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The Third Casket.

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(The Saturday Evening Post, 31 May 1924)

When you come into Cyrus Girard’s office suite on the thirty-second floor you think at first that there has been a mistake, that the elevator instead of bringing you upstairs has brought you uptown, and that you are walking into an apartment on Fifth Avenue where you have no business at all. What you take to be the sound of a stock ticker is only a businesslike canary swinging in a silver cage overhead, and while the languid debutante at the mahogany table gets ready to ask you your name you can feast your eyes on etchings, tapestries, carved panels and fresh flowers.

Cyrus Girard does not, however, run an interior-decorating establishment, though he has, on occasion, run almost everything else. The lounging aspect of his ante-room is merely an elaborate camouflage for the wild clamor of affairs that goes on ceaselessly within. It is merely the padded glove over the mailed fist, the smile on the face of the prizefighter.

No one was more intensely aware of this than the three young men who were waiting there one April morning to see Mr. Girard. Whenever the door marked Private trembled with the pressure of enormous affairs they started nervously in unconscious unison. All three of them were on the hopeful side of thirty, each of them had just got off the train, and they had never seen one another before. They had been waiting side by side on a Circassian leather lounge for the best part of an hour.

Once the young man with the pitch-black eyes and hair had pulled out a package of cigarettes and offered it hesitantly to the two others. But the two others had refused in such a politely alarmed way that the dark young man, after a quick look around, had returned the package unsampled to his pocket. Following this disrespectful incident a long silence had fallen, broken only by the clatter of the canary as it ticked off the bond market in bird land.

When the Louis XIII clock stood at noon the door marked Private swung open in a tense, embarrassed way, and a frantic secretary demanded that the three callers step inside. They stood up as one man.

“Do you mean—all together?” asked the tallest one in some embarrassment.

“All together.”

Falling unwillingly into a sort of lockstep and glancing neither to left nor right, they passed through a series of embattled rooms and marched into the private office of Cyrus Girard, who filled the position of Telamonian Ajax among the Homeric characters of Wall Street.

He was a thin, quiet-mannered man of sixty, with a fine, restless face and the clear, fresh, trusting eyes of a child. When the procession of young men walked in he stood up behind his desk with an expectant smile.

“Parrish?” he said eagerly.

The tall young man said “Yes, sir,” and was shaken by the hand.

“Jones?”

This was the young man with the black eyes and hair. He smiled back at Cyrus Girard and announced in a slightly southern accent that he was mighty glad to meet him.

“And so you must be Van Buren,” said Girard, turning to the third. Van Buren acknowledged as much. He was obviously from a large city—unflustered and very spick-and-span.

“Sit down,” said Girard, looking eagerly from one to the other. “I can’t tell you the pleasure of this minute.”

They all smiled nervously and sat down.

“Yes, sir,” went on the older man, “if I’d had any boys of my own I don’t know but what I’d have wanted them to look just like you three.” He saw that they were all growing pink, and he broke off with a laugh. “All right, I won’t embarrass you anymore. Tell me about the health of your respective fathers and we’ll get down to business.”

Their fathers, it seemed, were very well; they had all sent congratulatory messages by their sons for Mr. Girard’s sixtieth birthday.

“Thanks. Thanks. Now that’s over.” He leaned back suddenly in his chair. “Well, boys, here’s what I have to say. I’m retiring from business next year. I’ve always intended to retire at sixty, and my wife’s always counted on it, and the time’s come. I can’t put it off any longer. I haven’t any sons and I haven’t any nephews and I haven’t any cousins and I have a brother who’s fifty years old and in the same boat I am. He’ll perhaps hang on for ten years more down here; after that it looks as if the house, Cyrus Girard, Incorporated, would change its name.

“A month ago I wrote to the three best friends I had in college, the three best friends I ever had in my life, and asked them if they had any sons between twenty-five and thirty years old. I told them I had room for just one young man here in my business, but he had to be about the best in the market. And as all three of you arrived here this morning I guess your fathers think you are. There’s nothing complicated about my proposition. It’ll take me three months to find out what I want to know, and at the end of that time two of you’ll be disappointed; the other one can have about everything they used to give away in the fairy tales, half my kingdom and, if she wants him, my daughter’s hand.” He raised his head slightly. “Correct me, Lola, if I’ve said anything wrong.”

At these words the three young men started violently, looked behind them, and then jumped precipitately to their feet. Reclining lazily in an armchair not two yards away sat a gold-and-ivory little beauty with dark eyes and a moving, childish smile that was like all the lost youth in the world. When she saw the startled expressions on their faces she gave vent to a suppressed chuckle in which the victims after a moment joined.

“This is my daughter,” said Cyrus Girard, smiling innocently. “Don’t be so alarmed. She has many suitors come from far and near—and all that sort of thing. Stop making these young men feel silly, Lola, and ask them if they’ll come to dinner with us tonight.”

Lola got to her feet gravely and her grey eyes fell on them one after another.

“I only know part of your names,” she said.

“Easily arranged,” said Van Buren. “Mine’s George.”

The tall young man bowed.

“I respond to John Hardwick Parrish,” he confessed, “or anything of that general sound.”

She turned to the dark-haired southerner, who had volunteered no information. “How about Mr. Jones?”

“Oh, just—Jones,” he answered uneasily.

She looked at him in surprise.

“Why, how partial!” she exclaimed, laughing. “How—I might even say how fragmentary.”

Mr. Jones looked around him in a frightened way.

“Well, I tell you,” he said finally, “I don’t guess my first name is much suited to this sort of thing.”

“What is it?”

“It’s Rip.”

“Rip!”

Eight eyes turned reproachfully upon him.

“Young man,” exclaimed Girard, “you don’t mean that my old friend in his senses named his son that!”

Jones shifted defiantly on his feet.

“No, he didn’t,” he admitted. “He named me Oswald.”

There was a ripple of sympathetic laughter.

“Now you four go along,” said Girard, sitting down at his desk. “Tomorrow at nine o’clock sharp you report to my general manager, Mr. Galt, and the tournament begins. Meanwhile if Lola has her coupé-sport-limousine-roadster-landaulet, or whatever she drives now, she’ll probably take you to your respective hotels.”

After they had gone Girard’s face grew restless again and he stared at nothing for a long time before he pressed the button that started the long-delayed stream of traffic through his mind.

“One of them’s sure to be all right,” he muttered, “but suppose it turned out to be the dark one. Rip Jones, Incorporated!”

The Complete Works of F. Scott Fitzgerald

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