The German Classics of the Nineteenth and Twentieth Centuries, Volume 03
Реклама. ООО «ЛитРес», ИНН: 7719571260.
Оглавление
Коллектив авторов. The German Classics of the Nineteenth and Twentieth Centuries, Volume 03
THE LIFE OF SCHILLER
BY CALVIN THOMAS, LL.D
POEMS
TO THE IDEAL (1795)
THE VEILED IMAGE AT SAÏS (1795)
THE IDEAL AND THE ACTUAL LIFE (1795)
GENIUS (1795)
VOTIVE TABLETS
MOTTO TO THE VOTIVE TABLETS
THE GOOD AND THE BEAUTIFUL
VALUE AND WORTH
THE KEY
THE DIVISION OF RANKS
TO THE MYSTIC
WISDOM AND PRUDENCE
THE UNANIMITY
THE SCIENCE OF POLITICS
TO ASTRONOMERS
THE BEST GOVERNED STATE
MY BELIEF
FRIEND AND FOE
LIGHT AND COLOR
FORUM OF WOMEN
GENIUS
THE IMITATOR
CORRECTNESS
THE MASTER
EXPECTATION AND FULFILLMENT
THE PROSELYTE MAKER
THE CONNECTING MEDIUM
THE MORAL POET
THE SUBLIME THEME
SCIENCE
KANT AND HIS COMMENTATORS
THE MAIDEN FROM AFAR (1796)
THE GLOVE (1797)
THE CRANES OF IBYCUS (1797)
THE WORDS OF BELIEF (1797)
THE WORDS OF ERROR (1799)
THE GERMAN ART (1800)
COMMENCEMENT OF THE NEW CENTURY (1801)
CASSANDRA (1802)
RUDOLPH OF HAPSBURG (1803)
DRAMAS
INTRODUCTION TO WALLENSTEIN'S DEATH
THE DEATH OF WALLENSTEIN
DRAMATIS PERSONÆ
THE DEATH OF WALLENSTEIN (1800)[23]
ACT I
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
ACT II
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
ACT III
SCENE I
SCENE II
SCENE III
DUCHESS
SCENE IV
WALLENST
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS
SCENE X
SCENE XI
SCENE XII
SCENE XIII
SCENE XIV
SCENE XV
SCENE XVI
SCENE XVII
SCENE XVIII
SCENE XIX
SCENE XX
TERZKY
SCENE XXI
SCENE XXII
SCENE XXIII
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
SCENE X
SCENE XI
THEKLA
SCENE XIII
SCENE XIV
ACT V
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
SCENE X
SCENE XI
SCENE XII
INTRODUCTION TO WILLIAM TELL
DRAMATIS PERSONÆ
WILLIAM TELL (1804)[36]
ACT I
SCENE I
SCENE II
SCENE III
SCENE IV
ACT II
SCENE I
RUDENZ
SCENE II
ACT III
SCENE I
SCENE II
SCENE III
ACT IV
SCENE I
SCENE II
SCENE III
ACT V
SCENE I
SCENE II
SCENE III
THE HOMAGE OF THE ARTS
A MASQUE
A FATHER. A MOTHER. A YOUTH. A MAIDEN. CHORUS OF COUNTRY PEOPLE. GENIUS. THE SEVEN ARTS
THE HOMAGE OF THE ARTS (1804)
THE FATHER
HISTORY AND LITERATURE
ON THE USE OF THE CHORUS IN TRAGEDY (1803)[63]
SCHILLER-GOETHE CORRESPONDENCE[64]
*** START: FULL LICENSE ***
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
Section 2. Information about the Mission of Project Gutenberg-tm
Section 3. Information about the Project Gutenberg Literary Archive Foundation
Section 5. General Information About Project Gutenberg-tm electronic works
Отрывок из книги
Professor of Germanic Languages and Literatures, Columbia University
Friedrich Schiller, the greatest of German dramatic poets, was born November 10, 1759, at Marbach in Swabia. His father was an officer in the army which the Duke of Württemberg sent out to fight the Prussians in the Seven Years' War. Of his mother, whose maiden name was Dorothea Kodweis, not much is known. She was a devout woman who lived in the cares and duties of a household that sometimes felt the pinch of poverty. After the war the family lived a while at the village of Lorch, where Captain Schiller was employed as recruiting officer. From there they moved, in 1766, to Ludwigsburg, where the extravagant duke Karl Eugen had taken up his residence and was bent on creating a sort of Swabian Versailles. Here little Fritz went to school and was sometimes taken to the gorgeous ducal opera, where he got his first notions of scenic illusion. The hope of his boyhood was to become a preacher, but this pious aspiration was brought to naught by the offer of free tuition in an academy which the duke had started at his Castle Solitude near Stuttgart.
.....
To exercise the single apprehension
Where the sums square in proof;
.....