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A RAINY DAY

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On a rainy day Green Valley is just as interesting as it is in the sunshine. Somehow though the big trees sag and drip and the wind sighs about the corners there is nothing mournful about the streets.

The children go to school just as joyously in raincoats and rubber boots. Their round glad faces, minus a tooth here and there, smile up at you from under big umbrellas. After the school bell rings the streets do get quiet but there is nothing depressing about that; for as you pass along you see at doors and windows the contented faces of busy women.

Old Mrs. Walley sits at her up-stairs front window sewing carpet rags. Grandma Dudley at her sitting room window is darning her grandchildren's stockings and carefully watching the street. Whenever anybody passes to whom she wants to talk she taps on the window with her thimble. She is a dear entertaining old soul but hard to get away from. Women with bread at home waiting to be put into pans and men hungry for their supper try not to let Grandma Dudley catch sight of them.

Bessie Williams always makes cinnamon buns or doughnuts on rainy days. She always leaves her kitchen door open while she is doing this because she says she likes to hear the rain while she is working—that it soothes her nerves.

So as you come up from around Bailey's strawberry patch and Tumley's hedge you get a whiff of such deliciousness as makes your mouth water. And more than likely Bessie sees you and comes running out with a few samples of her heavenly work. As you dispose of those cinnamon buns you forget that Bessie's voice is a trifle too high and too sweet, and that she is inclined to be at times a bit overly religious and too watchful of what she calls "vice" in people.

Over in front of the hotel Seth Curtis is standing up in his wagon and sawing his horses' mouths cruelly. Seth has been so viciously mistreated in his youth that he now abuses at times the very things that he loves. He has paid two hundred and fifty dollars apiece for those horses and is mighty proud of them. But Seth's temper is never good on a rainy day. Rain means no teaming and a money loss. Seth is a mite too conscious of money. At any rate, the loss of even a dollar makes him a sullen and at the least provocation an angry man. He isn't liked much except by his wife and children.

In his home Seth is gentle and kind. Maybe because here he finds the love and trust that all his life he has craved and been denied. Few of his neighbors know how he laughs and romps and sings with his children and what wonderful yarns he tells them, all made up out of his own head.

He is known to come from York State and has a Yankee shrewdness that some people say can at times be called something else. He is wide and square-shouldered though short, has a round stubborn head of reddish hair with a promising bald spot, close-set blue eyes and an annoying, almost an insulting habit of paying all his bills promptly and asking odds and favors of nobody.

To-day he was to have taken a load of stones, granite niggerheads of all sizes, up to Colonel Stratton's place. The Colonel is going to make a fern bed around his summer house.

Colonel Stratton is a real military colonel. He wears burnsides and they are very becoming. He has the most beautifully located residence in Green Valley and like Doc Philipps has some of the most beautiful trees in town. The great silver-leaf poplar guarding the wide front lawns and the magnificent hardwood maples are the pride of the colonel's heart.

The colonel has a cultivated garden that keeps his gardener pretty busy. But the wild-flower garden along the rambling old north fence the colonel tends himself. In June it is a hedge of lovely wild roses followed a little later by masses of purple phlox. Then come the meadow lilies and the painted cup and so on, until in late October you can not see the old fence for the goldenrod, asters and gentians.

Today the colonel hoped to work on his fern bed but the weather being what it is he takes instead from his well-filled book shelves "The Decline and Fall of the Roman Empire" and settles down to a day of solid joy.

In the big, softly stained house that stands in the solemn shade of immense pines, just diagonally across from the colonel's house, lives and labors Joshua Stillman, a man with the most wonderful memory, the readiest tongue when there is real need of it, a little man brimful of the most varied information and the sharpest humor.

For forty years and more he has been Green Valley's self-appointed librarian. He draws no salary except the joy of doing what he loves to do and he squanders, as his friends truly suspect, much secret money of his own on it. The library is housed in the old church in a room so small and dark that it hides the big work of this little man.

Joshua Stillman must be old but nobody ever thinks of what his age might be, he is so very much alive. He goes to the city every day and comes back early every afternoon. As he so seldom talks about himself nobody knows exactly what he does except that it has to do with books and small print.

Like Madam Howe, Joshua Stillman comes from the Revolutionary War district and has great family traditions to uphold. He upholds them with great humor. Not only is he full of old war and family lore, but he has been mixed up with things literary. He has known men such as Lowell and tells yarns about Emerson and Oliver Wendell Holmes.

He too came West in a prairie schooner and remembers all its wildness, its uncouthness, its railroadless state. And he tells marvellous stories about snakes, Indians and the little Chicago town built out on the mudflats. He remembers very well indeed the steady stream of ox-teams toiling over the few crude state roads. And he has in his house rare volumes, valuable editions of famous works. He lets you examine these if he thinks you are trustworthy and have a gentle way with books.

There is another rare soul, the Reverend Alexander Campbell, who must be introduced this rainy spring day. He is a retired Green Valley minister and is full of humor and wisdom. He is an easily traced descendant of the Scottish Stuarts. On a rainy day you will always find him busy writing up the history of his family. Not that he himself cares a fig for his genealogy. He is writing the book because it gives him something to do and earns him a little peace from the women folks.

He is a man whom the Lord has seen fit to try with a host of female relatives, all family proud. He can fight the Devil and has done so quite gallantly in four or five volumes of really good old-fashioned sermons, "books," as he will tell you with a twinkle in his eye, "that nobody could or would read nowadays." But he can not fight the women of his family, so with a mournful chuckle he sits down every rainy day and labors mightily on this great "historical work."

On sunny days he goes about his grounds, petting his trees and his chickens, and working in his garden. He has several ingenious methods of fighting weeds and raises the earliest, best and latest sweet corn in Green Valley.

But men like the Colonel and Joshua Stillman and the Reverend Alexander Campbell are representatives of Green Valley's leisure class. They give Green Valley its high peace, its aristocratic flavor. But they are a little remote from the town's workday life, being given to dreams and memories and scholarly pursuits. They know little of the doings and talks that go on in Billy Evans' livery barn, or the hotel. They do, of course, go to the barber shop, the bank and the postoffice, and always when abroad give courteous greeting to every townsman. But they have never sat in the smoky, red-painted blacksmith shop or among the patriarchs and town wits who in summer keep open-air sessions on the wide, inviting platform in front of Uncle Tony's hardware store, and in winter hold profound meetings around the store's big, glowing stove.

Uncle Tony's is the most social spot in town and is from a news-gathering point of view most ideally situated. Sitting in one of the smooth-worn old armchairs that Uncle Tony always keeps handy, you can view the very heart of Green Valley's business life. Without turning your head scarcely you can keep an eye on Martin's drug store, keep tab on the comings and goings of the town's two doctors, and the hotel's arriving and departing guests. If a commotion of any kind occurs in front of Robert Hill's general store you see all the details without losing count of the various parties who go in and out of Green Valley's new bank.

Twice a day the active part of Green Valley dribbles into the post-office where friends instantly pair off and mere acquaintances stand idly by and discuss the weather. Besides its mail, Green Valley usually buys two cents' worth of yeast and a dozen of baker's buns and then goes down the street and orders its regular groceries at Jessup's.

Jessup's has been the one Green Valley grocery store ever since the flood or thereabout, so venerable an establishment is it. Green Valley would as soon think of changing its name as permitting a new grocer to open up a rival store. And nobody dreams of disloyalty when buying trifles at the post-office. In fact housewives are openly glad that Dick, the postmaster, has taken to keeping strictly fresh yeast for their leisure days and nice bakery things for times of stress and unexpected company.

Dick Richards is a small, smiling, curly-headed man who looks older than he should. This is because he wears a big man's mustache and is a self-made boy. His parents died when he was barely old enough to realize his loss and since then he has fought the world without a single weapon unless cheerfulness and a giant patience can be called weapons. Small, ungifted, he early learned to be content with little. But side by side with this cheerful content is always the giant hope of great things to come. And so though Green Valley buys only its yeast and buns over his little counter he is happy and wraps each purchase up carefully. And all the time he is thoughtfully, carefully setting out other handy things and aids to the harassed housewife. For with his giant patience Dick is waiting—waiting and planning for a time that is coming, that he knows must come. He talks these matters over with no one except Joe Baldwin. He and Joe are great friends. Joe's little shop is such a restful, hopeful place and Joe himself a gentle rather than a loud and swearing man. One can talk things over joyfully with Joe and feel sure of having one's confidence understood and kept. Like Joe, Dick shrinks a little from the noisy, wholly earthy atmosphere of the livery barn and blacksmith shop. He and Joe often go together of a Saturday to the barber shop. They usually stay after closing hours for the barber is their mutual friend.

This barber, John Gans, is a talker, a somewhat fierce and vehement little man who lectures on many subjects but mostly on human rights and politics. Joe and Dick, both silent men, look with awe at John's great mental and discoursive powers. And because his views are theirs they listen with something like joyful gratitude to hear their own thoughts so clearly and fearlessly expressed.

The fiery little barber is thought by some to be a German anarchist and by others a Russian socialist. Joe and Dick have been repeatedly warned against him. But they are his loyal friends at all times. This three-cornered friendship is little understood by the town and ridiculed as a childish thing by the great minds that foregather at Uncle Tony's.

But Grandma Wentworth remarked one Saturday afternoon, right in the heart of town too, when Main Street was so crowded that everything that was said aloud would be told and retold at church the next moraine and repeated through the countryside the week following—pointing to Joe, Dick and John who all three happened to be going to the bank for change—"There go Green Valley's three good little men. And that makes me think. I have another letter from Nanny Ainslee from Italy enclosing foreign stamps for John."

Now until then nobody knew that John Gans was collecting stamps. But that's Grandma Wentworth. She always knows things about people that nobody else knows. And when any Green Valley folks go a-traveling they sooner or later write to Grandma Wentworth. Sooner or later they get homesick for Green Valley and they write for news to the one person who, they know, will not fail to answer.

Of course some of them, like Jamie Danby, get into trouble. Jamie ran away from home with a third-rate show. The show got stranded somewhere in the western desert and Jamie wanted to come home. He knew that his mother would be glad to see him but he wasn't at all sure of his father. So he wrote to Grandma Wentworth, begging her to fix things up. And she did.

And there was Tommy Dudley who went away home-steading somewhere out West and who writes regularly to Grandma Wentworth in this fashion:

" … for heaven's sake send me your baking-powder biscuit recipe and how do you make buckwheat pancakes, and send me all kinds of vegetable seeds and what's good for chicken lice and a sore throat, and tell Carrie Bailey I ain't forgot her and that as soon as I've got things going half-way straight here I'll come back and get her. Just now the dog, the mules and chickens and a family of mice and I are all living peacefully together in the one room but we're awful healthy if a good appetite is any kind of a sign. I can't write to Carrie because her folks open all her letters and they'd nag her into marrying that old knock-kneed, squint-eyed, fat-necked son-of-a-gun of an Andrew Langly, if they thought she was having anything to do with a worthless heathen cuss like me. And say, Grandma, throw in some of your flower seeds, those right out of your own garden, you know, the tall ones along the fence and the little ones with the blue eyes and the still white ones that smell so sweet. You don't know how lonesome I get off here. I've got that picture of you in the sunbonnet right where it's handy, but how I wish I had a picture of you without the sunbonnet so's I could see your face, and say, Grandma, since I've been alone out here I've come to see the sense in praying now and then, and tell Freddy Williams I'll knock the stuffin's out of him when I hit town which will be in about two years at the latest. He knows what for. Is Hank Lolly still talking his way into three square meals a day and drinks, and is all the news still ground over at Uncle Tony's gossip factory and is Mert Hagley as big a tightwad as ever and is it true that Billy Evans married a red-headed girl from Bloomingdale and started a livery barn, and has Green Valley got a minister yet that's suitable to you and Uncle Roger Allan? I'll have to stop and run out to the mail box with this. The nearest one is twenty-five miles away but that's near in this country and now for pity's sake, Grandma, don't forget … "

She didn't forget a thing. The messages were all delivered, the seeds sent off and every question fully answered. Grandma did more than that. She had Nanny Ainslee take pictures of the various Green Valley institutions while going full blast. How Tommy laughed at the familiar faces in Uncle Tony's armchairs and at Hank Lolly leaning up against the livery barn, and how homesick he grew as he looked at the crowd getting off at the station, and the school children playing in the old school yard where he used to play. The picture of Grandma Wentworth and Carrie standing on Grandma's front porch hurt his throat and shook him strangely. That was Tommy Dudley.

And there was Susie Melton. Grandma saved and remade Susie that time she went to New York to see the world. Susie had taught a country school for twenty years, ever since she was sixteen, and that trip to New York was her first vacation. Susie was an innocent soul and the very second day in the great city some heartless thief took everything out of her purse but a two-cent stamp. Susie was panic-stricken and the only thing she could think of was Grandma Wentworth's face. So she took that stamp and sent a letter to Green Valley and it was Grandma Wentworth who really managed that vacation though to this day nobody but she herself knows how and she won't tell. Susie came back so rejuvenated, with such color in her cheeks, such brightness in her eyes, and so much snap and spunk in her system that Jake Tuttle up and married her two months after she came home. And he's been happy ever since for in spite of her school-teaching handicap Susie has turned out to be a born cook and housewife. And as if to make up to her those twenty colorless years Providence sent Susie twin boys at the end of her first year and twin girls at the end of the third.

This blossoming out of little drab Susie Melton was a shock to Green Valley. But Grandma Wentworth wasn't a mite surprised and said she knew that Susie would come into her own some day. As for Jake, he is so in love with his rosy little wife and his four good-looking children that he just goes on raising bumper crops without hardly knowing how he does it. And he says he doesn't hanker much after heaven; that home is plenty good enough for him. And when he goes to town Jake takes care to tie his team in front of Billy Evans' place instead of the hotel.

"Not that I can't take a drink or two and stop," he explained to Billy, "but I have good cider and buttermilk and Susie's grape juice to home and the smartest of us ain't any too wise while we stand beside a bar. And I'd ruther go home dead than go back to Susie and the children the least bit silly with liquor. When the Almighty sends a man like me a family like mine He's got something in His mind and I ain't agoing to spoil things just for a drink or two of slops."

So on rainy days Billy's office is the gathering place for such men as find the atmosphere in the hotel and blacksmith shop a little too fragrantly spirited for their eventual domestic happiness.

Not that Billy is a teetotaler. No, indeed. He has his drink whenever he wants it. And he good-naturedly permits such staggering wretches as the hotel refuses to accommodate to sleep it off in his barns. And he is the only man in Green Valley who ever seriously hired Hank Lolly and kept him sober twelve hours at a stretch. The other business men make considerable fun of Billy's hired help; the trifling boys he hires, boys that everybody else has tried and sent packing. Billy says nothing though he did explain fully to Grandma Wentworth once.

"You see it's like this, Grandma. I ain't fixed to pay fancy wages just yet and those kids that everybody runs down ought to be off the streets doing something. Of course some of them are trifling. But I ain't such a stickler for sharp-edged goodness myself nor in any way at all virtuous. I'm terrible easy-going myself and I know just how kids like Charlie Pinley feel working for a man, a careful, exact man like Mr. James D. Austin. By gosh! if I had to work a whole week for Mr. Austin I'd kill myself. Never could stand too much neatness and worrying about time being money and human nature too full of meanness. No, sir—I can't live like that. I guess maybe it's because I'm kind of no-account myself that I understand these kids and they understand me. They all like horses same as me and I pay them all I can afford and will do more for them when things pick up and grow.

"Now there's people as laugh about me hiring Hank Lolly. I guess it's the first time Hank has ever held a job longer than a week. But I tell you, Grandma, I like Hank and I understand him. And I don't ever think I'm fit enough myself to be forever preaching at him about reforming. I figure that what a man eats and drinks is none of my business in a way. But I did explain to Hank that if he would come and work for me I'd furnish him with so many drinks every day and meals and a comfortable place to sleep. I showed him that it was better to be sure of a few drinks every day than to get blind drunk on a week's wages and then go weeks maybe without a decent spree, without decent meals, maybe without underwear and an overcoat. And Hank saw the sense of that. He gets his meals up at the house. My old woman (Billy's wife was a pretty girl of twenty-three and still a bride) sides in with what I'm doing and she sets Hank down every day to three square meals. And a man just can't hold so much liquor on a comfortably filled stomach. Anyhow, Hank is doing fine and I'm putting a few dollars in the bank unbeknownst for him. I can't trust him just yet with any noticeable amount of cash. But I'm never down on him for his drinking. No, sir! Every time he feels that he must get drunk or die why he just comes up and tells me and I get him whatever he thinks he needs for his jag and let him get full right here where I can watch him. Why—Grandma, Hank has an easier life than I have. He doesn't need to worry about anything and he knows it. And I'll be goshed if I don't think he's improving. He don't need a jag near so often as he used to and I can trust him now with any kind of work. Why, only last week I gave him a moving job, a big one, and sent him off twenty miles with my two best teams. And he brought those loads of furniture back O. K., dry and without a scratch, though I couldn't sleep all night listening to the buckets of rain dashing against the house and thinking of Hank drunk out there in it with the furniture and wagons in splinters and the horses dead maybe. And honest, when I saw him pull up into the barns, I just hauled him off that seat and—well—I just said things, told him what I thought of him and how I appreciated what he'd done. 'And now, Hank,' I says, 'you can have the greatest old jag you've ever planned on for this.'

"And I'm goshed if he didn't laugh out kind of funny and says he, 'Billy, I'm so goldarned wet right now that I couldn't stand another drop of wetness anywhere. But all these five hours that the rain was a-sloshing me I kept thinking of them there apple dumplings with cream that Mrs. Evans makes (Hank always calls the old woman Mrs. Evans). So, Billy, if it's all the same to you and I could get full on them there apple dumplings, why, them's my choice.'

Green Valley

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