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Table of Contents

Dedication

Foreward

Introduction

Photography: Unlike the Other “Fine” Arts

Talent

Why Are You a Photographer?

Education

Objective Versus Subjective Learning

It Is Not About the Camera

Can You be a Photographer?

The Importance of Composition

50 Principles of Composition

1. Moving in Close

2. Placing Center of Interest

3. Placing Secondary Objects

4. “Framing” the Photograph

5. Dividing the Photograph

6. Separating the Subject and Background

7. Avoiding Mental Hazards

8. Balancing for Harmony

9. Choosing Vertical or Horizontal Formats

10. Leading Lines

11. Moving Objects

12. Placing People

13. Centralization of Religious Symbols

14. Colour Composition

15. Filters

16. Avoiding Center of Interest

17. Suggesting What is Not Apparent

18. Fore-, Middle, and Background

19. Rhythm

20. Texture

21. Omitted Items

22. Space

23. Value Contrast

24. Circles

25. Pyramids

Composition in Hindsight

26. Radii

27. Rectangles

28. Planes

29. Colour Mergers

30. Perspective

31. Exploration

32. Isolation

33. Organization

34. Perception

35. Storytelling

36. Pictures Have Edges

37. Monocular Vision

38. Discriminating Objects

39. Movement

40. Sequence

41. Tonal Interchange

42. Reviewing Through Diagrams

43. Light and Texture

44. Time

45. Symbol

46. Organizing the Picture

47. Abstraction and Ambiguity of Space

48. Surrealism

49. Light

50. Imagination

Creativity in Photography

Photography

The Driven Man

Closing Remarks: A Summary

About the Author

Photographic Watercolour & Bromoil Print Examples

How to Contact Klaus Bohn