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II

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Those of you who have already followed Emily through her years of New Moon and Shrewsbury[1] must have a tolerable notion what she looked like. For those of you to whom she comes as a stranger let me draw a portrait of her as she seemed to the outward eye at the enchanted portal of seventeen, walking where the golden chrysanthemums lighted up an old autumnal, maritime garden. A place of peace, that garden of New Moon. An enchanted pleasaunce, full of rich, sensuous colours and wonderful spiritual shadows. Scents of pine and rose were in it; boom of bees, threnody of wind, murmurs of the blue Atlantic gulf; and always the soft sighing of the firs in Lofty John Sullivan’s “bush” to the north of it. Emily loved every flower and shadow and sound in it, every beautiful old tree in and around it, especially her own intimate, beloved trees—a cluster of wild cherries in the southwest corner, Three Princesses of Lombardy, a certain maiden-like wild plum on the brook path, the big spruce in the centre of the garden, a silver maple and a pine further on, an aspen in another corner always coquetting with gay little winds, and a whole row of stately white birches in Lofty John’s bush.

Emily was always glad that she lived where there were many trees—old ancestral trees, planted and tended by hands long dead, bound up with everything of joy and sorrow that visited the lives in their shadows.

A slender, virginal young thing. Hair like black silk. Purplish-grey eyes, with violet shadows under them that always seemed darker and more alluring after Emily had sat up to some unholy and un-Elizabethan hour completing a story or working out the skeleton of a plot; scarlet lips with a Murray-like crease at the corners; ears with Puckish, slightly pointed tips. Perhaps it was the crease and the ears that made certain people think her something of a puss. An exquisite line of chin and neck; a smile with a trick in it; such a slow-blossoming thing with a sudden radiance of fulfilment. And ankles that scandalous old Aunt Nancy Priest of Priest Pond commended. Faint stains of rose in her rounded cheeks that sometimes suddenly deepened to crimson. Very little could bring that transforming flush—a wind off the sea, a sudden glimpse of blue upland, a flame-red poppy, white sails going out of the harbour in the magic of morning, gulf-waters silver under the moon, a Wedgwood-blue columbine in the old orchard. Or a certain whistle in Lofty John’s bush.

With all this—pretty? I cannot tell you. Emily was never mentioned when Blair Water beauties were being tabulated. But no one who looked upon her face ever forgot it. No one, meeting Emily the second time ever had to say “Er—your face seems familiar but—” Generations of lovely women were behind her. They had all given her something of personality. She had the grace of running water. Something, too, of its sparkle and limpidity. A thought swayed her like a strong wind. An emotion shook her as a tempest shakes a rose. She was one of those vital creatures of whom, when they do die, we say it seems impossible that they can be dead. Against the background of her practical, sensible clan she shone like a diamond flame. Many people liked her, many disliked her. No one was ever wholly indifferent to her.

Once, when Emily had been very small, living with her father down in the little old house at Maywood, where he had died, she had started out to seek the rainbow’s end. Over long wet fields and hills she ran, hopeful, expectant. But as she ran the wonderful arch was faded—was dim—was gone. Emily was alone in an alien valley, not too sure in which direction lay home. For a moment her lips quivered, her eyes filled. Then she lifted her face and smiled gallantly at the empty sky.

“There will be other rainbows,” she said.

Emily was a chaser of rainbows.

[1]See Emily of New Moon and Emily Climbs.
Emily's Quest

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