previously published as Karen L. Georgi, “James Jackson Jarves’s Art Criticism: Aesthetic Classification and Historiographical Consequences,” Journal of American Studies 42, no. 2 (2008): 215–35. Copyright © 2008 Cambridge University Press.

Reprinted with permission.

Library of Congress Cataloging-in-Publication Data

Georgi, Karen, 1966–

Critical shift : rereading Jarves, Cook, Stillman, and the narratives of nineteenth-century American art / Karen Georgi.

p. cm.

Summary: “A reassessment of the writings of the mid-nineteenth-century American art critics James Jackson Jarves (1818–1888), Clarence Cook (1828–1900), and William J. Stillman (1828–1901), and their role in the historiography of American art”—Provided by publisher.

Includes bibliographical references and index.

ISBN 978-0-271-06066-8 (cloth : alk. paper)

1. Art criticism—United States—History—19th century.

2. Jarves, James Jackson, 1818–1888—Criticism and interpretation.

3. Cook, Clarence, 1828–1900—Criticism and interpretation.

4. Stillman, William James, 1828–1901—Criticism and interpretation.

5. Art, American—Historiography.

I. Title.

N7485.U6G46 2013

701'.180973—dc23

2013003234

Copyright © 2013 The Pennsylvania State University

All rights reserved

Printed in the United States of America

Published by The Pennsylvania State University Press,

University Park, PA 16802-1003

The Pennsylvania State University Press is a member of the Association of American University Presses.

It is the policy of The Pennsylvania State University Press to use acid-free paper. Publications on uncoated stock satisfy the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Material, ANSI Z39.48-1992.

This book is printed on paper that contains 30% post-consumer waste.

Critical Shift

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