Читать книгу American Thumb-prints - Kate Stephens - Страница 7

The Big Muddy built the fertile regions near its course. Dropping in warm low tides mellow soil gathered from upper lands, it pushed the flood of the sea farther and farther to the south. Non palma sine pulvere has been the song of its waters—no green will grow here without my mould.

It was at its wonder-work those millions of suns ago when the tiny three-toed horse browsed among the grasses of what is now Kansas. Its great years can be measured only by the dial of God. All the monstrosities of the eld of its birth it has survived, and like a knowing, sentient thing—a thinking, feeling thing—it has been expanding and contracting, doubling up and straightening out its tawny body, each one of its numberless centuries pushing its uncounted mouths farther toward the submerged mountains of the Antilles.

In its thaumaturgy it formed vast prairies and rolling lands. Upon its gently-packed earth forests shot up. Subterranean streams jetted limpid springs, which joined and grew to rivers open to the light of day. Above the heavens were broad and the horizon far away—as far as you outlook at sea when sky and earth melt to a gray, and you stand wondering where the bar of heaven begins and where the restless waters below.

Indians, autochthons, or, perchance, wanderers from Iberia, or Babylon, were here. Then white men came to the flat brown lands, and that they brought wives showed they meant to stay and build a commonwealth. The two raised hearthstones for their family, and barns for herds and flocks. They marked off fields and knotted them with fruit trees, and blanketed them with growing wheat, and embossed them in days of ripeness with haystacks such as the race of giants long since foregone might have built. In their rich cornfields they set up shocks which leaned wearily with their weight of golden kernels, or stood torn and troubled by cattle nosing for the sugary pulp. Such works their heaven saw and to-day sees, their air above entirely bright, beading and sparkling in its inverted cup through every moment of sunshine.

Over this land and its constant people icy northers, victorious in elemental conflicts far above the Rockies, rush swirling and sweeping. They snap tense, sapless branches and roll dried leaves and other ghosts of dead summer before their force. They pile their snows in the angles of the rail fence and upon the southern banks of ravines, and whistle for warmth through the key-holes and under the shrunken doors of farm-houses.

But winds and snows disappear, and again life leaps into pasture-land. A yellow light glowing between branches foreruns the green on brown stalk and tree. The meadow-lark lifts his buoyant note in the air, and the farmer clears his field and manures his furrow with sleepy bonfires and the ashes of dead stalks. Earth springs to vital show in slender grasses and rose-red verbena, and the pale canary of the bastard indigo.

In this great folkland of the Big Muddy, which is beyond praise in the ordinary phrase of men, there live alongside many other types, a peculiar man and woman. They are—to repeat, for clearness’ sake—only two of many types there indwelling, for it is true of these parts as was said of England in 1755: “You see more people in the roads than in all Europe, and more uneasy countenances than are to be found in the world besides.”

The man is seen in all our longitudes; the woman is rarely in any other milieu. She is a product of her city and town. The women of the country have ever before them queryings of the facts of life, the great lessons and slow processes of nature, the depth and feeling of country dwelling. But this city-woman suffers from shallowness and warp through her unknowledge of nature and the unsympathy with fellow humans that protection in bourgeois comfort engenders. She is inexperienced in the instructive adventure of the rich and the instructive suffering of the poor. The basis of her life is conventional.

The dollar to her eyes is apt to measure every value. Let us not forget that in the history of the world this is no new estimate. It was the ancient Sabine poet who advised “make money—honestly if we can, if not, dishonestly—only, make money.” “This is the money-got mechanic age,” cried Ben Jonson in Elizabeth’s day. And the poet of the “Elegy written in a Country Church-Yard” more than one hundred and fifty years ago wrote to his friend Wharton: “It is a foolish Thing that one can’t only not live as one pleases, but where and with whom one pleases, without Money.... Money is Liberty, and I fear money is Friendship too and Society, and almost every external Blessing.”