Читать книгу Spanish Highways and Byways - Katharine Lee Bates - Страница 4

An Arab Gateway in Burgos

The Christian conquerors splashed whitewash over the exquisite ceiling, hewed down the pillars of the outer aisles to give space for a fringe of garish chapels, and even chopped away threescore glistening columns in the centre to make room for an incongruous Renaissance choir, with an altar of silver gilt and a big pink retablo. We could have wandered for endless hours among the strange half-lights and colored shadows of that petrified faith of Islam, marvelling on the processes of time. It is claimed that the Arab mosque rose on the site of a Roman temple, whence Mahomet drove forth Janus, to be in his own turn expelled by Christ. The race of those who bowed themselves in this gleaming labyrinth has fared ill at Spanish hands. Even now a Moor, however courteous and cultured, is refused admission to certain Castilian churches, as the Escorial.

How did we ever part from Cordova, from her resplendent, desecrated mosque, her stone lanes of streets, her hinted patios, the Moorish mills and Roman bridge of her yellow Guadalquivír? It must all have been a morning dream, for the early afternoon saw us tucked away in another second-class carriage speeding toward Granada.

We were in beautiful Andalusia, la tierra de Maria Santisima. The green slopes of the Sierra Morena, planted to the top with olive groves, watched the beginnings of our journey, and banks of strange, sweet flowers, with glimpses of Moorish minarets and groups of dark-faced, bright-sashed peasants, looking as if they had just stepped down from an artist's easel, beguiled us of all physical discomforts save heat and thirst. When the sun was at its sorest, the train drew up at a tumble-down station, and we looked eagerly for the customary water seller, with his cry of "Water! Fresh water! Water cooler than snow!" But it was too warm for this worthy to venture out, and our hopes fastened on a picturesque old merchant seated in a shaft of cypress shade beside a heap of golden oranges. Those juicy globes were a sight to madden all the parched mouths in the train, and imploring voices hailed the proprietor from window after window. But our venerable hidalgo smoked his cigarette in tranquil ease, disdaining the vulgarities of barter. At the very last moment we persuaded a ragged boy in the throng of bystanders to fetch us a hatful of the fruit. Then the peasant languidly arose, followed the lad to our window, named an infinitesimal price, and received his coin with the bow of a grandee. He was no hustler in business, this Andalusian patriarch, but his dignity was epic and his oranges were nectar.

We shall never know whether or not we had an adventure that evening. A wild-eyed tatterdemalion swung himself suddenly into our compartment and demanded our tickets, but as all the Andalusians looked to our unaccustomed view like brigands, we did not discriminate against this abrupt individual, but yielded up our strips of pasteboard without demur. A swarthy young Moor of Tangier, the only other occupant of the carriage, sharply refused to surrender his own until the intruder should produce a conductor's badge, whereupon the stranger swore in gypsy, or "words to that effect," wrenched open the door and fled, like Judas, into the outer dark. The Moor excitedly declared to us that our tickets would be called for at the station in Granada, that we should have to pay their price to the gate-keeper, and that our irregular collector, hiding somewhere along the train, would be admitted by that corrupt official to a share in the spoils. Moved by our dismay, this son of the desert thrust his head through the window at the next stop, and roared so lustily for the conductor and the civil guard that, in a twinkling, the robber, if he was a robber, popped up in the doorway again, like a Jack-in-the-box, and rudely flung us back the tickets. Thereupon our benefactor, if he was a benefactor, solemnly charged us never, on the Granada road, to give up anything to anybody who wore no gilt on his cap.

More and more the purple mountains were folding us about, until at last we arrived at Granada, too tired for a thrill. Mr. Gulick's constant care, which had secured us harborage in Madrid, had provided welcome here. Content in mere well-being, it was not until the following afternoon that tourist enterprise revived within us. Then we somewhat recklessly wandered down from the Alhambra hill into the heart of the People's Carnival, a second Sunday of festival given over to the enjoyment of the lower classes. The grotesque costumes were coarser than ever and the fun was rougher. The maskers cracked whips at the other promenaders, blew horns, shook rattles, and struck about them with painted bladders, but the balconies were bright with the bewitching looks of Andalusian beauties, each vying with the rest in throwing the many-colored serpentinas, curly lengths of paper that crisp themselves in gaudy fetters about their captives. A single business house in Granada claimed to have sold over a million of these, representing a value of some ten thousand dollars, during Carnival week. Southern Spain was grumbling bitterly against the Government and the war taxes, and in Seville, where a tax is put on masks, the Carnival had been given up this year as last; but Granada would not be cheated of her frolic. Our study of this closing phase of the Carnival was cut short by the recollection that it was, above all, the fiesta of pickpockets. Finding ourselves, on the superb Paseo del Salón, in the midst of a hooting, jostling, half-gypsy mob, rained upon with confetti, called upon in broken French and English, pressed upon by boys and beggars, and happening to catch sight of the stately bronze statue of Columbus which the women of Granada had recently stoned because, by discovering America, he brought all the Cuban troubles upon Spain, we took the hint of the wise navigator's eye and decided that we two stray Yankees might be as well off somewhere else. "Feet, why do I love you?" say the Spaniards; and so said we, suiting the action to the word.

III

WITHIN THE ALHAMBRA

"The Sierra Nevada, an enormous dove which shelters under its most spotless wings Saracen Granada."—Alarcón: Los Seis Velos.

Our surprises were by no means over. We had come to Granada to bask in the quintessence of earthly sunshine, and we found bleak rains, dark skies, and influenza. The Moorish palace was indeed as wonderful as our lifelong dream of it,—arched and columned halls of exquisite fretwork, walls of arabesque where flushes and glints of color linger yet, ceilings crusted with stalactite figures of tapering caprice, but all too chill, even if the guides would cease from troubling, for tarrying revery. We tarried, nevertheless, were enraptured, and caught cold. We were dwelling in the village on the Alhambra hill, within the circuit of the ruined fortress, in a villa kept by descendants of the Moors, but the insolent grippe microbe respected neither ancient blood nor republican. During the month of our residence, every member of the household was brought low in turn, and there were days when even the stubborn Yankees retreated to their pillows, lulled by the howling of as wild March winds as ever whirled the grasshopper vane on Faneuil Hall. From beyond the partition sounded the groans of our fever-smitten hostess, and from the kitchen below arose the noise of battle between our sturdy host and the rebel spoons and sauce-pans. If we could not always swallow his bold experiments in gruel and porridge, we could always enjoy the roars of laughter with which that merry silversmith plied his unaccustomed labors. It is said that there are only three months of the year when Granada is fit to live in, and certainly February and March are not of these. But our delighted spirits had no thought of surrender to our discomfited bodies. We would not go away. It is better to ache in beautiful Granada than to be at ease elsewhere.

At the first peep of convalescence, we fled out of doors in search of a sunbeam and discovered, again to our surprise, this immemorial Alhambra hill as young as springtime. The famous fragments of towers, with their dim legends of enchantment, all those tumbled masses of time-worn, saffron-lichened masonry, are tragically old, yet the tender petals of peach blossoms, drifting through the fragrant air, lay pink as baby touches against those hoary piles. We rested beside many an ancient ruin overclambered by red rosebuds or by branches laden with the fresh gold of oranges, where thrushes practised songs of welcome for the nightingales. We were too early for these sweetest minstrels of the Alhambra, who, like the Moors of long ago, were yearning on the edge of Africa for the Vega of Granada.

One expects, shut in by the crumbling walls of the Alhambra, in shadow of the ruddy towers, in sound of the Moslem fountains, to live with dreams and visions for one's company, to have no associates less dignified than the moonlight cavalcades of shadowy Arabian warriors, whom the mountain caverns cast forth at stated seasons to troop once more in their remembered ways, or lustrous-eyed, lute-playing sultanas, or, at least, a crook-backed, snow-bearded magician, with a wallet full of talismans, and footsteps that clink like the gold of buried treasure. But here again the eternal fact of youth in the world disconcerts all venerable calculations. The Alhambra dances and laughs with children—ragamuffins, most of them, but none the less radiant with the precious joy of the morning.

They are gentle little people, too. It became well known on the hill that we were Americans, yet not a pebble or rude word followed us from the groups of unkempt boys among whom we daily passed. Once a mimic regiment, with a deafening variety of unmusical instruments and a genuine Spanish flag, charged on me roguishly and drew up in battle square about their prisoner, but it was only to troll the staple song of Spanish adolescence: "I want to be a soldier," and when I had munificently rewarded the captain with a copper, the youngsters doffed their varied headgear, dipped their banner in martial salute, and contentedly re-formed their ranks. It was seldom that we gave money, but we usually carried dulces for the little ones, who, even the dirtiest, have their own pretty standard of manners.

Some half-dozen pequeñitos, not one of whom was clearly out of petticoats, were scampering off one day, for instance, their thanks duly spoken, and their bits of candy just between hand and mouth, when they turned with one accord, as if suddenly aware of an abruptness in their leave-taking, and trotted back to bow them low, their tatters of cap sweeping the ground, and lisp with all Spanish gravity, "Good afternoon, señora." One chubby hidalgo tipped over with the profundity of his obeisance, but the others righted him so solemnly that the dignity of the ceremonial was unimpaired.

The habit of begging, that plague of tourist resorts, is an incessant nuisance on the Alhambra hill. Half-grown girls and young women were the most shameless and persistent of our tormentors. Age can be discouraged, and babyhood diverted, while the Spanish boy, if his importunities are met by smile and jest, will break into a laugh in the midst of his most pathetic appeals and let you off till next time.

"A little money for our Blessed Lady's sake, señora. I am starving."

"Wouldn't you rather have a cigarette?"

"And that I would."

"Then you are not starving, little brother. Run away. I have no cigarettes."

"But you have money for me, señora."

"No, nor enough for myself, not enough to buy one tile of the Alhambra."

"Then may God take care of you!"

"And of you!"

Playing at Bull-Fight

But the wild-haired, jet-eyed gypsy girl from the Albaicín is impervious to mirth and untouched by courtesy. She would not do us the honor of believing our word, even when we were telling the truth.

"Five centimos to buy me a scarlet ribbon! Five centimos!"

"Not to-day, excuse me. I have no change."

"Hoh! You have change enough. Look in your little brown bag and see."

"I have no change."

"Then give me a peseta. Come, now, a whole peseta!"

"But why should I give you a peseta?"

The girl stares like an angry hawk.

"But why shouldn't you?" Darting away, she hustles together a group of toddlers, hardly able to lisp, and drives them on to the attack.

"Beg, Isabelita! Beg of the lady, little Conception! Beg, Alfonsito! Beg, beg, beg! Beg five centimos, ten centimos! Beg a peseta for us all!"

And out pop the tiny palms, and the babble of baby voices makes a pleading music in the air. It is for such as these that the little brown bag has learned to carry dulces.

Before the month was over we had, in a slow, grippe-chastened fashion, "done our Baedeker." We had our favorite courts and corridors in the magical maze of the Moorish palace; we knew the gardens and fountains of the Generalife, even to that many-centuried cypress beneath whose shade the Sultana Zoraya was wont to meet her Abencerrage lover; our fortunes had been told in the gypsy caves of the Albaicín; we had visited the stately Renaissance cathedral where, in a dim vault, the "Catholic Kings," Ferdinand and Isabella, take their royal rest; we had made a first acquaintance with the paintings of the fire-tempered Granadine, Alonso Cano, and paid our dubious respects to the convent of Cartuja, with its over-gorgeous ornament and its horrible pictures of Spanish martyrdoms inflicted by that "devil's bride," Elizabeth of England. We had explored the parks and streets of the strange old city, where we possessed, according to the terms of Spanish hospitality, several houses; but better than the clamorous town we liked our own wall-girdled height, with its songful wood of English elms, planted by the Duke of Wellington, its ever murmuring runlets of clear water, its jessamines and myrtles, its Arabian Nights of mosque and tower, and its far outlook over what is perhaps the most entrancing prospect any hill of earth can show. The sunset often found us leaning over the ivied wall beneath the Torre de la Vela, that bell-tower where the first cross was raised after the Christian conquest, gazing forth from our trellised garden-nook on a vast panorama of gray city all quaintly set with arch and cupola, of sweeping plain with wealth of olive groves, vineyards, orange orchards, pomegranates, aloes, and cypresses, bounded by glistening ranks of snow-cloaked mountains. From the other side of the Alhambra plateau, the fall is sheer to the silver line of the Darro. Across the river rises the slope of the Albaicín, once the chosen residence of Moorish aristocracy, but now dotted over, amid the thickets of cactus and prickly pear, with whitewashed entrances to gypsy caves. Beyond all shine the resplendent summits of the great Sierras.

Yet it is strange how homely are many of the memories that spring to life in me at the name of the Alhambra,—decorous donkeys, laden with water-jars, trooping up the narrow footpath to the old Fountain of Tears, herds of goats clinging like flies to the upright precipice, a lurking peasant darting out on his wife as she passes with a day's earnings hidden in her stocking and holding her close, with laughter and coaxing, while he persistently searches her clothing until he finds and appropriates that copper hoard, and our own cheery little house-drudge washing our linen in a wayside rivulet and singing like a bird as she rubs and pounds an unfortunate handkerchief between two haphazard stones:—

"I like to live in Granada,

It pleases me so well

When I am falling asleep at night

To hear the Vela bell."

There is the proud young mother, too, whom we came upon by chance over behind the Tower of the Princesses, where her pot of puchero was bubbling above a miniature bonfire, while the velvet-eyed baby boy sucked his thumb in joyous expectation. She often made us welcome, after that, to her home,—a dingy stone kitchen and bedroom, unfurnished save for pallet, a few cooking-utensils, a chest or two, and, fastened to the wall, a gaudy print of La Virgen de las Angustias, the venerated Patrona of Granada. But this wretched abode, the remains of what may once have been a palace, opened on a lordly pleasure-garden with walls inlaid with patterns of rainbow tiles, whose broken edges were hidden by rose bushes. There were pedestals and even fragments of images in this wild Eden, jets of sparkling water and walks of variegated marble. In the course of the month, English and Spanish callers climbed the hill to us and encompassed us with kindness, but we still maintained our incorrigible taste for low society and used to hold informal receptions on sunny benches for all the tatterdemalions within sight. Swarthy boys, wearied with much loafing, would thriftily lay aside their cigarettes to favor us with conversation, asking many questions about America, for whose recent action they gallantly declined to hold us responsible. "It was not the ladies that made the war," said these modern cavaliers of the Alhambra.

Their especial spokesman was a shambling orphan lad of some fifteen summers, with shrewd and merry eyes. Nothing pleased him better than to give an ornamental hitch to the shabby, bright-colored scarf about his thin, brown throat, and proceed to expound the political situation.

"You admire the Alhambra? I suppose you have no palaces in America because your Government is a republic. That is a very good thing. Our Government is the worst possible. All the loss falls on the poor. All the gain goes to the rich. But there are few rich in Spain. America is the richest country of all the world. When America fought us it was as a rich man, fed and clothed, fighting a poor man weak from famine. And the rich man took from the poor man all that he had. Spain has nothing left—nothing."

"Oh, don't say that! Spain has the Alhambra, and beautiful churches, beautiful pictures."

"Can one eat churches and pictures, my lady?"

"And a fertile soil. What country outblooms Andalusia?"

His half-shod foot kicked the battle-trampled earth of the immortal hill contemptuously.

"Soil! Yes. All the world has soil. It serves to be buried in."

This budding politician graced us with his company one Sunday afternoon, when we went down into Granada to see a religious procession. Our Lady of Lourdes, escorted by a distinguished train of ecclesiastical and civic dignitaries, with pomp of many shining lights and sonorous instruments, with peal of church bells and incongruous popping of fireworks, passed through extended ranks of candle-bearing worshippers, along thronged streets, where every balcony was hung with the national red and yellow, to the Church of Mary Magdalene. There the sacred guest was entertained with a concert, and thence conducted, with the same processional state, amid the same reverent salutations of the multitude, back to her own niche. Our youthful guide showed himself so devout on this occasion, kneeling whenever the image, borne aloft in a glory of flowers and tapers, passed us, and gazing on every feature of the pageant with large-eyed adoration, that we asked him, as we climbed the hill again, if he would like to be a priest. But he shrugged his shoulders. "There are better Christians in Spain than the priests," he answered.

The son of the house, Don Pepe, a young man of five and twenty, who usually attended us on any difficult excursion, was also frankly outspoken in his disapproval of the clergy. He could hardly hold his countenance in passing a Franciscan friar. "There walks the ruin of Spain," he muttered once, with bitter accent, turning to scowl after the bareheaded, brown-frocked figure so common in Granada streets. We had, indeed, our own little grudge against the friars, for they were the only men of the city who forced us off the narrow sidewalks out into the rough and dirty road. All other Granadines, from dandies to gypsies, yielded us the strip of pavement with ready courtesy, but the friars, three or four in Indian file, would press on their way like graven images and drive us to take refuge among the donkeys.

This escort of ours, formally a Catholic, was no more a lover of State than of Church. He was eager to get to work in the world and, finding no foothold, charged up his grievance against the Government. He was firmly persuaded that Madrid had sold the Santiago and Manila victories to Washington for sums of money down,—deep down in official pockets. But his talk, however angry, would always end in throwing out the hands with a gesture of despair.

"But what use in revolutions? Spain is tired—tired of tumult, tired of bloodshed, tired of deceit and disappointment. A new government would only mean the old dogs with new collars. We, the people, are always the bone to be gnawed bare. What use in anything? Let it go as God wills."

The Silvela and Polavieja ministry came in during our stay at Granada, and the Liberal and Republican chorus against what was known as the Reactionary Government swelled loud. "It means the yoke of the Jesuits," growled our burly host. Our Alhambra dream suffered frequent jars from these ignoble confusions of to-day. When we were musing comfortably on the melancholy fortunes of Boabdil, a cheap newspaper would be thrust before our eyes with an editorial headed "Boabdil Sagasta." It is always best to do what one must. Since we could not be left in peace to the imagination of plumy cavaliers, stars of Moslem and Christian chivalry, who sowed this mount so thick with glorious memories, we turned our thoughts to the poor soldiers from Cuba, especially during the week throughout which they paraded the cities of Spain in rag-tag companies under rude flags with the ruder motto: "Hungry Repatriados." Their appearance was so woful that it became a by-word. A child, picking up from a gutter one day a mud-stained, dog-eared notebook, cried gleefully, "It's a repatriado." There was no glamour here, but the courage and sacrifice, the love and anguish, held good.

Granada had borne her share in Spain's last war sorrow. So many of her sons were drafted for the Antilles that her anger against America waxed hot. A few months before our arrival every star-spangled banner that could be hunted out in shop or residence was trampled and burned in the public squares. The Washington Irving Hotel hastened to take down its sign, and even the driver of its omnibus was sternly warned by the people to erase those offensive American names from his vehicle on pain of seeing it transformed into a chariot of fire. A shot, possibly accidental, whistled through the office of the English consul, who was given to understand, in more ways than one, that Spain made little difference between "the cloaked enemy" and the foe in the field. Meanwhile, month after month, the recruits were marched to the station, and the City Fathers, who came in all municipal dignity to bid the lads godspeed, were so overwhelmed by the weeping of the women that they forgot the cream of their speeches.

Among the new tales of Spanish valor told us on the Alhambra hill was this:—

When lots were drawn for military service, one blithe young scapegrace found in his hand a fortunate high number, but, walking away in fine feather over his luck, he met the mother of a friend of his, sobbing wildly as she went. Her son had been drafted, and the two hundred dollars of redemption money was as far beyond her reach as those dazzling crests of the Sierra Nevada are above the lame beggar at the Alhambra gate. Then the kindly fellow, troubled by her grief and mindful of the fact that, orphan as he was, his own parting would be at no such cost of tears, offered to serve in her boy's stead. Her passion of gratitude could not let his service go all unrecompensed. Poorest of the poor, she went about among her humble friends, lauding his deed, until she had collected, peseta by peseta, the sum of sixteen dollars, which she thrust into his hands to buy comforts for the campaign. But another sobbing mother sought him out. He had saved her neighbor's son; would he not save hers? Laughing at her logic and moved by her faith in him, he answered: "I am only one man, señora. I cannot go in place of two. But here are sixteen dollars. If you can find a substitute at such a price, the money is yours."

Sixteen dollars is a fortune to hunger and nakedness, and the substitute was found. As the year wore on those two mothers did not let the city forget its light-hearted hero, and a great assembly gathered at the station to honor his return. A remnant of his comrades descended from the train, but as for him, they said, he had died in Cuba of the fever months before.

His was no poetic death like that of the Abencerrages. Happy Abencerrages! They knew the Alhambra in the freshness of her beauty. Their last uplifted glances looked upon the most exquisite ceilings in the world. Their blood left immortal stains on the marble base of the fountain. But this young Spaniard, in his obscure Cuban grave, only one out of the eighty thousand, will promptly be forgotten. No importa. There must be something better than glory for the man who does more than his duty.

The Mosque of Cordova

IV

A FUNCTION IN GRANADA

"O Love Divine, Celestial Purity,

Pity my cries!

My soul is prone before a clouded throne.

Let thy keen light arise,

Pierce this obscurity

And free my dream-bound eyes!"

—Ganivet's Last Poem.

The civilization of Spain, streaked as it is with Oriental barbarisms, belated and discouraged as the end of the nineteenth century finds it, is still in many respects finer than our own. In everything that relates to grace and charm of social intercourse, to the dignified expression of reverence, compassion, and acknowledgment, Spain puts us to the blush. I was especially touched in Granada by the whole-souled sympathy and veneration with which the city rendered public honors to one of its sons, Angel Ganivet, who died in the preceding winter, a poet hardly thirty.

Although I had glanced over obituary notices of this Spanish writer in the Paris papers, I had but a vague idea of his work and life, and sought, before the night of the memorial ceremonies, for further information. I appealed, first of all, to our table waiter, whose keen black eyes instantly turned sad and tender.

"Pobre! Pobre! He threw himself into the river at Riga, in Russia, where he was consul. It was at the close of the war. And he such a genius! So young! So true a Spaniard! But all Granada will be at the theatre. He left his play to Granada, asking that it be seen here first of all. I have never read his books, but I have met him in the streets, and lifted my hat to him for a wise caballero who cared greatly for Spain."

My next appeal was to our kind neighbor, the English consul, who assured me laughingly that he, like myself, was vainly ransacking the few bookstores of Granada for Ganivet's works.

"The first time I ever heard the name," he added, "was some three or four years ago, when I noticed an old gentleman standing often in front of my house, and gazing at the British coat-of-arms above my door. He told me one day when I drew him into talk that he had a nephew, Angel Ganivet, roaming in foreign lands. 'But he does not forget his old uncle,' said he. 'I always receive my little pension prompt to the day, and so I like to look at the foreign shields about the city, and remember my nephew, far away, who remembers me.' That was a trifle, of course, but it gave me a kindly feeling for the young fellow, and I'm sorry he came to such an end. They found him in the river, you know. I dare say it was suicide, and likely enough the defeat of Spain had its share in causing his despondency; but nobody knows. He was a zealous patriot, I understand, and all Granada seems to take his death to heart."

My next authority was an aged Granadine, a man of letters; but he had not read Ganivet's books.

"I have heard of him often," he said, "but I never met him. He was not much in Granada, although he seems to have had a romantic affection for the place. Bueno! Its pomegranates are worth remembering. But Ganivet liked to live in foreign countries, with the idea of understanding his own better by comparison. He was young; he still had hopes for Spain. Eighty years are on my head, and I have long done with hoping. I have served in my country's armies, I have served in her Government, I have seen much of Church and State, and since the night when they murdered General Prim I have seen nothing good. But Ganivet had faith in the national future, and the people, without waiting to ask on what that faith was founded, love him for it, and mourn his loss as if he had been their benefactor. They are all going to pour into the theatre to-morrow night to hear his symbolic drama, that not one in a hundred of them will try to understand, and the hundredth will get it all wrong."

The "function" took place in the Gran Teatro de Isabel la Católica, a name to conjure with throughout all Spain, and especially in Granada. The day set for the performance, and widely advertised by newspapers and posters for a month in advance, was a Wednesday. On Tuesday, in a fever lest we be too late, we arrived at the ticket office. We had our hurry all to ourselves. Apparently nobody else had as yet taken a seat. The office was empty, save for us and our attendant train of boys and beggars.

The official in charge, deaf, slow, and courteous, invited us into a private room and gave us rocking-chairs by the brasero, while he, with paper and pencil, laboriously added the price of our entradas to the price of our modest box, and spent five minutes in subtracting the amount from the figure of the small bill we handed him. The counting out of the change was another strain on his arithmetic, and, after all these toils, we were still without tickets. He said he would "write them out at home," and we might send some one for them the next day. But he affably offered to show us the theatre, and led us through black passages to a great dusky space, where, while he struck match after match, we could catch glimpses of pit and balconies, and even a far-off stage, with a group of actors gathered about a lamp, rehearsing the play. In Wednesday morning's paper, however, they announced with entire nonchalance that they were not ready yet, and would postpone the representation until Thursday.

On Thursday evening the theatre, choking full though it was, hardly presented a brilliant appearance. Granada is not Madrid, nor Seville, and the best the Granadines had to offer their dead poet was the tribute of their presence in such guise as they could command. The big, barnlike theatre, with its rows of broken lamp-chimneys, looked shabby, and the rag-tag proportion of the audience was so great that it overflowed the Paraiso into the aisles and doorways and all conceivable corners. People were so jumbled and crumpled together that, with reminiscences of my traveller's hold-all, I found myself wondering if they would ever shake out smooth again.

Whole families were there, from the infant in arms that invariably screamed when the actors were reciting any passage of peculiar delicacy, to the dozing old grandfather, who kept dropping his cigarette out of his mouth in a way that threatened to set us all on fire. The gentlemen, even in the boxes and the stalls, were generally ungloved, and we did not see a dress suit in the house. Cloaks and neckties were ablaze with color as usual, but the masculine toilets eluded our stricter observation; for when the curtain was up, our eyes were all for the stage, and between acts your Spaniard sits with hat on head, enveloped in a cloud of tobacco smoke.

But the Andalusian ladies made amends for everything. By some prehistoric agreement, Spanish women have yielded the rainbow to the men, reserving for their own attire the quiet elegance of black or the festive beauty of pure white. The dress that evening, even in the principal boxes, was conspicuously simple. But the clear brunette complexions, the delicate contours, the rich black hair worn high and crowned with natural flowers, the waving fans and flashing glances, cast a glamour over the whole scene.

The memorial rites themselves made up in quantity whatever they might lack in quality, continuing from eight o'clock till two. An orchestra, organized from Granada musicians for this occasion, opened the programme. The bust of Ganivet, wrought by a young Granada sculptor, was reverently unveiled. The star actor, Fuentes of Granada, who had undertaken with his troupe to present his fellow-townsman's drama purely as a labor of love, read an interpretation written by one of Granada's leading critics. The orchestra was in evidence again, introducing the first act, entitled "Faith." After this the orchestra played Bretón's serenade, "In the Alhambra," and the curtain rose for the second act on so natural a scene-painting of the famous fortress that the audience went wild with enthusiasm, and the blushing artist, also a Granadine, had to be literally shoved from the wings upon the stage to receive his plaudits.

Between the second act, "Love," and the last act, "Death," came an andante elegiaco, "written expressly for this artistic solemnity" by a Granada composer. Here, again, the appreciation of the audience was unbounded, and nothing would do but the reluctant master must leave his box, struggle through the packed multitude to the conductor's stand, and take the baton himself for a second rendering from the first chord to the last. At the close of the third act the orchestra did its part once more, and the celebration ended, somewhat incongruously, with a lively bit of modern comedy.

There was imperfection enough, had one been disposed to look for it. The fifty members of the impromptu orchestra had hardly brought themselves into accord, the acting was not of the best Spanish quality, and the players had not half learned their parts. Every long declamation was a duet, the prompter's rapid undertone charging along beneath the actor's voice like a horse beneath its rider. But the audience understood, forgave, were grateful, and sat with sublime patience through the long pauses between the acts, repeating one to another, "They say Fuentes is studying his speeches." As the caustic old scholar had predicted, most of them, apparently, did not try to understand the allegory. They applauded the obviously poetic touches, the palpably dramatic situations, and when, in the Alhambra act, a gypsy air was sung, the galleries delightedly caught it up and chorused it over again.

But in general that nondescript assembly looked on in passive gravity while El Escultor de su Alma was rendered, as their poet had bidden, in their own theatre and for them. They may have gathered hints and snatches of that mystical message from the dead, whose lofty look, fixed in shining marble, dominated all the house.

The restless Spirit of Man, seeking the perfect Truth, tears himself loose from the bride of his youth, Heavenly Faith, and wanders in beggary through the world. Yet Truth for him can only be the child of his union with Faith, and in parting from one he has parted from both. In old age, almost maddened by his wanderings and woes, he meets his Truth again, full-grown and beautiful, but is so fierce and wild in his desire to possess her that only Death can reconcile them—Death and that Heavenly Faith who could not abandon him, though he had forsaken her.

Ganivet's mother, who, with his brothers, witnessed the play from behind the scenes, is said to have rejoiced in it as a last solemn assurance from her son of his secure repose in the Catholic faith of his fathers. It may not have meant so much to that great audience, many of whom could neither read nor write, but those tiers upon tiers of dark Spanish faces were full of earnestness and of a proud content. However it may have baffled their heads, this legacy of a play, in its Alhambra setting, spoke clearly to their hearts. One ragamuffin said to another, as an all-sufficient criticism, "He was thinking of Granada when he wrote it."

A few days later, I found and eagerly read Angel Ganivet's most significant booklet, Idearium, published in the autumn of 1896, in which he sets forth his dream for the future of his beloved country.

Ganivet claims that the deepest moral element in Spanish character is stoicism, "not the brutal and heroic stoicism of Cato, nor the serene and majestic stoicism of Marcus Aurelius, nor the rigid and extreme stoicism of Epictetus, but the natural and humane stoicism of Seneca." He holds that Seneca, himself a Spaniard, found his philosophy in the inherent genius of the country, and only gave voice to the indwelling soul of Spain. The Spanish church, cherishing this element, became a thing apart from the general Catholicism of Europe. The long warfare and incidental intercourse with the Moors stamped Spanish Christianity with its two other characteristic features of mysticism and fanaticism. "Mysticism was like a sanctification of African sensuality, and fanaticism was a turning against ourselves, when the Reconquest ended, of the fury accumulated during eight centuries of combat."

The author, muy español, is naturally muy católico, yet he protests against violence in the repression of other forms of religion. "Liberty should bring with it no fear." He believes that Spain is, above all, sui generis, independent and individual. The representative Spaniard is a free lance, striving and conquering by his own impulse and under his own direction, like the Cid of old or Cortes in the field of arms, like Loyola in the church, like Cervantes in letters. He lays stress on the achievements of Spanish art—the master paintings of Velázquez and Murillo, the master dramas of Lope de Vega and Calderon, as expressing, better than political history has expressed, that intensification of Spanish life resulting from the struggle against the Arabs "and making of our nation a Christian Greece."

The Columbus Monument in Granada

He finds it logical and right that Spain, after her successive periods of Roman influence, Visigothic influence, Arab influence, and her modern era of colonial expansion, should now abandon foreign policies and concentrate all her vitality within her own borders. Not by the sword, but by the spirit, would he have Spain henceforth hold sway over mankind, and especially over the Spanish-descended peoples of South America.

He winces under the monopoly of the term "American" by the citizens of the United States—"a formidable nation," he admits, "very populous, very rich, and apparently very well governed." He notes, in contrast, the poverty and comparative anarchy of the South American republics, but he urges still that the Spanish character, shaped through such eventful centuries, is an entity, clear and firm, with qualities well defined, whereas the Yankees are yet in the fusing pot. He would have all the peoples of Hispanian descent recognize and realize in themselves this Spanish individuality, effecting not a political union, but a "confederation, intellectual and spiritual," whose first aim should be the preservation of Spanish ideas and ideals, and the second, the free gift of these to all the nations of the earth.

The ancient glory of Spain, he says, has vanished like a dream; let a new and whiter glory dawn. Her career of material conquest is ended. Those savage struggles have left her faint and spent. Let her now seek to attain, through purification and discipline, such fresh fulness of life as shall insure the triumph of her spiritual forces—her fervent faith and her unworldly wisdom. "Our Ulysses is Don Quixote."

V

IN SIGHT OF THE GIRALDA

"We were nearing Seville. I felt the eager throbbing of my heart. Seville had ever been for me the symbol of light, the city of love and joy."—Valdés: La Hermana San Sulpicio.

One of the wise sayings of Andalusia runs, "Do not squeeze the orange till the juice is bitter." And so we said good-by to Granada before we were ready to go, and persuaded ourselves, in defiance of maps and time-tables, that our shortest route to Seville led by Ronda. The weather did its very best to dampen our enthusiasm for this wildest of crag aeries, equally famed for romantic beauty of outlook and salubrity of air. Men live long in Ronda, unless, indeed, they hit against a bullet while practising their hereditary trade of contrabandista. They have a saying that octogenarians there are only chickens, but one should not believe all that they say in Ronda. Did we not clamber, slipping on wet stones, down a precipitous path to peer, from under dripping umbrellas, at what our guide declared was an old Roman bridge? "It doesn't look old and it doesn't look Roman," was the artist's dubious comment, but our highly recommended conductor, a Gib, as the English-Spanish natives of Gibraltar Rock are called, assured us that it was built in the days of Julius Cæsar, but had been wonderfully well preserved. We eyed him thoughtfully, bearing in mind that he had already pointed out the statue of a long-dead poet as a living politician; but we meekly continued through the lashing rain to follow his long footsteps over the breakneck ways of that natural fortress where race after race has left its autograph. The Roman columns of the church make the Arab cupolas look young, and put the Gothic choir altogether out of countenance. A bright-shawled peasant woman, who we fondly hoped might be a smuggler's wife, drew us delicious water from a Roman well in a Moorish patio, where a mediæval king of gentle memory used to drink his wine from cups wrought of the skulls of those enemies whom he had beheaded with his own sword. But not all this, and more, could efface our doubts of that Roman bridge, which, indeed, we found, on a belated perusal of our guide-books, had been erected by a Malaga architect in the last century.

The street rabble of Ronda was the rudest and fiercest we encountered anywhere in Spain. Several times our guide wheeled suddenly to confront some gypsyish lad, creeping up behind us with stone all ready to throw, and when, at a glint of sunset through the stormy clouds, we tried to slip out unattended to the neighboring alameda, with its far-sweeping prospect of folded mountain ranges and its vertical view of gorge and rushing river, the children actually hounded us back to the hotel. Their leader was a scrofulous boy, with one cheek eaten away, who had been taught to press his face so closely upon strangers that, in fear of his open sore, they would hastily give money to keep him back. He was a merry scamp and got a world of sport out of his sickening business, laughing at the top of his voice to see himself "avoided like the sun."

Although the tempest had lulled by evening, Ronda, still inhospitable, would not let us sleep. All up and down the window-grated street sounded, from midnight to morning, a tinkling of guitars. It was, forsooth, St. Joseph's Day, and every Don José, every Doña Josefa, every little Pepe, every pretty Pepita, must be saluted by a serenade. All Andalusians are musical, taking much pleasure, moreover, in one of their own bits of philosophy, "The poorest player has his uses, for he can at least drive the rats out of the house." Rats or no, we left Ronda by the morning train.

Our carriage was crowded with several Spaniards and a "Jew-Gib," who, without saying "oxte ni moxte," assumed full charge of us and our belongings for the journey. This unceremonious but really helpful escort put every one of his fellow-travellers through a sharp catechism as to birthplace, business, destination, and the like. Our turn came first of all. "You are English?" "We speak English." "Ha!" He fell into our own vernacular. "Came about three thousand miles to Spain?" "Across the channel." He chuckled with prompt appreciation of the situation and mendaciously translated to the carriage at large, "The ladies are distinguished Londoners, on their way to visit relatives in Seville," whereat the Andalusians smiled sleepily upon us and asked permission to smoke. We consented cheerfully, as our Spanish sisters had taught us that we should. "I like it," one pallid señora had said on an earlier trip. "It makes me sick, yes, but men ought to be men."

We were journeying toward the very palace of the sun, with gray ranks of olive trees standing guard on either hand. "And posted among them, like white doves, could be seen now and again a few mills where the bitter olive is wont to pour its juice." Orange plantations and hedges of the bluish aloe, fig trees, palms, and all manner of strange, tropical flowers gladdened our approach to Seville. And when, at last, we saw from afar the world-praised Giralda, the Moorish bell-tower of the cathedral, soaring pink into a purple sky, we felt as if we were really arrived in fairyland.

Our friendly Gib put his tall figure between us and the howling press of swarthy porters and cab-drivers, scolded, expostulated, threatened, picked out his men, beat down their prices, called up a policeman to witness the bargain and take the number of our cab, raised his hat, and vanished into grateful memory.

Six weeks in Seville! And six weeks in a Seville home, where evening after evening the gay youth of Andalusia laughed and sang, danced and rattled the castanets, and cast about our wondering Western souls strange witcheries from which we shall never more go free. It was all as Oriental as a dream. The Sultana of the South lifted her gleaming coronet of domes and pinnacles above such a kingdom of idle, delicious mirth as has permanently unfitted us for considering it important to do our duty. Our hereditary bits of Plymouth Rock were melted up in that fervent heat. Right or wrong? "Where there is music, there can be no harm." True or false?