Читать книгу Infamous - Lauren Conrad - Страница 8
ОглавлениеTrevor sucked grimly on an ice cube as he sat in the editing bay at PopTV Studios. Before him were half a dozen computer screens, and each displayed raw footage from the past few weeks of season-two shooting. Kate and Carmen shopping. Sophia trying to bend Kate into pigeon pose. Carmen on a phone call with her publicist. Kate and Drew curled up on her couch, recapping her most recent performance. Each clip made him want to—well, depending on his mood, either fall asleep . . . or jump out a window.
He spun around in his swivel chair, and Laurel eyed him nervously. He’d already thrown one fit today, and she was probably bracing herself for round two. He’d promoted her to executive producer, but the old listen-to-Trevor-when-he-freaks-out part of her job description remained.
“That Kate and Drew scene could be intercut with shots of Carmen looking wistful,” she suggested.
“Oh really?” he said facetiously. “I never would have thought of that.”
Trevor crunched the ice cube from his latte and fished another one from his cup. With Gaby in rehab and Madison AWOL, he was trying to make a show with half his regular cast. He’d managed to patch together the final few episodes of season one, using old footage of the main girls and some new footage featuring Sophia more prominently. What a nightmare that had been. He’d used an army of interns to comb through unused scenes, and there were too many continuity problems to count. Gaby had had a Restylane mishap (for a couple of days it looked as if she’d been punched in the mouth), Madison had put on a few pounds during the Ryan weeks (though it looked great on her), and Kate had taken a weekend trip to Palm Springs, but she might as well have taken a nap in a tanning bed (she came back looking more like a Jersey Shore reject than an up-and-coming musician).
Then the ratings came in, which showed a troubling dip; in particular, audiences did not respond well to Sophia’s bigger role. They liked her in the background well enough, but the moment she stepped into the spotlight, people starting changing the channel.
At least Gaby’s OD, while unfortunate for all sorts of reasons, had played out well on screen. He’d found footage of Madison and Gaby at a café, in which Madison looked worried about her friend, so he’d used that. He’d even been able to fall back on the footage of her storming out of the massage room that day, cleverly editing it so it looked like Gaby’s drug problem was what had made Madison so upset.
Yes, he had managed to create an excellent season finale, if he did say so himself. The shots of the girls in the waiting room, their eyes brimming with tears—well, that had been some seriously moving television.
There was a knock on the door, and Trevor barked out, “Who is it?”
Stephen Marsh, the newest Fame Game producer, poked his head in. “Hope is trying to renege on their offer to let us film on site,” he said.
Trevor glared at him. “Don’t let them off the hook,” he said. “And don’t make me call them myself,” he added. He turned to Laurel. “Make sure he handles this right, okay?”
Laurel nodded and followed Stephen out, and Trevor returned to his thoughts.
He’d given his girls a break over the holidays, but now it was time to get things rolling again. Carmen’s regular appearance in the tabloids was good for ratings (the fight with her mom was great, though it killed him that he hadn’t captured it on film), and he hoped it would last. Carmen was a smart girl; she knew what made good TV. The problem was, she didn’t always bother to make it. For instance, she seemed to be involved with Luke Kelly again, this time for real. Why couldn’t that guy just go away? He’d served his purpose for the show, and now he was simply a nuisance. He wasn’t even in the country, and yet he was monopolizing Carmen’s romance story line.
On the bright side, Laurel had suggested that the Kate-Drew hookup might be getting on Carmen’s nerves. Trevor had moved Carmen and Kate into Madison and Gaby’s old place. He’d figured he’d get good footage of the show’s two rising stars living together—but he hadn’t predicted Drew’s near-constant presence. If Kate didn’t stop hanging all over him, Carmen Curtis—the privileged girl who’d always gotten her way—was going to snap.
It would take only a tiny little push. . . .
And Kate Hayes, while certainly not the most charismatic girl he’d ever filmed, was now huge in the Midwest. (If he ever sent her back to Ohio again, he felt certain she’d be carried away by a mob of screaming tweens.) Trevor felt confident that Kate’s appeal would only grow as she pursued her music career more fully in season two.
There was always good old Jay, too. For reasons that Trevor couldn’t fathom, Jay had become a fan favorite. Maybe there was something about his blend of frat-guy fart jokes and pseudo-philosophical BS that really appealed to the Fame Game audience. So, even though Gaby said they’d broken up because of one of her steps (she couldn’t remember which it was, but it had something to do with “taking personal inventory”), Trevor would make sure they had lots of run-ins over the next few months.
The only real problem was Madison Parker. The show needed her desperately. He knew she was back in town and that she was at least open to talking—or her agent was, anyway. What Trevor didn’t know was what it would take to get her back in front of the PopTV cameras. He supposed he’d find out soon enough how dearly he’d have to pay for her return.