Читать книгу Good Time Girl - Kate O’Mara - Страница 12

Patsy carefully drew a dark red line around her pouting lips, then filled it in with deep pink shiny lipstick. A coat of clear lip gloss was applied and she stood back to survey the result. She was well pleased with what she saw – a startlingly pretty girl with a peaches and cream complexion, large dewy blue eyes and faintly pink blonde hair like candy floss. A voluptuous figure completed the perfection. She was perfection and she knew it. She could tell by the glances of wide-eyed disbelief she drew from males wherever she went. She was ‘The McMasters’ own little bit of Hollywood glitz’. That’s what the Globe had said about her when she had first appeared in the series. She had been thrilled. It’s what she wanted more than anything, to make it to Hollywood; they really appreciated her type of looks out there. So her Auntie Thelma had told her. Unfortunately, the Globe had followed up this eulogy the next week by dubbing her the programme’s token brainless blonde bimbo with the big boobs and tiny talent. Patsy had been mortally wounded. She had a lot to learn when it came to acting, she would be the first to admit it. But then she had had no formal training, what did they expect?

Patsy had been a photographic model for nearly all her life. Her father had deserted her mother when Patsy was only four. She had not seen him since. There had been Christmas and birthday cards to begin with, but they had become sporadic and finally stopped altogether. Patsy hadn’t minded a bit – she could hardly remember her father and there had been plenty of uncles to take his place. They had all spoiled her – she was, after all, such a pretty little girl. Her mother, suddenly realizing just how pretty her little girl was, enrolled her with a modelling agency. Patsy never looked back. She featured in commercials, knitting patterns, magazines and had even had a bit part in a children’s TV series. Both Patsy and her mother had made a comfortable living, but her education had been sorely neglected. Patsy had no recollection of ever having read a book right through in her life.

When she was seventeen, her mother took up with someone called Bruce, who was keen for them all to go and live with him in his native Australia. But Patsy was unwilling to sacrifice what she considered to be a promising career, and to her mother’s relief declined to join them. Patsy’s mother was not entirely sure that Bruce’s interest in Patsy’s welfare was purely avuncular. Besides, Patsy was really much too pretty and only served to remind her of her own fading good looks. So Patsy was left to the mercies of Thelma, her mother’s sister-in-law, who felt that her brother had neglected his own child and that she should try to make amends.

Auntie Thelma actively encouraged Patsy in her career and no one was happier than she when Patsy landed the part of Gemma, secretary to Paul McMaster in the most popular series. Admittedly, Patsy had little more to do than appear once or twice an episode with trays of coffee, or to announce the arrival of important clients, but Thelma gloried vicariously in Patsy’s fame. She told her that the producers were bound to build up her part when they saw how popular she was. She was going to be a big star. Already Patsy was recognized wherever she went. She often caused quite a sensation in her local supermarket. She revelled in it. Then there was the attention she got from Geoff, who played Paul, the leading man, the star of the series. She had felt really important. He’d taken her out to dinner on a couple of occasions when they’d been on location. The affair that followed had been intermittent due to the fact that Geoff was married. Patsy didn’t mind. She accepted love how and where she could find it.

She was never short of boyfriends. One of them, Stephen, had been one of the ‘uncles’ that had visited her mother on occasions. Now he visited Patsy and always brought presents: glamorous lingerie, expensive costume jewellery, perfume and on one glorious visit, a fox fur jacket, which she still persisted in wearing, oblivious to the critical looks of other women. His best present ever had been the little white Peugeot he’d given her for her twenty-fifth birthday. She always looked forward to his visits with breathless anticipation. Sadly, since her new-found fame, they’d become less frequent. As he patiently explained to her, if his wife found out, his visitations would have to stop altogether, and then no more treats for his baby.

Patsy resigned herself to Geoff’s attentions, which paled by comparison. Somehow boxes of chocolates and bunches of flowers didn’t compare favourably. Anyway she was nearly always on a diet, and the flowers died so quickly and smelt horrid. Instead, she’d asked him to persuade the scriptwriters to build up her part in the series. If he couldn’t afford expensive gifts this was the least he could do for her. She wanted to be a star, she’d had a taste of fame and liked it. Now she wanted to be accepted as an actress as well, and what better way than to play opposite Geoff, a respected classical actor in his younger days? But Geoff was strangely evasive on the issue and she noticed that his attentions seemed to be less enthusiastic than before. Auntie Thelma said that publicity was the secret. Exposure. She needed to become a household word, to be in demand. Then the producers of the programme would realize what they’d got and would build her up. This was all very well, but how was it to be achieved?

Patsy surveyed herself in the long mirror in her bedroom. She smoothed her hands over her curvaceous frame. She couldn’t fathom it. She’d got everything. Why couldn’t they see it?

She was startled by the sound of the phone ringing. Who could that be? Maybe the studio had changed her call. She felt important as she moved slowly to the white phone by the bed. Let them wait. She picked up the telephone and put on her best telephone voice. ‘Patsy Hall speaking.’

‘Oh, hello, Pat. Snellor here, Tony Snellor. I’m a features writer for the Globe.’

‘Oh yes.’ Patsy was thrilled.

‘We’d like to do a double-page spread on you, Miss Hall, your career, interests, boyfriend, et cetera, bit about the series – you know the sort of thing.’

‘Oh yes,’ she agreed eagerly, ‘I do.’ Patsy had had bits and pieces in the press before, but never a double-page spread. That’d make the cast sit up and take notice. ‘When did you want to do it?’ she asked, slightly flustered. ‘I’m working all this week.’

‘As soon as possible. We’d like the piece to go in on Saturday.’

‘What, this Saturday?’ she asked breathlessly. Her triumph was to be sooner than she thought. Their faces at the read-through on Saturday morning – thank goodness they rehearsed Saturdays. She couldn’t wait!

‘This could do you a lot of good, Patsy,’ said Snellor, mistaking her silence for hesitation, not realizing that it took a few minutes for Patsy’s brain to engage in gear.

‘Oh yes, it could,’ she agreed readily.

‘Tomorrow looks good for me, how is it for you, Pat?’

‘Patsy,’ she corrected him primly. Tomorrow! Patsy was genuinely appalled. Tomorrow she was in the studio. It was impossible. Oh no, she couldn’t miss this chance. It occurred to her that no one in the cast actually bought the Globe. Well, that didn’t matter, she’d buy a copy and leave it lying around.

‘Oh dear, I’m in the studio!’ she wailed. ‘It’s the first day of Episode Nine!’

Snellor thought quickly. He was on to something here. This was a heaven-sent opportunity. This bimbo was thick as two short planks. She’d spill the beans all right. He only had to promise her blanket coverage, front-page picture, anything. And he could get the lowdown on everything that was going on behind the scenes on The McMasters. They’d finally get the dirt on Geoffrey Armitage. Trevor would be very pleased with him. This was going to sell a lot of papers! He kept his cool.

‘What, all day?’

‘Oh yes, it’s my big episode! I’ve got quite a lot to do. They’re building up my part,’ she said proudly.

‘How about lunch?’

‘Lunch?’

‘Yes, lunch. You break for lunch, don’t you?’ asked Snellor irritably. This girl was going to try his patience, he could tell that.

‘Oh yes, I have a lunch break.’

‘Good. I’ll meet you for lunch in the club. Shall we say one o’clock?’

‘What, tomorrow?’

‘Ye-es,’ said Snellor patiently. ‘Tomorrow, in the club, one o’clock.’

‘That’ll be nice,’ said Patsy, with gratification, thinking of all the envious glances she would attract.

‘Yes,’ agreed Snellor. ‘We can have a nice little chat about things over a drink and a sandwich.’

‘The food’s not very good up there,’ protested Patsy, thinking how much better it would be to have lunch in the canteen where everyone could see them. Most people went to the canteen on studio days. Only hardened drinkers like Bella popped up to the club for a drink at lunchtimes, and even she eschewed the smoky atmosphere on studio days. ‘Couldn’t we go to the canteen?’

‘Can we get a drink there?’ asked Snellor anxiously. He could never face an interview without a drink. Come to that, he couldn’t face anything without a drink. Trevor was always nagging him about it. It was all very well for Trev. He didn’t have to do the dirty work.

‘Oh yes, they do wine by the glass,’ Patsy assured him.

Wine! Snellor shuddered. No, it had to be vodka or this scoop would not have the impact that he knew would make Trevor’s heart sing and bring his own impending promotion a little bit nearer. The truth of the matter was that Snellor was a common or garden hack and his whole ambition in life was to become a features editor. A raise in salary, a guaranteed by-line and a photograph. Respect from the boys in the Wine Press.

‘The club is better, not so much noise.’ Snellor decided not to give her the opportunity to argue. ‘See you there then. One o’clock,’ he repeated to make sure she’d got it straight.

But Patsy was not to be put off. ‘I have to have my lunch,’ she said truculently. ‘It’s my big episode.’ Patsy was very fond of her food and the nervous tension of the studio day was the only legitimate excuse she had to indulge. Snellor sighed. He could never understand this preoccupation with food. His idea of lunch was a double vodka washed down with several of the same. One ate at night. Hugely. But lunchtime was drinking time.

‘Look, Pat –’ Snellor began.

‘Patsy,’ she corrected him again.

‘Patsy. I want this piece to do you justice.’ This was absolutely the very last thing that Snellor wanted. ‘It’s not easy to be creative when both of us are stuffing our faces.’ On reflection Snellor wished he’d phrased it more delicately, but he pressed on. ‘It’s going to be an in-depth interview – and we’ve got to set up a photo session this week, too,’ he added to distract her attention.

‘Oh right. Of course. I could manage Thursday. I’ve got a day off. Is that all right?’ asked Patsy anxiously. She couldn’t bear it if anything went wrong now.

‘S’cutting it fine, but if we do them in the morning we’ll probably just manage it.’

‘Oh good,’ Patsy breathed with relief.

‘I’ll get Phil onto it,’ said Snellor, determined now to finish the conversation. ‘Expect his call later on. See you in the club at one.’ And he put down the phone.

Patsy was ecstatic. She went straight to her wardrobe, decided at one glance that she had nothing suitable to wear and spent a blissful afternoon shopping in her local boutique.

At the lunch break the next day, she could hardly contain herself.

‘Aren’t you coming to the canteen, love?’ called out Meg, who played the wife of the McMasters’ picture restorer, George, when she noticed Patsy rushing off in the opposite direction.

‘No, I’m meeting a journalist in the club,’ replied Patsy importantly.

‘Fame at last!’ muttered Simon Lavell, who played Tom McMaster, dryly under his breath as he watched the retreating figure disappear down the corridor.

Tony Snellor was ensconced at a corner table in the club, and on his third double vodka when Patsy arrived. He waved to her in an expansive manner.

‘Could you sign the gentleman in, please, miss?’ said the commissionaire on the door in a sepulchral voice. ‘He said he was with you.’

‘Oh, yes, of course – it’s Mr Snellor, isn’t it?’

‘Don’t ask me, miss, he’s your friend, not mine.’ He sounded relieved.

Patsy carefully wrote in ‘Mr Snellor’, his first name completely eluding her. Then she sashayed over to his table, in a manner calculated to alert the attention of every susceptible male in the room. As indeed it did. Well satisfied with her entrance, Patsy seated herself and crossed her legs provocatively, exhibiting a considerable amount of thigh. Snellor was suitably impressed and mentally congratulated himself on persuading Trevor that Patsy Hall was the business.

‘Did Phil ring you?’ enquired Snellor, after he’d ordered a Martini and lemonade for Patsy at her request. She was so excited, she’d completely forgotten she had a big scene with Bella in the afternoon and alcohol was not conducive to concentration in a stressful situation in the studio. Patsy’s mind was apt to wander at the best of times.

‘Oh yes, thanks,’ she said eagerly. ‘He wants to do pictures of me relaxing at home.’ She had been delighted with Phil’s phone call, which had been fulsome to say the least. Phil had been well primed by Snellor.

‘So how are you enjoying the series, Patsy?’

‘It’s lovely. I get to wear some really great clothes, and I love working with famous people like Bella and Geoff.’ Patsy had wit enough to realize that it would be wise to keep on the right side of Bella, especially in print.

‘Good, good,’ said Snellor. ‘Got any romance going in your life at the moment?’ He tried to twinkle at her, but it manifested itself as a leer.

Patsy giggled coyly and pretended to blush. ‘Ooh no, I’m a career girl, Mr Snellor. I don’t have time for romance.’

‘Tony, please,’ said Tony Snellor, with as much charm as he could muster. ‘I find that difficult to believe, a stunning-looking girl like you – all the other ladies in the cast must have been furious when you joined the series.’

‘Do you think so?’ said Patsy, overcome.

‘Of course. What did Bella have to say?’

Patsy giggled again. ‘You’d have to ask her. She’s usually up here,’ she added looking around the room. ‘She likes a drink or three.’

‘Does she?’ Tony Snellor took out his miniature tape recorder, placed it on the table between them and switched it on. Patsy turned back, disappointed that there was no sign of Bella. Snellor took a large swig of vodka. ‘Tell me, Patsy, how do you get on with other members of the cast?’

Patsy pondered this for some time. She was longing to air her grievances to someone, and maybe if she said she was unhappy in public they would realize and be nicer to her.

‘I wish they were nicer to me,’ she whispered.

Snellor sat up. ‘I can’t believe they’re nasty to you,’ he said hopefully.

‘They are sometimes. Well, not nasty, exactly. Perhaps they’re just jealous, like you said.’

‘I’m sure I’m right,’ said Snellor. ‘I bet you have trouble with that Bella, don’t you? I mean, she must be worried by a younger, beautiful rival, don’t you think?’

‘Yes, I suppose so,’ agreed Patsy, nodding her head sagely.

‘You know, Patsy, I could do you a bit of good here,’ said Snellor, looking at her with interest. He’d just had one of his brainwaves. They didn’t happen often, but when they did, they were humdingers. ‘I’ve been watching this series and, I must say, since you’ve come into it, it’s perked up no end. I think you’ve got what it takes. But producers aren’t always so quick off the mark. But if an artist is seen to be getting a lot of publicity, that means something to them. The ratings go up and they start to build up that artist’s part. Soon she’s taken over and become the star of the series. Do you follow me?’ Snellor glanced at Patsy. Had he gone too far? No. She was gazing at him with shining eyes. He pressed home his point. ‘What I’m saying here, Pat, is, you give me the stories and I’ll guarantee to give you the publicity. It needn’t be too obvious. Just little snippets about what’s happening behind the cameras from time to time. We angle it to include a nice big picture of you. We might even put you on the cover of the colour supplement on Sunday if you come up with the right story. What do you say?’

‘I think it’s a wonderful idea, Tony!’