Читать книгу The Flirt - Kathleen Tessaro - Страница 15

Rose stood awkwardly in front of a table massed with silverware. Her interview wasn’t going well. It began over an hour ago when Mr Gaunt, the butler, interrogated her about her slender CV. Then he moved on to what he referred to as ‘the practical exercises’. They’d just established that she knew nothing about the proper care of silver and now were involved in a guessing game with various bits of cutlery. The suit she’d borrowed from her friend Sheri was too big in most places and too tight in others. And it itched. But she didn’t dare scratch in front of Mr Gaunt.

Gaunt, in turn, had never recovered from the considerable impression that the television series Upstairs, Downstairs had made on him in the seventies. It was an era when he’d struggled with his identity and the result was a curious devotion to archaic class distinctions along with a violent obsession with Jean Marsh. Power plays that might have resolved themselves quite harmlessly in the more traditional sado-masochistic club circuit thus oozed out into his professional life with alarming regularity.

Poor Rose watched in dread as his gloved hand moved towards another exotic utensil.

‘And this, Miss Moriarty?’ He held up a narrow, curved piece with three long prongs.

It was agony.

She hesitated. ‘Another fork?’

He sighed, making a mark in his notebook next to all the other marks, before replacing it with the rest. ‘It is a lobster trident, Miss Moriarty. Extremely rare. At a push it may also be used to serve crab. But only at a push.’

‘Oh.’

She’d tried being funny about her mistakes in the beginning but that was a long while ago now and there weren’t that many amusing things to say about cutlery.

‘This is the last one,’ he informed her, making his final selection.

She nearly laughed with relief. ‘A dessert spoon!’ she cried triumphantly.

Gaunt’s silence was withering.

‘It is a serving spoon,’ he said at last. ‘And a particularly large one at that.’

Rose watched as he made a final, devastating mark, then closed the notebook.

‘I’m afraid, Miss Moriarty, that your dinner-service knowledge leaves something to be desired.’

Her golden life-changing opportunity was slipping through her fingers.

‘Yes, but I could learn about that. You know, get a book from the library or something.’

‘The position of junior assistant to the acting assistant household manager is one of extreme delicacy and discretion. The circles in which the Bourgalt du Coudrays move are filled with aristocracy, politicians, famous actors and actresses, well-known figures from the art world, musicians…’

‘Yes,’ Rose cut in eagerly, ‘I know all about them! Ask me some questions!’ An avid reader of Hello! magazine, here was one test she was bound to pass with flying colours.

‘My point,’ Gaunt went on, glaring at her, ‘is that these are people who are used to a certain level of service and with whom mistakes must simply not be made. Under any circumstance. In addition, Mr Bourgalt du Coudray is a gentleman of very little patience. If he asks for a lobster trident, my girl, and you send him a dessert spoon, you’ll be in no small amount of trouble.’

‘Oh,’ said Rose again.

It was all proving a great deal more difficult than she had imagined.

He walked out into the front hallway and she followed him, giving her left thigh a quick scratch while she had the chance.

‘Language is of the utmost importance.’

‘I hardly ever swear!’

‘I’m not referring merely to foul language, Miss Moriarty.’ He flung open the double doors of one of the largest, most ornately furnished and beautiful rooms she’d ever seen in her life. ‘What would you call this room?’

It was the room closest to the door, she calculated. ‘The front room?’

‘The drawing room,’ he corrected her. ‘This is my point exactly. You need to use the proper language, not only because directions become confused but because language sets the tone, to guests as well as one’s employers. No one wants to work in a house where the tone is lax. “Madame, Mr So and So is waiting in the drawing room.” It reminds them of who they are and what they are about. When you’re gone they may roll around and grunt like pigs, for all you care. But it’s the tone of the household and the quality of the staff that make a situation civilized. To lower the tone is to degrade yourself, Miss Moriarty.’

He handed her a small stack of note cards and a pencil. ‘For your last exercise I would like you to write down the proper name of everything you see in this room. I will be back in fifteen minutes to check your progress. And remember, good penmanship is also a consideration.’

He closed the doors.

Rose looked round.

There was an awful lot of stuff.

She started with basics.

‘Settee,’ she wrote and placed the card carefully in the middle of the velvet Knowle sofa. ‘Pouff,’ she labelled the matching ottoman. On either side stood a pair of large salon chairs with elaborate claw arms, painted with gold leaf. They reminded her of the ones Posh and Becks used at their wedding. ‘His and Hers Thrones,’ she wrote neatly.

Now, there must be a television somewhere. No one had a settee without a television. She scanned the room. Wait a minute…it must be behind one of the wall panels! She smiled. Very clever! A lot of people were probably fooled by that one. ‘Television,’ she wrote, being careful to use the full and correct name rather than just TV. Licking the back of the card, she stuck it to the wall.

The marble-topped Empire commode had bottles of liquor and glasses on it: ‘Home bar,’ she inscribed. And these bookshelves were filled with fake books; she tried to pull one out but they were all glued together. Why would anyone bother to do that? They must have something to hide. It was probably a secret panel, the kind which when you pressed, led to another room. ‘Secret Panel!’ she wrote boldly, adding an exclamation point to show that she too had been amused.

Six Holbein self-portraits fell under the heading of ‘A Few of the Apostles’ (she wondered that they hadn’t bothered to buy the rest) and the unfinished Degas sketch was labelled ‘Picture of a girl with no legs’. The chaise longue was cast as a ‘Broken Settee’, the Ming Dynasty vases as ‘Sweet Jars’ and the elephant foot’s table as ‘a badly burnt stump’. (There was no accounting for taste.)

Next she turned her attention to the priceless collection of Dresden china figurines massed on the mantelpiece. There were a couple of words one was meant to use for things like this. Rose had heard her father, who ran a junk shop, use them. And she dearly wanted to impress Mr Gaunt with her expertise.

It wasn’t ‘bits and bobs’, but it was something like that…ah!

‘Nick Naxs,’ she wrote quickly.

And to the assortment of tiny seventeenth-century cloisonné snuffboxes, she gave the other specialist heading of ‘Brick a Brack’.

But then Rose wavered.

This was the trouble with getting clever, there was always something to catch you out.

Surely the chief differentiating feature between a knick-knack and bric-a-brac was the size of the object.

But which was larger?

Her confidence faltered. There were only a few minutes left and still so many things to label.

Rose’s concentration began to fray.

‘Faded old rug,’ she jotted, dropping the card on the Aubusson. ‘Half a table’ landed on the demi-lune console, and ‘Fun House Mirrer’ on the large Georgian convex looking glass above the mantel.

But still the larger question wrangled: which was bigger? A knick-knack or bric-a-brac?

Two minutes left. Rose began to panic. ‘Picture Book Bible’ on the large edition of Les Très Riches Heures de Jean Due de Berry. She frowned. ‘Dirty Pictures,’ she scribbled disdainfully on the signed Helmut Newton photography book. (You’d think he’d have the decency to at least hide them!)

Only one more minute!

Should she switch them?

Her throat constricted, heart raced. All her past failures and missed opportunities distilled into this single task. What was the use anyway? She’d failed the cutlery test. And the one about the silver. Her entire life was one big stupid mistake after another!

And, in the shadow of this sudden, crushing depression, Rose’s standards began to slip.

‘Another fucking chair’ on the Victorian reading chair, ‘Two ugly pillow biters’ on the portraits of Arnaud’s great-great-grandfather and uncle, ‘A bunch of total strangers’ on the cluster of silver-framed family photographs on the piano. And on top of the Steinway, in capital letters, ‘I’LL BET NO ONE EVEN PLAYS!’

And so on it went.

Until Mrs Bourgalt du Coudray herself walked in, followed by Simon Grey.

Now, as is often the way in large households, a great many things were all going on at the same time. So, while Gaunt was busy vetting young hopefuls for the position of junior assistant to the acting assistant household manager, somewhere on a floor above him Simon Grey and Olivia were conducting their own fevered interviews for a replacement for Roddy Prowl. They had scoured the art schools of London for someone daring, original and preferably offensive to take Roddy’s place and were promised that several candidates would appear at 45 Chester Square before the day was out. Indeed, in bedsitting rooms all across London, young artists were gathering together portfolios, throwing on clothes, and gulping down vast amounts of coffee in an attempt to sober up in time to make an impression on this powerful duo.

But they needn’t have bothered.

Because fate had another thing in mind.

Olivia flung open the drawing-room doors.

Her head throbbed from worry and nerves. Never had she imagined that agreeing to become chairman of the gallery would involve so much hands-on interaction. Now all of a sudden they were in crisis and Simon was looking to her, of all people, for help. Already they’d seen dozens of portfolios, none suitable. Hope waned. They would never be able to find a worthy replacement in time.

It was time to face facts.

‘The thing is, Simon,’ she explained, ‘we need an original statement, not just a worthy candidate but an exceptional one, with something daring to say. But the chances of us finding an artist of that calibre at such short notice…’

She stopped. Something above the mantelpiece caught her eye.

‘Fun House Mirrer,’ a small note card read, written in careful, childish writing. Lower down, by the china figurines, was another.

‘Nick Naxs.’

And on top of the collection of snuffboxes, ‘Brick a Brack.’

She turned round.

Little cards were everywhere!

‘Sette.’

‘Pouff.’

‘Half a table.’

‘My God!’ Simon gasped. ‘Your home has been vandalized! Shall I call the police?’

Olivia didn’t answer.

She was staring at the photographs in the silver frames.

‘A bunch of total strangers,’ it said.

A bunch of total strangers!

Who could’ve done such a thing?

What did it mean?

Still, she couldn’t escape the bizarre feeling that she was seeing her relations clearly for the first time.

‘Another fucking chair…’ she murmured, reading the cards out loud. ‘Secret Panel?’ The breath caught in her chest. ‘His and Hers Thrones!’

How ghastly!

How intrusive!

How accurate!

Simon was right: it was vandalism. But it was also something more.

Here was the room, just as she’d left it except for the mysterious cards. Nothing had really changed. And yet suddenly her perspective was irrevocably altered. It was offensive, shocking; subtle.

Simon tried unsuccessfully to suppress a laugh. ‘Look at this one!’ He pointed to the Helmut Newton. ‘That’s hysterical!’

‘I’ve always hated that book.’

‘Really?’ He leafed through it surreptitiously. ‘I think it’s kind of sexy.’

Olivia gripped his arm. ‘This is extraordinary!’

‘Yes. The spelling is atrocious and the handwriting!’

‘You said Mona was sending someone?’

‘Yes…’

‘Do you think?’

His eyes widened. ‘No!’

‘What else could it be?’

‘An installation! My God! How remarkable! The absurdity—like Dadaism!’

‘I’ve never encountered anything like it,’ she agreed.

A small figure was slumped in a corner.

‘My God, the artist,’ Olivia pointed. ‘She’s so young!’

They approached.

‘Hello!’ Olivia smiled brightly.

The girl nodded.

‘What do you call this piece?’

‘I’m sorry?’

‘The name of this piece,’ Simon spoke slowly, clearly. ‘Does it have a name?’

A large tear rolled down the girl’s cheek. ‘I just don’t see…I mean, what’s the point in carrying on?’

Her words cut through Olivia like a blade.

‘“What’s the Point in Carrying On”,’ she repeated.

Only a few times in her life had anything struck her so forcibly. A terrible feeling of transparency flooded her.

Here it all was; the world she struggled to create, her public face in all its desperate grandeur and ostentatiousness. How could this stranger, little more than a teenager, really, have guessed so accurately at the emptiness beneath the surface?

What was the point indeed?

Olivia crouched down next to the girl. ‘I can’t tell you how much I admire what you’ve done.’

The girl blinked.

‘Look, Simon, at the detail! I mean, even the suit she’s wearing!’

‘Yes, dreadful! What’s your name?’

‘Rose.’ She struggled to her feet. ‘Rose Moriarty’

‘Oh, dear. Do you have another one? Names in this business are important, you see.’

‘Sometimes people call me Red.’

‘That’s good!’

‘But I don’t like it,’ she added.

‘Never mind. Red Moriarty!’ He turned to Olivia. ‘How’s this? “Subversion has a new name: Red Moriarty”!’

‘Brilliant!’

‘Does this mean I’m hired?’ the girl asked.

But Olivia didn’t hear. This remarkable young woman had taken the very lack of substance in her life and elevated it to the status of art.

For the first time in a long time, she felt energized.

‘No one is to touch this room! Simon, get Mona Freestyle on the phone! I want this whole piece transferred to the gallery immediately. You’re a very clever girl.’

‘Really?’

‘Incredibly talented!’

‘At what?’

Olivia and Simon exchanged a look.

‘And witty!’ Simon laughed. ‘Where did you train?’

‘Train? I left school when I was fifteen. You see, I have a little boy’

‘A child? But you can’t be more than twelve yourself!’

‘I’m twenty-two. Well, almost. Next month.’

‘And your background?’ Simon demanded. ‘Where were you born? Where do you live? What are your family like?’

‘I’m from Kilburn. My dad owns a junk shop. My mother left when I was ten. I live in a council flat on an estate near Queens Park.’

He could hardly contain himself. ‘How perfectly Tracey!’

Olivia gestured for her to sit. ‘And your love of conceptual art…where does it come from?’

‘Art?’ The girl tugged at the ugly suit. ‘I can’t even draw’

‘Nobody draws any more!’ Simon assured her. ‘I couldn’t sell a drawing if my life depended on it!’

‘An utterly raw talent,’ Olivia shook her head in amazement.

‘You’re right,’ Simon nodded. ‘God has answered all our prayers! Here is the enfant terrible we’ve been looking for! Even more enfant than Roddy and infinitely more terrible!’

Meanwhile, downstairs, one of the artists that Mona Freestyle of the Slade had recommended, a lanky young man with a large nose and beady eyes who specialized in preserving human remains in aspic, was being interviewed by Gaunt. He’d done quite well on the silver-polishing exercise and acquitted himself admirably during the cutlery identification. (The lobster trident was no stranger to him.)

Unfortunately, he didn’t have the opportunity to attempt the final exercise, as Simon Grey had the drawing room cordoned off and everything removed to the gallery later that afternoon. But Gaunt decided to hire him regardless. The quality of his sneer was first rate; he possessed a natural sense of superiority which couldn’t be taught. And if truth be told, there was something of Jean Marsh in the way he moved.

So perhaps England lost yet another great artist in the making to the service industry.

Then again, perhaps not.