Читать книгу Shallow Soil - Knut Hamsun - Страница 8

Evening falls over the town. Business rests, stores are closed, and lights are lowered. But old, grey-haired business men shut themselves in their offices, light their lamps, take out papers, open heavy ledgers, note some figures, a sum, and think. They hear the noise from the docks where steamers load and unload all night long.

It gets to be ten, eleven; the cafés are crowded and the traffic is great. All sorts of people roam the streets in their best attire; they follow each other, whistle after girls, and dart in and out from gateways and basement stairs. Cabbies stand at attention on the squares, on the lookout for the least sign from the passers-by; they gossip between themselves about their horses and smoke idly their vile pipes.

A woman hurries past—a child of night whom everybody knows; after her a sailor and a gentleman in silk hat, both eagerly stepping out to reach her first. Then two youths with cigars at an impertinent angle, hands in pockets, speaking loudly. Behind them another woman; finally, a couple of men hurrying to catch up with her.

But now one tower-clock after another booms forth the twelve solemn strokes all over the city; the cafés empty themselves, and from the music-halls crowds of people swarm into the streets. The winches are still groaning along the docks; cabs roll through the streets. But inside the hidden offices one old business chief after another has finished his accounts and his planning; the grey-headed gentlemen close their ledgers, take their hats from the rack, put out the lights, and go home.

And the last guests depart from the Grand, a crowd that has stuck to the end, young fellows, joyful souls. They saunter down the street with coats wide open, canes held jauntily under the arms, and hats slightly askew. They talk loudly, hum the latest popular air, call jestingly to a lonely, forgotten girl in a boa and white veil.

The company wanders toward the university. The conversation is about literature and politics, and, although nobody contradicts them, they are loud and eager: Was Norway a sovereign state or not? Was Norway perhaps not entitled to the rights and privileges of a sovereign state? Just wait a moment, the Speaker had promised to attend to things; besides, there were the elections…. All were agreed, the elections would decide.

Three of the gentlemen part from the group when the university is reached; the remaining two take another turn down the street, stop outside the Grand, and exchange opinions. It is Milde and Ojen. Milde is highly indignant.

"I repeat: If Parliament yields this time, it is me for Australia. In that case it will be unbearable here."

Ojen is young and nervous; his little, round, girlish face is pale and void of expression; he squints as if he were near-sighted, although his eyes are good, and his voice is soft and babyish.

"I am unable to understand that all this can interest you so greatly. It is all one to me." And Ojen shrugs his shoulders; he is tired of politics. His shoulders slope effeminately.

"Oh well, I won't detain you," says Milde. "By the way, have you written anything lately?"

"A couple of prose poems," replies Ojen, brightening at once. "I am waiting to get off to Torahus so I can start in in earnest. You are right —this town is unbearable!"

"Well—I had the whole country in mind, though—Say, don't forget next Thursday evening in my studio. By the way, old fellow, have you got a crown or so you could spare?"

Ojen unbuttons his coat and finds the crown.

"Thanks, old man. Thursday evening, then. Come early so that you can help me a little with the arrangements—Good Lord, silk lining! And I who asked you for a miserable crown! I hope I did not offend you."

Ojen smiles and pooh-poohs the joke.

"As if one sees anything nowadays but silk-lined clothes!"

"By Jove! What do they soak you for a coat like that?" And Milde feels the goods appraisingly.

"Oh, I don't remember; I never can remember figures; that is out of my line. I put all my tailor bills away; I come across them whenever I move."

"Ha, ha, ha! that is certainly a rational system, most practical. For I do not suppose you ever pay them!"

"In God's own time, as the Bible says—Of course, if I ever get rich, then—But I want you to go now. I must be alone."

"All right, good night. But listen, seriously speaking: if you have another crown to spare—"

And once more Ojen unbuttons his coat.

"A thousand thanks! Oh, you poets, you poets! Where, for instance, may you be going now?"

"I think I'll walk here awhile, and look at houses. I can't sleep, so I count the windows; it is not such a bad occupation at times. I take an exquisite pleasure in satiating my vision with squares and rectangles, with pure lines. Of course, you cannot understand such things."

"I should say I did understand—no one better! But I prefer human beings. Don't you at times—flesh and blood, humans, eh—they have their attraction, don't you think?"

"I am ashamed to say it, but people weary me. No; take for instance the sweep of a solitary, deserted street—have you never noticed the charm of such a view?"

"Haven't I? I am not blind, not entirely. A desolate street, of course, has its own beauty, its own charm, in its kind the highest charm imaginable. But everything in its place—Well, I must not detain you! Au revoir—Thursday!"

Milde saluted with his cane, turned, and strolled up the street. Ojen continued alone. He proved a few moments afterward that he had not lost all his interest in human beings; he had calumniated himself. To the very first hussy who hailed him he gave, absent-mindedly, every penny he had left, and continued his way in silence. He had not spoken a word; his slender, nervous figure disappeared in the darkness before the girl could even manage to thank him—

And at last everything is still; the winches fall to rest along the wharves; the town has turned in. From afar, nobody knows from where, comes the sound of a single footfall; the gas flames flicker in the street lamps; two policemen talk to each other, occasionally stamping their feet to keep warm.

Thus the night passes. Human footsteps here and there; now and then a policeman who stamps his feet to keep warm.