Читать книгу Stalker - Ларс Кеплер - Страница 18

The white light of the floodlamps fills the bedroom, forming blinding suns in the glass of the window. Everything is illuminated, every thread, every swirling mote of dust. A trail of blood runs across the pale grey carpet to the bed, like tiny black pearls.

Margot stops inside the door, but hears the others carry on towards the bed, then the rustling of their overalls stops.

‘God,’ Adam gasps in a muffled voice.

Once again Margot thinks of the video, of Susanna walking about with her trousers dangling from one foot as she kicked to get rid of them.

She lowers her eyes and sees that her clothes have been turned the right way and are now piled neatly on the chair.

‘Margot? Are you OK?’

She meets Adam’s gaze, sees his dilated pupils, hears the dull buzz of flies, and forces herself to look at the victim.

The covers have been pulled up under her chin.

Her face is nothing but a dark-red, deformed pulp. He’s hacked, cut, stabbed and carved away at it.

She goes closer and sees a single eye staring crookedly up at the ceiling.

Erixon folds the covers back. They’re stiff with dried blood; skin and fabric have stuck together. There’s a faint crunching sound as the dried blood comes loose, and little crumbs rain down.

Adam raises one hand to his mouth.

The inhuman brutality was concentrated around her face, neck and chest. The dead woman is naked and smeared in blood, with more stab-wounds and further bleeding beneath her skin.

Erixon photographs the body, and Margot points at a mottled green patch to the right of her stomach.

‘That’s normal,’ Erixon says.

Her pubic hair has started to regrow around the reddish blonde tuft on her pudenda. There are no visible marks or injuries to the insides of the thighs.

Erixon takes several hundred pictures of the body, from the head resting on the pillow all the way down to the tips of her toes.

‘I’m going to have to touch you now, Susanna,’ he whispers, and lifts her left arm.

He turns it over and looks at the defensive wounds, cuts which indicate that she tried to fend off the attack.

With practised gestures he scrapes under her fingernails, the most common place to find a perpetrator’s DNA. He uses a new tube for each nail, attaches a label and makes a note on the computer on the bedside table.

Her fingers are limp, because rigor mortis has loosened its grip now.

When he’s done with her nails he carefully pulls a plastic bag over her hand and fastens it with tape, ahead of the post-mortem.

‘I pay house visits to ordinary people every week,’ Erixon says quietly. ‘They’ve all got broken glass, overturned furniture and blood on the floor.’

He walks round the bed and carries on with the nails of the other hand. Just as he’s about to pick it up he stops.

‘There’s something in her hand,’ he says, and reaches for his camera. ‘Do you see?’

Margot leans forward and looks. She can make out a dark object between the dead woman’s fingers. She must have been clutching it tightly because of rigor mortis, but now it’s visible as her hand relaxes.

Erixon picks up the woman’s hand and carefully lifts the object. It’s as if she still wants to hold on to it, but is too tired to struggle.

His bulky frame blocks Margot’s view, but then she sees what the victim was clutching in her hand.

A tiny, broken-off porcelain deer’s head.

The head is shiny, chestnut-brown, the broken surface at the bottom white as sugar.

Did the perpetrator or her husband put it in her hand?

Margot thinks of the glass-fronted cabinet, she’s almost certain that all the porcelain figures were intact, even if they had fallen over.

She steps back to get an overview of the bedroom. Beside the dead woman Erixon stands, hunch-backed, photographing the little brown head. Adam is sitting slumped on a pouffe in front of the wardrobe. It looks like he’s still trying not to throw up.

Margot walks back out to the glass-fronted cabinet again, and stands for a while in front of the toppled figurines. They’re all lying as if they were dead, but none of them is broken, none is missing its head.

Why is the victim holding a small deer’s head in her hand?

She looks over towards the bright light of the bedroom and thinks that she ought to go and take one last look at the body before it’s moved to the pathology department in Solna.