Читать книгу James VI and the Gowrie Mystery - Lang Andrew, May Kendall - Страница 2

There are enigmas in the annals of most peoples; riddles put by the Sphinx of the Past to the curious of the new generations. These questions do not greatly concern the scientific historian, who is busy with constitution-making, statistics, progress, degeneration, in short with human evolution. These high matters, these streams of tendency, form the staple of history, but the problems of personal character and action still interest some inquiring minds. Among these enigmas nearly the most obscure, ‘The Gowrie Conspiracy,’ is our topic.

This affair is one of the haunting mysteries of the past, one of the problems that nobody has solved. The events occurred in 1600, but the interest which they excited was so keen that belief in the guilt or innocence of the two noble brothers who perished in an August afternoon, was a party shibboleth in the Wars of the Saints against the Malignants, the strife of Cavaliers and Roundheads. The problem has ever since attracted the curious, as do the enigma of Perkin Warbeck, the true character of Richard III, the real face behind ‘The Iron Mask,’ the identity of the False Pucelle, and the innocence or guilt of Mary Stuart.

In certain respects the Gowrie mystery is necessarily less attractive than that of ‘the fairest and most pitiless Queen on earth.’ There is no woman in the story. The world, of course, when the Ruthvens died, at once acted on the maxim, cherchez la femme. The woman in the case, men said, was the beautiful Queen, Anne of Denmark, wife of James VI. That fair and frivolous dame, ‘very very woman,’ certainly did her best, by her behaviour, to encourage the belief that she was the cause of these sorrows. Even so, when the Bonny Earl Moray – the tallest and most beautiful man in Scotland – died like a lion dragged down by wolves, the people sang:

On one side was a beautiful Queen mated with James VI, a pedant and a clown. On the other side were, first the Bonny Earl, then the Earl of Gowrie, both young, brave, handsome, both suddenly slain by the King’s friends: none knew why. The opinion of the godly, of the Kirk, of the people, and even of politicians, leaped to the erroneous conclusion that the young men perished, like Königsmarck, because they were beautiful and beloved, and because the Queen was fair and kind, and the King was ugly, treacherous, and jealous. The rumour also ran, at least in tradition, that Gowrie ‘might have been the King,’ an idea examined in Appendix A. Here then was an explanation of the slaying of the Ruthvens on the lines dear to romance. The humorous King Jamie (who, if he was not always sensible, at least treated his flighty wife with abundance of sense) had to play the part of King Mark of Cornwall to Gowrie’s Sir Tristram. For this theory, we shall show, no evidence exists, and, in ‘looking for the woman,’ fancy found two men. The Queen was alternately said to love Gowrie, and to love his brother, the Master of Ruthven, a lad of nineteen – if she did not love both at once. It is curious that the affair did not give rise to ballads; if it did, none has reached us.

In truth there was no woman in the case, and this of course makes the mystery much less exciting than that of Mary Stuart, for whom so many swords and pens have been drawn. The interest of character and of love is deficient. Of Gowrie’s character, and even of his religion, apart from his learning and fascination, we really know almost nothing. Did he cherish that strongest and most sacred of passions, revenge; had he brooded over it in Italy, where revenge was subtler and craftier than in Scotland? Did this passion blend with the vein of fanaticism in his nature? Had he been biding his time, and dreaming, over sea, boyish dreams of vengeance and ambition? All this appears not improbable, and would, if true, explain all; but evidence is defective. Had Gowrie really cherished the legacy of revenge for a father slain, and a mother insulted; had he studied the subtleties of Italian crime, pondered over an Italian plot till it seemed feasible, and communicated his vision to the boy brother whom he found at home – the mystery would be transparent.

As to King James, we know him well. The babe ‘wronged in his mother’s womb;’ threatened by conspirators before his birth; terrified by a harsh tutor as a child; bullied; preached at; captured; insulted; ruled now by debauched favourites, now by godly ruffians; James naturally grew up a dissembler, and betrayed his father’s murderer with a kiss. He was frightened into deceit: he could be cruel; he became, as far as he might, a tyrant. But, though not the abject coward of tradition, James (as he himself observed) was never the man to risk his life in a doubtful brawl, on the chance that his enemies might perish while he escaped. For him a treachery of that kind, an affair of sword and dagger fights on staircases and in turrets and chambers, in the midst of a town of doubtful loyalty, had certainly no attractions. Moreover, he had a sense of humour. This has been the opinion of our best historians, Scott, Mr. Tytler, and Mr. Hill Burton; but enthusiastic writers have always espoused the cause of the victims, the Ruthvens, so young, brave, handsome; so untimely slain, as it were on their own hearthstone. Other authors, such as Dr. Masson in our own day, and Mr. S. R. Gardiner, have abstained from a verdict, or have attempted the via media; have leaned to the idea that the Ruthvens died in an accidental brawl, caused by a nervous and motiveless fit of terror on the part of the King. Thus the question is unsettled, the problem is unsolved. Why did the jolly hunt at Falkland, in the bright August morning, end in the sanguinary scuffle in the town house at Perth; the deaths of the Ruthvens; the tumult in the town; the King’s homeward ride through the dark and dripping twilight; the laying of the dead brothers side by side, while the old family servant weeps above their bodies; and the wailing of the Queen and her ladies in Falkland Palace, when the torches guide the cavalcade into the palace court, and the strange tale of slaughter is variously told, ‘the reports so fighting together that no man could have any certainty’? Where lay the actual truth?

This problem, with which the following pages are concerned, is much darker and more complex than that of the guilty ‘Casket Letters’ attributed to Mary, Queen of Scots. The Queen did write these, in the madness of a criminal passion; or she wrote parts of them, the rest being garbled or forged. In either case, her motives, and the motives of the possible forgers, are distinct, and are human. The Queen was in love with one man, and hated another to the death; or her enemies desired to prove that these were her moods. Absolute certainty escapes us, but, either way, motives and purposes are intelligible.

Not so with the Gowrie mystery. The King, Mary’s son, after hunting for four hours, rides to visit Lord Gowrie, a neighbour. After luncheon, that nobleman and his brother are slain, in their own house, by the King’s attendants. The King gives his version of the events instantly; he never varies from it in any essential point, but the story is almost incredible. On the other hand, the slain men cannot speak, and only one of them, if both were innocent, could have told what occurred. But one of their apologists, at the time, produced a version of the events which is, beyond all doubt, boldly mendacious. It was easy to criticise and ridicule the King’s version; but the opposite version, hitherto unknown to historians, destroys itself by its conspicuous falsehoods. In the nature of the case, as will appear, no story accounting for such wild events could be easily credible, so extraordinary, motiveless, and inexplicable do the circumstances appear. If we try the theory that the King wove a plot, we are met by the fact that his plot could not have succeeded without the voluntary and vehement collaboration of one of his victims, a thing that no man could have reckoned on. If we adopt the idea that the victims had laid a trap for the King, we have only a vague surmise as to its aim, purpose, and method. The later light which seemed to fall on the affair, as we shall see, only darkens what was already obscure. The inconceivable iniquity of the Government, at a later date, reflects such discredit on all concerned on their side, that we might naturally, though illogically, be inclined to believe that, from the first, the King was the conspirator. But that, we shall find, was almost, or quite, a physical impossibility.

Despite these embroilments, I am, in this case, able to reach a conclusion satisfactory to myself, a thing which, in the affair of the Casket Letters and Queen Mary, I was unable to do. 2 There is no doubt, in my own mind, that the Earl of Gowrie and his brother laid a trap for King James, and fell into the pit which they had digged.

To what precise end they had plotted to seize the King’s person, what they meant to do with him when they had got him, must remain matter of conjecture. But that they intended to seize him, I have no doubt at all.

These pages, on so old and vexed a problem, would not have been written, had I not been fortunate enough to obtain many unpublished manuscript materials. Some of these at least clear up the secondary enigma of the sequel of the problem of 1600. Different readers will probably draw different conclusions from some of the other documents, but perhaps nobody will doubt that they throw strange new lights on Scottish manners and morals.

The scheme adopted here is somewhat like that of Mr. Browning’s poem, ‘The Ring and the Book.’ The personages tell their own stories of the same set of events, in which they were more or less intimately concerned. This inevitably entails some repetition, but I am unable to find any plan less open to objection.

It must, of course, be kept in mind that all the evidence is of a suspicious nature. The King, if he were the conspirator, or even if innocent, had to clear himself; and, frankly, his Majesty’s word was not to be relied upon. However, he alone was cross-examined, by an acute and hostile catechist, and that upon oath, though not in a court of justice. The evidence of his retinue, and of some other persons present, was also taken on oath, three months after the events, before a Parliamentary Committee, ‘The Lords of the Articles.’ We shall see that, nine years later, a similar Committee was deceived shamelessly by the King’s Government, he himself being absent in England. But the nature of the evidence, in the second case, was entirely different: it did not rest on the sworn testimony of a number of nobles, gentlemen, and citizens, but on a question of handwriting, comparatio literarum, as in the case of the Casket Letters. That the witnesses in 1600 did not perjure themselves, in the trial which followed on the slaughter of the Ruthvens, is what I have to argue. Next, we have the evidence, taken under torture, of three of the slain Earl’s retainers, three weeks after the events. No such testimony is now reckoned of value, but it will be shown that the statements made by the tortured men only compromise the Earl and his brother incidentally, and in a manner probably not perceived by the deponents themselves. They denied all knowledge of a plot, disclaimed belief in a plot by the Earl, and let out what was suspicious in a casual way, without observing the import of their own remarks.

Finally, we have the evidence of the only living man, except the King, who was present at the central point of the occurrences. That this man was a most false and evasive character, that he was doubtless amenable to bribes, that he was richly rewarded, I freely admit. But I think it can be made probable, by evidence hitherto overlooked, that he really was present on the crucial occasion, and that, with all allowances for his character and position, his testimony fits into the facts, while, if it be discarded, no hypothesis can account for him, and his part in the adventure. In short, the King’s tale, almost incredible as it appears, contains the only explanation which is not demonstrably impossible. To this conclusion, let me repeat, I am drawn by no sentiment for that unsentimental Prince, ‘gentle King Jamie.’ He was not the man to tell the truth, ‘if he could think of anything better.’ But, where other corroboration is impossible, by the nature of the circumstances, facts corroborate the King’s narrative. His version ‘colligates’ them; though extravagant they become not incoherent. No other hypothesis produces coherency: each guess breaks down on demonstrated facts.